The Tragic Absolute: German Idealism and the Languishing of God

by David Farrell Krell

"This is vintage Krell―he is as always, a reader in the best sense of the word. . . ." ―Dennis J. Schmidt

"Krell is a strong and often eloquent writer . . . I regard this to be one of his most important works. . . ." ―Jason M. Wirth

In The Tragic Absolute, David Farrell Krell shows that German Idealist and Romantic theories of literature and aesthetic judgment, especially when it comes to tragedy, are closer to the heart of metaphysics and ethics than previously thought. Krell not only explores the contributions of Schelling, Hölderlin, Novalis, Hegel, and Nietzsche to the aesthetics of tragedy, he also charts the fate of the absolute and speculative philosophy in terms of the tragic. Krell explodes the usual conception that aesthetic judgments about literary genres are relatively marginal subjects for philosophy. Indeed, in Krell's view, even God himself, the very absolute of traditional metaphysics, is seen as languishing and condemned to tragic downfall. Questions concerning the death of God, the role of trauma and forgetting in narrative, the overcoming of barriers between humans and other living beings, and the role of music and rhythm as sources of ecstasy are highlighted in this keen, precise, and lively book.

Genres: Philosophy, Nonfiction

496 pages, Paperback

First published September 20, 2005

About the author

David Farrell Krell is an American philosopher and professor emeritus at DePaul University, specializing in Continental Philosophy. He earned his Ph.D. from Duquesne University, where he focused on Heidegger and Nietzsche, two figures central to his scholarly work. Krell has taught at various universities in the United States and Europe, contributing extensively to the study of German Idealism, Romanticism, and deconstruction.
He has authored numerous books, including Daimon Life: Heidegger and Life-Philosophy (1992), Infectious Nietzsche (1996), and The Tragic Absolute: German Idealism and the Languishing of God (2005), examining themes of mortality, time, and finitude. His work also explores the intersections of philosophy, literature, and aesthetics, as seen in Lunar Voices (1995) and Archeticture: Ecstasies of Space, Time, and the Human Body (1997). Krell has been a key translator of Heidegger’s lectures on Nietzsche and edited Basic Writings (1977), a widely used collection of Heidegger’s essays.
Influenced by Jacques Derrida, Krell has engaged with deconstructive approaches to Nietzsche and Heidegger, shaping contemporary discussions on these thinkers. His later works, such as Ecstasy, Catastrophe (2015) and The Sea: A Philosophical Encounter (2018), continue his inquiries into existential and aesthetic themes, cementing his reputation as a major voice in modern Continental thought.

Reviews

[Nathan · Rating 5 out of 5]

This is such a gnarly book. I love it.