In Matt Thorburn's “Subject to Change,” we are in the presence of a poet of great confidence and force. He creates astonishing images--the first lines of “Portrait of Former Lovers…” contains one of the loveliest and most evocative physical images I've come across in a long time. Elsewhere perfectly likening an emotional state to a particular kind of cheese; and in the breathtaking extended poem “The River,” amongst devastating emotional upheaval we receive a perfect aphorism: “Get your heart into this, or else get it out of your heart.”
He is a poet who can wield form, yet still maintain a sense of play, wield it so lightly that, with the exception of one terrifically playful poem with a terrific and unavoidable rhyme for “Stratocaster,” you don't notice until you take in the actual words on the page. It's a real accomplishment.
But if all STC was was an exercise in formalities and subtle trickery, it would not be enough. What Matt Thorburn accomplishes in this book, is to make the floor shift under the reader without ever losing them. As you read these poems, you occasionally get a truly disconcerting sense of dislocation--what is going on? Where are we? There is almost a feeling that the poet intends to disorient. He paints things in opposition; things not as they should be. He makes unlikely connections in imagery that stretch the reader's concept of metaphor, yet hold together perfectly,
But Matt Thorburn never loses the heart--the essence--of his poems in mere wordplay. He bends language to the work of finding out “where” things really are, and even if that means getting temporarily farther away from true destination, Matt Thorburn's ability to take himself and his reader out, with the delivered promise of return, perhaps not safe, perhaps not emotionally unchanged, yet…where the poem belongs, make STC a mesmerizing and endlessly enjoyable reading experience.