Happy Birthday, Felicity! is definitely the weakest book in Valerie Tripp’s Felicity series, combining two storylines that don’t complement each other super well and feel a bit disjointed at times. Still, it teaches lessons about trust and responsibility while also being the first book of the series to depict a real-life event that preludes the American Revolution. You can probably skip this one if you’re reading the Felicity series for continuity, but it’s got its fun moments and certainly is a high-quality historical book for kids.
In the spring of 1775, Felicity Merriman anxiously anticipates her tenth birthday, especially as her beloved grandfather comes to visit them, bringing a lamb named Posie as a gift for the children. Grandfather also gifts Felicity with a precious heirloom — her grandmother’s beautiful wooden guitar — with the understanding that Felicity is old enough and responsible enough to not take it out of the house for safekeeping. However, Felicity cannot resist the temptation to show the guitar off to bossy Annabelle Cole at their lessons with Miss Manderly, leading to disastrous consequences. Felicity also accidentally overhears a plot by British Governor Dunmore’s men to steal gunpowder from the colonists’ Magazine to prevent an uprising, and Felicity, whose interest is increasingly being drawn by the presence of the Williamsburg militia, must decide how she can help her countrymen and win back the trust of her family.
This book is the first one fully set in the year 1775, and Tripp highlights the increasing tension between the Americans and the British, especially as the Williamsburg militia has begun doing public demonstrations. Tripp also includes her first foray into an actual historical event — the attempted theft of the colonists’ gunpowder by Dunmore’s men — and makes the bold choice to incorporate Felicity into that event. According to the closing notes of Happy Birthday, Felicity!, historians still don’t know who raised the alarm that alerted the militia to the robbery, and Tripp depicts Felicity, Ben, and Isaac as the ones who learned of the plot and warned the militia. Though the historical drama is a bit removed from the Felicity series as a whole, Tripp does a nice job of paralleling Felicity losing the trust of her family with Governor Dunmore losing the trust of the colonists. The theme that trust once lost is hard to regain is a powerful one, as is Tripp’s narrative parallel with showing that Loyalists believe the Patriots to be irresponsible.
Tripp begins to really showcase the increasing seriousness of the American Revolution: the inclusion of the militia sparks a realization for Felicity that these men are willing to die for their freedom. The smaller-scale conflicts between family members and friends pave the way for bigger conflicts to come, especially those that reflect the schism of the American colonists. The historical information at the end of the book mostly focuses on family life, childhood, and the militia, including the real-life raid depicted in Happy Birthday, Felicity! Dan Andreasen’s lovely springtime illustrations complement the overall story of birthdays, changing of seasons, and excitement in the air. Tripp uses gardening as a metaphor for stubbornness and growth, the guitar as a picture of maturity, and caring for animals as a symbol of responsibility (though the inclusion of Posie into the plot kind of comes out of nowhere and goes nowhere).
Happy Birthday, Felicity! feels a bit disconnected from the rest of the Felicity series, mostly because Tripp alternates between light and heavy tones unevenly. The two storylines — Felicity disobeying the rule about her guitar, and the governor’s scheme to steal the colonists’ munitions — don’t mesh all that well, despite their similar themes of trust and responsibility. Felicity’s involvement in the plot to save the gunpowder, while exciting, stretches the imagination a bit and puts her in some serious physical danger, a fact that is not really addressed by the narrative. The conclusion, with Felicity being forgiven for her disobedience and praised for her actions in saving the gunpowder, is pretty rushed and doesn’t feel as satisfying as most of the other books’ endings. The fact that only one scene in the entire book (the one where Felicity and Elizabeth watch the horses and the militia) was included in the 2005 Felicity movie is unsurprising, given how disjointed it feels from the rest of the series.
In Happy Birthday, Felicity!, Felicity displays a lot of the character traits we’ve come to know and love in her: courage, leadership, reliability, and a strong desire to do what she believes is right. Again we see her in a bit more of a coming-of-age narrative as she learns tough lessons, loses her family’s trust for awhile, and makes her first dangerous foray into the world of political matters. Felicity has slowly come to enjoy things like stitchery and dancing, and her longing to learn to play music comes alongside the reveal that Felicity is an accomplished gardener, something that enhances her character nicely. Her poor choice of disobeying and taking the guitar to Miss Manderly’s house shows some pride and pettiness we haven’t seen much in Felicity, but Tripp shows some serious consequences for her actions and genuine remorse from Felicity. Her choices at the end of the book are bold but feel in character for Felicity, and it’s nice to see her reconciliation with her family after she’s proved her reliability once again.
A few of our familiar characters are back and showing off their differing political opinions as Felicity struggles to make her own decisions. Elizabeth’s Loyalist leanings are starkly thrown into the light as she and Felicity watch the militia drill, and Ben’s Patriot beliefs are especially noticeable as he hints at his willingness to run away from his apprenticeship contract and join the militia. The involvement of Mr. Cole (however indirect) in the governor’s theft is surprising, but most shocking is Felicity’s parents’ reaction to her story about overhearing the plot. Felicity has never shown a proclivity to lie, especially about something so important, and the fact that Mr. Merriman instantly dismisses her warning and scolds her for lying is very out of character. The whole family’s instant brushing aside of Felicity’s dangerous nighttime escapade is a bit uncharacteristic as well, which is yet another reason Happy Birthday, Felicity! feels out of place in the series.
In this book, we are introduced for the first time to Felicity’s grandfather, a traditional Loyalist who was born in England and who vehemently disagrees with Patriots like Ben and Mr. Merriman; Grandfather’s clashes with them sets up an interesting, timeless depiction of families divided against one another politically, but Tripp does a good job of showing that family love and respect should always supersede differing opinions. We also meet Isaac Wallace, a freed Black man who serves in the Williamsburg militia. The Felicity books have taken a bit of heat over their depiction of slavery, and I understand why: Tripp’s focus is not on slavery and doesn’t need to be, but it certainly would have been impactful to highlight the injustices of slavery, especially with the Felicity series’ overall themes of liberty and independence. Isaac Wallace’s character is the closest we get to seeing a Black person’s unique struggles in 1775, as he fears being seen on the streets after dark, but it is a bit unusual to see that theme when the fact that Felicity’s family (her father and grandfather, both of whom are sympathetic) owns several slaves is never brought up. American Girl released the Addy series to actively address slavery and did a great job with that, but Felicity would have been a good opportunity to at least mention it as well.
Happy Birthday, Felicity! gets some points for its bold inclusion of Felicity as a linchpin to igniting the colonists’ anger against Governor Dunmore, but the pacing of the novel is erratic and the tone uneven. Kids can certainly learn lessons from Felicity’s disobedience and irresponsibility, but Tripp’s usually excellent pacing and blending of themes is just off in this installment.