Bloom continues, "There are other American poets since Stevens who have composed a handful of memorable poems, but only Ammons has begun to show us a whole poetic world. More than his contemporaries, he has perfected a voice that, to cite Emerson, is 'ready to render an image of every created thing.'"
David Kalstone says, "The poems are, by and large, tough or wry meditations, striking out into strange landscapes, dreams or nightmares, which are seen with entire clarity, no blurring, as if this were the only way the mind could be unwound on the page. The book forms a journal of mental states, each poem finding a form and a scene for a very exact mental encounter of discovery. . . . 'Small and Easy' is the way everything is finally made to seem, like the rarest dancing, in which briefly and freshly the dancer shows us what space is like by showing how much he can possess."
Archie Randolph Ammons was born outside Whiteville, North Carolina, on February 18, 1926. He started writing poetry aboard a U. S. Navy destroyer escort in the South Pacific. After completing service in World War II, he attended Wake Forest University and the University of California at Berkeley.
His honors included the Academy's Wallace Stevens Award, the Poetry Society of America's Robert Frost Medal, the Ruth Lilly Prize, and fellowships from the Guggenheim Foundation, the MacArthur Foundation, and the American Academy of Arts and Letters.
He lived in Ithaca, New York, where he was Goldwin Smith Professor of Poetry at Cornell University until his retirement in 1998. Ammons died on February 25, 2001.
I look for the forms things want to come as ... how a thing will unfold: not the shape on paper - though that, too - but the uninterfering means on paper: not so much looking for the shape as being available to any shape that may be summoning itself through me from the self not mine but ours.
***
to keep the life and shape, to keep the sphere, I hide contours, progressions between
turning lines, towards the higher reason that contains the war of shape and loss at rest.
***
What small grace comes must count hard
and then belong to the poem that is in need
not to my own redemption except as the mirror gives back the dream...
***
contemplation is still where the ideas of permanence and transience fuse in a single body, ice, for example, or a leaf: green pushes white up the slope: a maple leaf gets the wobbles in a light wind and comes loose
half-ready: where what has always happened and what has never happened before seem for an instant reconciled...
I enjoyed this collection, but still prefer his other "short" collection entitled "The Very Short Poems of A.R. Ammons." I would not say that these poems are easy; rather, they are difficult poems in small doses. The small dose can ease the difficulty and allow one to grasp a poem better, in my opinion. As a way into Ammons, whose long poems are not favorites of mine, this book is perhaps the best available in Nook or Kindle format. The way to read this book is ten poems at a time and then a few days rest.
Briefings: Poems Small and Easy by A. R. Ammons is a collection of small and easy poems by the poet A.R. Ammons.
Man, this book was a joy to read. The poems were, as the title suggests, small and easy. Though digestible, these poems packed a lotta punch.
BUT
The reason why I wanna sing these poems' laurels is because Ammons' writing is so unique. During a time-period, the mid 20th century, when everyone was trying to be unique and ending up being lackluster, Ammons' writing was so singularly his.
I love how he used the colon (:).
Actually, yeah. That's it. The way he used the (:) is amazing. To me, that's groundbreaking.