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The Licorice Daughter: My Year with Ruffian
"Thoroughbred racing has never gotten over Ruffian. Lyn Lifshin came out of nowhere to become a Ruffian fan, a zealot for everything Ruffian stood for and all that she touched. Her poems will carry you away to a field of Kentucky foals, to the racetrack where each new horse could be the one, to the bone-numbing feeling of a runaway winner and to the despair of watching brilliance flame out. Ruffian would have liked Lifshin." --Sean Clancy, author of Saratoga Days "Eros and Equus perfectly combine in these sleek, sensual poems. From brilliant filly to tragic fatality, Lifshin keeps pace with this dark darling of the track, everybody's favorite-Ruffian." --Laura Chester "These poems do the memory and legacy of Ruffian The Beauty justice at last. Poetry is the only medium to evoke the life and tragic death of this extraordinary horse, and Lyn Lifshin proves more than up to the task. They mirror the evolution of Ruffian's athletic prowess and striking black beauty with deft attentiveness and poignant detail. They do not merely honor the memory of Ruffian, but invoke the dynamic ghost of her radiant presence . . ." --Joe La Rosa
128 pages, Paperback
First published July 1, 2005
20 people want to read
About the author
Lyn Lifshin
142 books11 followersLyn Diane Lifshin (1942) is an American poet and teacher.
Born in Barre, VT, she was raised in Middlebury, VT. She earned a bachelor's degree in English from Syracuse University and a master's degree in English from the University of Vermont (writing a thesis on Dylan Thomas). She also studied at Brandeis University, the Bread Loaf School of English and attended the Bread Loaf Writer's Conference.
Lifshin moved to Schenectady, NY in the 1970s with her then husband who worked for General Electric. She enrolled in a doctoral program in English at SUNY Albany, and began submitting her work for publication. She quickly began appearing in a variety of literary magazines. When she left SUNY, she began teaching creative writing workshops at various public venues such as libraries as well as at her home in Niskayuna, NY. Eventually, she began earning a living primarily from workshops, readings, and visiting faculty positions.
Lifshin has been called "The Queen of the Lit Mags" and "The Queen of Modern Romance Poetry". Over 120 books and chapbooks of her work have been published. She has also edited 4 anthologies (appearing in innumerable others) and was the subject of the award winning documentary film, Not Made of Glass. Her work has appeared in numerous literary magazines and cultural publications, including The American Scholar, Christian Science Monitor, Ploughshares, nthWORD, Blue Lake Review, Dunes Review, and Rolling Stone Magazine.
Bibliographers and literary critics would be hard-pressed to find a literary journal that has not published at least one Lifshin poem at one time or another. To date, however, there is no comprehensive bibliography of her publications and unpublished manuscripts.
She currently divides her time between a home in Niskayuna, NY and a residence in Virginia.
(from Wikipedia)
Born in Barre, VT, she was raised in Middlebury, VT. She earned a bachelor's degree in English from Syracuse University and a master's degree in English from the University of Vermont (writing a thesis on Dylan Thomas). She also studied at Brandeis University, the Bread Loaf School of English and attended the Bread Loaf Writer's Conference.
Lifshin moved to Schenectady, NY in the 1970s with her then husband who worked for General Electric. She enrolled in a doctoral program in English at SUNY Albany, and began submitting her work for publication. She quickly began appearing in a variety of literary magazines. When she left SUNY, she began teaching creative writing workshops at various public venues such as libraries as well as at her home in Niskayuna, NY. Eventually, she began earning a living primarily from workshops, readings, and visiting faculty positions.
Lifshin has been called "The Queen of the Lit Mags" and "The Queen of Modern Romance Poetry". Over 120 books and chapbooks of her work have been published. She has also edited 4 anthologies (appearing in innumerable others) and was the subject of the award winning documentary film, Not Made of Glass. Her work has appeared in numerous literary magazines and cultural publications, including The American Scholar, Christian Science Monitor, Ploughshares, nthWORD, Blue Lake Review, Dunes Review, and Rolling Stone Magazine.
Bibliographers and literary critics would be hard-pressed to find a literary journal that has not published at least one Lifshin poem at one time or another. To date, however, there is no comprehensive bibliography of her publications and unpublished manuscripts.
She currently divides her time between a home in Niskayuna, NY and a residence in Virginia.
(from Wikipedia)
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Displaying 1 of 1 review
March 6, 2011
I was only vaguely aware of Lyn Lifshin when I was asked to review this book. I'd read an article of hers in a book in which we'd both been published and, a few weeks previously, a poet friend of mine whose opinion I respect raved about her work. When the opportunity to review Lyn's latest book (or second latest at the time of this writing - I think she puts out a book a month!) came up, I was eager to find out what my own opinion was.
The Licorice Daughter is poetry-novella based on the true story of Ruffian, widely considered the best female racing horse in history. I believe Ruffian was even featured in the Sports Illustrated top 100 female athletes of all time. (But not in the swimsuit edition, to my knowledge.) To avoid spoiling the book, I'll say no more than that.
When I realized, about 10 pages in, that this was a book about horses, or about a series of horses I began to regret my offering to review it. It's a subject area of which I have little interest, and yet the poems were good enough that I was enjoying reading it, so I figured that was all that mattered. It wasn't until about a third of the way through the book that I realized that this was all about one horse and, in fact, a continuing narrative. This piqued my interest greatly and, to use the obligatory cheesy book-review metaphor, it was a race all the way to the finish line after this point. Born after the events in the story, I wasn't aware that the story was based on reality until I did some research later, so this also kept my interest for quite a while.
There is a burning inevitability to The Licorice Daughter which I love, and makes the book a thrilling read. I'll quote a poem about Ruffian from the book, which I think applies equally to The Licorice Daughter as a read:
It Was Her Stride, Long, Almost Dream-Like, Floating
riders with a sense of
pace were fooled.
She was like a dancer
with balloon, hanging
in the air, suspended.
If you were on her,
you thought the
clockers were wrong.
Sometimes it seemed
she wasn't running,
never came back
winded. Those long
legs seemed too
long for a real horse.
Someone said it
was as if she hung
there and the ground
rushed under her
While the book starts off a bit slow out of the starting gate, the book picks up a lot of speed by the middle and is running at full gallop by the last third, even though you know where it's going. Ruffian's story is an engaging one and Lyn does not do it a disservice. A lot of poets try to boost their poetry, or replace a lack of something to say, by co-opting an already existing story. Certainly this is legitimate poetic practice, however, often the poet does nothing more than dilute the strength of the original story for poetic gain. Lifshin, on the other hand, brings a lot to this little known (at least to me!) story, filling in or making up pieces that have not been documented by the papers and historians, and giving a real sense of the passion, the life, and the intimate hopes behind Ruffian and all those involved with her story, from the jockeys, to the fans and beyond. It's a sign of a remarkable poet who can improve upon a classic story.
The book is notable for a number of other features. One thing I enjoyed was that the poems weren't linked like chapters, but more like a grasshopper touching down as it hopped along Ruffians lifeline, allowing the reader to piece together a lot of the details. Often times two or three poems would cover the same event. Rather than being redundant, they offered different views of on singular piece of the story and this was quite refreshing. The book dances close to cliché on a few occasions (what books don't?), but never touches, and often blasts off in some wonderful directions. I particularly enjoyed some of the poems at the end that manage to tie thing like eBay to the story of this horse from 30 years ago. Unexpected and wonderful.
If I was a visionless corporate book producer, I'd target this book towards young girls. I wouldn't target it towards horse enthusiasts because they aren't a big enough market...and we all know that poetry doesn't sell anyway. Unless you're dead and your name is Bukowski. Thankfully I'm not and while this book would certainly delight little girls, it would also be a must for any horse enthusiast. But still that's narrow minded. This book is well executed, fun, a quick read, and contains a great and engaging story. I believe it would be a great book for anyone who loves poetry. Even lovers of sports (if you can convince them to give poetry a try) should like it.
I think the true sign of a good book is if you can get someone who isn't at all interested in the subject to like it. As someone who is highly contrarian, very critical of poetry about hackneyed overdone things like horses, and far from sporty or interested in things equine I greatly enjoyed this book, so I believe anybody will if they give it a try.
The Licorice Daughter is poetry-novella based on the true story of Ruffian, widely considered the best female racing horse in history. I believe Ruffian was even featured in the Sports Illustrated top 100 female athletes of all time. (But not in the swimsuit edition, to my knowledge.) To avoid spoiling the book, I'll say no more than that.
When I realized, about 10 pages in, that this was a book about horses, or about a series of horses I began to regret my offering to review it. It's a subject area of which I have little interest, and yet the poems were good enough that I was enjoying reading it, so I figured that was all that mattered. It wasn't until about a third of the way through the book that I realized that this was all about one horse and, in fact, a continuing narrative. This piqued my interest greatly and, to use the obligatory cheesy book-review metaphor, it was a race all the way to the finish line after this point. Born after the events in the story, I wasn't aware that the story was based on reality until I did some research later, so this also kept my interest for quite a while.
There is a burning inevitability to The Licorice Daughter which I love, and makes the book a thrilling read. I'll quote a poem about Ruffian from the book, which I think applies equally to The Licorice Daughter as a read:
It Was Her Stride, Long, Almost Dream-Like, Floating
riders with a sense of
pace were fooled.
She was like a dancer
with balloon, hanging
in the air, suspended.
If you were on her,
you thought the
clockers were wrong.
Sometimes it seemed
she wasn't running,
never came back
winded. Those long
legs seemed too
long for a real horse.
Someone said it
was as if she hung
there and the ground
rushed under her
While the book starts off a bit slow out of the starting gate, the book picks up a lot of speed by the middle and is running at full gallop by the last third, even though you know where it's going. Ruffian's story is an engaging one and Lyn does not do it a disservice. A lot of poets try to boost their poetry, or replace a lack of something to say, by co-opting an already existing story. Certainly this is legitimate poetic practice, however, often the poet does nothing more than dilute the strength of the original story for poetic gain. Lifshin, on the other hand, brings a lot to this little known (at least to me!) story, filling in or making up pieces that have not been documented by the papers and historians, and giving a real sense of the passion, the life, and the intimate hopes behind Ruffian and all those involved with her story, from the jockeys, to the fans and beyond. It's a sign of a remarkable poet who can improve upon a classic story.
The book is notable for a number of other features. One thing I enjoyed was that the poems weren't linked like chapters, but more like a grasshopper touching down as it hopped along Ruffians lifeline, allowing the reader to piece together a lot of the details. Often times two or three poems would cover the same event. Rather than being redundant, they offered different views of on singular piece of the story and this was quite refreshing. The book dances close to cliché on a few occasions (what books don't?), but never touches, and often blasts off in some wonderful directions. I particularly enjoyed some of the poems at the end that manage to tie thing like eBay to the story of this horse from 30 years ago. Unexpected and wonderful.
If I was a visionless corporate book producer, I'd target this book towards young girls. I wouldn't target it towards horse enthusiasts because they aren't a big enough market...and we all know that poetry doesn't sell anyway. Unless you're dead and your name is Bukowski. Thankfully I'm not and while this book would certainly delight little girls, it would also be a must for any horse enthusiast. But still that's narrow minded. This book is well executed, fun, a quick read, and contains a great and engaging story. I believe it would be a great book for anyone who loves poetry. Even lovers of sports (if you can convince them to give poetry a try) should like it.
I think the true sign of a good book is if you can get someone who isn't at all interested in the subject to like it. As someone who is highly contrarian, very critical of poetry about hackneyed overdone things like horses, and far from sporty or interested in things equine I greatly enjoyed this book, so I believe anybody will if they give it a try.
Displaying 1 of 1 review