Throughout the vast reaches of the galaxy—wherever fugitives meet or lawbreakers conspire—one name is always uttered in hushed tones... Some say he is a Mandalore warrior; others, that he merely wears the Mandalore battlesuit because of its unrivalled killing power. The truth is impossible to confirm, for none have seen the face that gazes with merciless eyes from within that battered helmet – none, at least, who have lived to tell the tale.
Collects Boba Fett: Bounty on Bar-Kooda, Boba Fett: When the Fat Lady Swings, and Boba Fett: Murder Most Foul.
A no-nonsense, gun-toting hardass wearing a helmet he never takes off, stalking across a futuristic wasteland and demolishing anything in his path – Judge Dredd is… Boba Fett!
John Wagner is the perfect choice for a Boba Fett series given that he’s Judge Dredd’s co-creator and the iconic Mandalorian bounty hunter is essentially Dredd both in persona and appearance. So Wagner can basically write a Dredd story and just change a few names to set it in the Star Wars universe – which is exactly what he’s done with this trio of stories!
Boba Fett is hired by the Hutts to do the usual bounty hunter things – search and rescue/assassination – while the slugs have their own mini game of thrones with one Hutt marrying another in a gangster family powerplay. Along the way he makes enemies with a pair of pirate porpoises and racks up the kill count!
This book is a lot more comedic than the modern Marvel Star Wars comics – for the better! And it’s that mix of action and comedy that reminds me so much of Wagner’s Dredd which always featured a wacky supporting cast while Dredd did his thang (grimly kill people, basically).
The stories are fairly generic and predictable, while the third and final one is really a tired repeat of the second, so they’re not that gripping to read. It’s entertaining though to see Boba Fett taking down enemies and Wagner’s British panto-esque humour was a welcome addition.
I didn’t dislike Cam Kennedy’s art – the line work is skilful – but the faded visuals really date this as a ‘90s comic, particularly with the almost lazy way the colours are applied. For example, all the characters in a scene are one colour rather than Kennedy colouring them in individually, or the background is frequently a blank wall of one colour to save him drawing any background.
Still, if you’re in the mood for a decent Dredd-flavoured Star Wars comic you’ll definitely get something out of Boba Fett: Death, Lies, & Treachery.
This Boba Fett working for/against Hutts trilogy of stories was a funny as hell read but, more than reading a Star Wars EU comic book, it was like reading a british humour filled 2000 AD magazine one.
Oh well, having read lots of John Wagner's Judge Dredd comics, that was far from unexpected for me and I totally enjoyed the ride.
Fun Star Wars comic adventures from another era. Dark Horse in the 90s expanded the universe quite well in my humble opinion, without needing endless references. It was a freer time, when Boba Fett was mysterious and didn't need a convoluted origin.
In this graphic novel, there are Hutts in love who hire Boba and that's basically the only world-building you need to know. He fights pirates and blows things up a lot, it's pretty funny and not supposed to be particularly deep. I also enjoy the art by Cam Kennedy who did Dark Empire and it works great for this aesthetic. Very different from a superhero comic, well-executed storytelling, stylistic with just enough detail for weird space opera.
Probably not canon anymore--could be I suppose as it doesn't necessarily contradict anything else, but really doesn't matter either way ~
Cam Kennedy's signature art adorns this fantastic compilation of three interrelated tales about Boba Fett and his dealings with Hutts, in this case, Gorga the Hutt's love affairs, which require convoluted plans regarding dangerous foes that only Boba Fett can tackle.
Humor is present here in the underlings and puppets of the Hutts, and Boba Fett never loses his cool, while always walking the thin line between hero and antihero.
Definitely the best story in the Boba Fett Omnibus. Cam Kennedy’s artwork is outstanding and some of the best Star Wars comics art I’ve seen. Really great story too
I found myself enjoying this compilation more than I thought I would. It was quirky; it was interesting; it was a 'fun' look into what life might be like for Boba Fett. The artwork was okay; not the worst, but definitely not the best (I would say, I much prefer the artwork in the original Tales of the Jedi mini-series that Dark Horse did over the artwork in these stories). It had a bit more humor in it that I thought possible (not that I expected it to have any humor in it at all). The character development - not sure what to say about that. It's Boba Fett, the character who barely had any screen time yet became so beloved by nearly everybody - how much more does his character need to develop? The secondary characters get more character development that Boba Fett does, which only makes sense (although Fett does seem more 'chatty' in this storyline than I would have anticipated him to be).
I think Cam Kennedy's artwork might be growing on me a little bit, and I am not sure how I feel about that. I hated his artwork in the Dark Empire stories, especially when I saw the artwork in the various Tales of the Jedi series. After reading the Dark Empire storylines a few more times, though, I did not hate it nearly so much. He really seems to focus on using them minimal amounts of colors in his work, and sometimes it looks like it is just one basic color with a lot of shapes drawn on top of it. However, considering the backwardness of the planets in these stories, I would say it does kinda work in his favor, that he uses such a bland palate instead of the full spectrum of colors possible. Granted, it is quite strange seeing the three Hutts in the story portrayed in that nasty green (with a slightly yellowish tint) color. Sometimes, I liked the way Fett was drawn in the issues, but most of the time I could really take-it-or-leave-it in terms of how he was drawn.
As much as the overall story was supposed to be about Boba Fett, it also felt like it was a story about the Hutt characters, as well, to be honest. They get quite a bit of 'screen-time' in the story, too, which was kinda surprising to me.
I did not expect any humor to be in the story, to be honest. I thought it would be much darker than it was.
Ah, well. I have said more than I intended to say. I would sayyyyy . . . 2.5 - 2.7 stars, rounded up to 3 stars (and it made me wonder how old Boba Fett was, as well, in his cameos in Empire Strikes Back and Return of the Jedi (but before the "prequels" came out). It was a fun read (although I do not know how much 'credit' it really gives Boba Fett or adds to his 'legend'), and I am glad that I took the time to enjoy it.
Reminds you of why Boba Fett is such a popular character. A Judge Dredd in space this is not. It's a one man bounty hunting machine looking to do what he does best, while avoiding an Empire, gangster and other bounty hunters.
Having read a bunch of comics published shortly before and after Dark Empire, I had hoped the weird sickly neon-pastel color scheme in that series was an isolated incident. Apparently not; it shows up here too. The pencils aren't quite as weird, though, and overall it's not quite as ugly. Still not my favorite, though.
These three stories are far more elaborate than anything in the other Boba Fett comics, but that's all in Fett's employers and their schemes. He's a largely passive figure, doing what he's hired to do with little creativity or will outside of bargaining for higher pay and making some small double-crosses. There's plenty of charisma going on in the side characters, though none of it is exactly to my taste. The hutts are kind of blah, playing the idea of Hutt love for a joke, then turning into a simple double-cross, just a bit underwhelming compared to the Jabba the Hutt series. The whole thing reminds me of the Witcher and The Mandalorian, shows where side characters and humor and the main character's gruff exterior hides an emotionally rich mind that makes their role in the external plot feel less arbitrary. Not truly terrible but certainly nothing special.
A neat little connected trilogy of action-packed adventures, concisely written and quite gorgeously illustrated, with Wagner's deft and efficient scripts rarely pausing for breath, and Kennedy's solid pencilling, lavishly inked and beautifully coloured. Possibly as much for readers of the creators' 2000AD work as for Star Wars fans.
(I wish someone from LucasFilm had had a word with Kennedy about how he consistently draws Fett's helmet wrongly, though.)
There's some dark humor in this one, but there's also a nihilist streak that seems pronounced, even for stories that feature a bounty hunter like Boba Fett. It's a fine comic, but I don't know that it feels like the sense of space adventure that's so often the core of Star Wars.
Never understood the wide-spread affection for this character from the movies. He seemed a throw-away character [especially with his seeming demise in the desert] however... this graphic novel made him a very enjoyable character. I enjoyed the read.
Nice comic from two all stars of the medium and Star Wars! This is a nice comic trilogy, showing us the good, bad and the ugly from the Star Wars universe. It is a quick read and the art is really nice and has the right mood for it.
A mid-90's series that features an ongoing Hutt/Fett storyline. Fun, with a few inventive sparks here and there, but not terribly memorable overall. Of course, I don't have much in the way of 'Star Wars' comics experience to compare it to; for all I know this might be considered an apex.
Boba Fett is only concerned about his contract and sure enough he gets the job done. This was a good story and really gets into detail about Boba Fett. Really good series and true to Mandalore lure.
A fun read with some incredible art. It does feel a bit repetitive and less fresh by the third issue but the first is one of the best Star Wars tales I’ve read.