Short story authors are often overlooked. Their stories may entice, delight, and arouse but rarely is the author remembered with strong, visceral emotions. That’s usually reserved, for good or bad, for longer length work. Here Sean Meriwether has offered a packed collection of brilliantly written, deeply moving stories that are a must read. Anyone walking away from this anthology will remember Meriwether’s name and likely have a strong reaction to it. The strength of such clean writing, evocative prose, and enticing situations makes a strong impression without fail. Twenty five delicious offerings that range from sci-fi to punk, fantasy, erotica, and weird. The stories are raunchy, sweet, sad, tender, and never let the reader forget that the honesty of the men and the situation.
The collection is presented in four parts. The first are two connected stories which are arguably some of the strongest. The honesty of the flawed relationship between a son and his father shows the complexity of such a connection and a brief glimpse into hidden thoughts. From there, a series of connected stories about a young boy named Ryan and his experiences, hopes, dreams, and fantasies in school offer a look at a young gay boy that both hates and loves his tormentors. The confusion of adolescence is beautifully contrasted to the danger of risky choices. The next linked section offers an older look, young men coming out and living in New York City. Here the stories offer touching, charming, and sometimes highly erotic glimpses into fantasies, desires, and heart break. The last grouping is a mixture of sci-fi and grunge/punk stories that show an edgy strength unlike anything else I’ve read.
Each of the stories shows clean writing and a minimum of prose. There is no need for extraneous, lengthy description when Meriwether offers a lush, gritty environment with just a few words. The turns of phrase are simple yet convey a wealth of meaning from whimsical to dark and gothic. The transformation of a young boy to a cultured, experience man is shown in the progression of the stories. Some are harsh, offering dark consequences and bitter answers while others are sweet and hopeful. The contrast also shows the breadth of the author’s ability in writing both beautifully and without missing a step. The focus is not so much on the action but the men and their setting. The themes explored run the gamut of issues, ideas, fantasies, and desires that gay men experience. Innocence, love, lust, confusion, relationships, identity, failure, and crime are all areas this collection touches upon. These are not always happy, feel good stories with tidy endings. The men involved are honest, messy, selfish, foolish, lost, needy, funny, smart, and above all real reflections of people.
The stories are also highly erotic. This is not a flowery eroticism meant solely to entice yet the authentic situations and men’s reality offer vivid descriptions that can’t fail. From the raunchy yet delightful “Sneaker Queen” about a hilarious shoe fetish to the youthful sexual awakening in “The Theory of Forward Motion” and the fascinating parade of men in “For Hire,” these all show erotic elements in many different ways. Even the sci-fi, edgy “Rumford’s Fluid” successfully mixes hope, science, and erotic desire. Each man introduced blends with their setting and crisp dialogue to give an appealing look even when the actions and outcome are grim and disturbing. Often instead of a young man being used by an older, more experienced predator, these stories turn that paradigm around and show a young man just barely sexually aware and yearning for these dark experiences without knowing the consequences. The dark, edgy world of convicts and outsiders appealing to innocent young men twists the common theme with incredible ease.
The anthology parallels its own growth and offers clever and witty ideas among the mixture of themes. From one story to the next you never know where you’re going or what new fantasy will occur or who’s view will you see – the predator or the victim. It’s incredibly hard to pick a favorite from the bounty that is offered in this collection. The stunning literary work of “Things I Can’t Tell My Father” or “So Long Anita Bryant and Thanks for Everything” sits well next to the whimsical and haunting “Boys in Summer” and harsh light of “Read Any Good Books Lately?” The first and last sections stand out for their innovation and daring, edgy themes. The haunting memory of the stories seems to linger even after reading them. The best I can offer is to read the collection for yourself and likely in order, to enjoy the progression of excellence.