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Spellwright #2
Spellbound
The exciting sequel to the acclaimed epic fantasy debut Spellwright by Blake Charlton
Francesca DeVega is a healer in the city of Avel, composing magical sentences that close wounds and disspell curses. But when a newly dead patient sits up and tells her that she must flee the infirmary or face a fate worse than death, Francesca finds herself in the middle of a game she doesn't understand―one that ties her to the notorious rogue wizard Nicodemus Weal and brings her face-to-face with demons, demigods, and a man she hoped never to see again.
Ten years ago, Nico escaped Starhaven Academy, leaving behind his failed life, in which he was considered disabled and felt useless. Now, in Spellbound , he's starting fresh, using his newfound gifts in the dark Chthonic languages to pursue the emerald that holds his birthright. Unfortunately, he can't escape the chaos of his old life. His mentor suffers from an incurable curse, agents of the fabled Halcyon hunt him day and night, pieces of Francesca's story don't add up, and the prophesized War of Disjunction looms on the horizon.
Nico and Francesca don't know it yet, but they are going to have to fit together the pieces of an age-old puzzle and discover the demon's darkest secret….
Francesca DeVega is a healer in the city of Avel, composing magical sentences that close wounds and disspell curses. But when a newly dead patient sits up and tells her that she must flee the infirmary or face a fate worse than death, Francesca finds herself in the middle of a game she doesn't understand―one that ties her to the notorious rogue wizard Nicodemus Weal and brings her face-to-face with demons, demigods, and a man she hoped never to see again.
Ten years ago, Nico escaped Starhaven Academy, leaving behind his failed life, in which he was considered disabled and felt useless. Now, in Spellbound , he's starting fresh, using his newfound gifts in the dark Chthonic languages to pursue the emerald that holds his birthright. Unfortunately, he can't escape the chaos of his old life. His mentor suffers from an incurable curse, agents of the fabled Halcyon hunt him day and night, pieces of Francesca's story don't add up, and the prophesized War of Disjunction looms on the horizon.
Nico and Francesca don't know it yet, but they are going to have to fit together the pieces of an age-old puzzle and discover the demon's darkest secret….
486 pages, Mass Market Paperback
First published August 1, 2011
54 people are currently reading
1269 people want to read
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Displaying 1 - 30 of 151 reviews
February 5, 2015
Egads, I had to do math to figure out the rating for this and I resent that. Because, like Teen Talk Barbie, I think math is hard.
Anyhow, Blake, please don't read this one either. It's just not a good idea.
Sooo...here's why math was involved. I kept having to break the book down into pieces. There was the first third, then the second half of the second third, then the first three eighths of the final third and the next eighth and then the following two eighths...it was really hard, ok? Fractions pain me enough and then I had to average all the ratings from each fraction. And now I would like to share the misery with you.
The first third started out like this: (Me) "Oh! WTH? Where am I? What's going on? Another magic I don't understand? How did this all happen? WHO CARES! Let's just go! Wheee! This is fun!"
That got 4 stars
The next third dropped down to maybe 3.5 stars for the first half not for any reason other than it was a lot of stuff just to get to where we were going. And that's fine. You know. Whatever. But then the second half of the second third, I was all "WHAT? That SO would not happen! Why did that happen? Who is even talking? What the hell is going on? Can someone explain this to me? Someone? Because I've just totally been kicked off this train and I can't even see it anymore as I bump my way down the rocky gorge to the frothing water below. No, make that lava. Frothing lava below."
That second half of the second third barely got 2 stars and that was because I was feeling guilty for becoming suddenly stupid and not understanding the story. Had I been more angry and less shamed, the stars would have numbered 1.
But then I came out of that and we were back up to 3.5 stars, rising nicely at the beginning of the third third. After about 2/8 of the third third, though, it got all weird again. It was like squishy logic which I like to think is akin to fuzzy logic only without numbers because, dude, that doesn't even make any sense in the first place. So we're having squishy logic and I'm not feeling so good about it for a bit and then we suddenly fall out of the dark and into a clearing of clarity and joy. For several eighths everything was going swimmingly and we were back up to 4 stars but then, direly, around the sixth eighth and all the way to the end, it went all roller coaster. Ups and downs. Clarity and confusion. I got it and then I was stupid again. And it wasn't aphasia so don't even try to tell me that's what was happening.
I liked Francesca a whole lot...except for when I didn't. And there were plenty of times I didn't.
And who is Cyrus? (I know who Cyrus is, I just didn't see the point of him and, by the end, I didn't even know which side anyone was on or that sides had officially been declared)
I'm not sure why the old man was still hanging about, running around without his ghost, on death's doorstep all the time.
I'm not sure why there were kobolds in diminishing numbers who randomly just fell out of the story. All their numbers diminished and no one told me? Are they just gone? Where'd they go? What happened?
I was shocked that Nicodemus had his big revelation in the course of two days or some equally small amount of time. He seemed to grasp what everyone else had been telling him all along extremely suddenly - that's more than just sudden, it's extremely sudden. And his grasp of the big truth was extremely sudden.
So I got confused a lot and I felt dumb. It made me angry that a fantasy novel was making me feel dumb because, historically, those are the books that used to make me feel (and sound) smart. But I'm not 14 anymore and maybe I just need to stop being a dork and learn to live like a real boy. Girl. Grownup.
I dunno.
I'm still excited about the third book because maybe I will have grown enlightenment by then and the sense of it all will come crashing into my mind.
Anyhow, Blake, please don't read this one either. It's just not a good idea.
Sooo...here's why math was involved. I kept having to break the book down into pieces. There was the first third, then the second half of the second third, then the first three eighths of the final third and the next eighth and then the following two eighths...it was really hard, ok? Fractions pain me enough and then I had to average all the ratings from each fraction. And now I would like to share the misery with you.
The first third started out like this: (Me) "Oh! WTH? Where am I? What's going on? Another magic I don't understand? How did this all happen? WHO CARES! Let's just go! Wheee! This is fun!"
That got 4 stars
The next third dropped down to maybe 3.5 stars for the first half not for any reason other than it was a lot of stuff just to get to where we were going. And that's fine. You know. Whatever. But then the second half of the second third, I was all "WHAT? That SO would not happen! Why did that happen? Who is even talking? What the hell is going on? Can someone explain this to me? Someone? Because I've just totally been kicked off this train and I can't even see it anymore as I bump my way down the rocky gorge to the frothing water below. No, make that lava. Frothing lava below."
That second half of the second third barely got 2 stars and that was because I was feeling guilty for becoming suddenly stupid and not understanding the story. Had I been more angry and less shamed, the stars would have numbered 1.
But then I came out of that and we were back up to 3.5 stars, rising nicely at the beginning of the third third. After about 2/8 of the third third, though, it got all weird again. It was like squishy logic which I like to think is akin to fuzzy logic only without numbers because, dude, that doesn't even make any sense in the first place. So we're having squishy logic and I'm not feeling so good about it for a bit and then we suddenly fall out of the dark and into a clearing of clarity and joy. For several eighths everything was going swimmingly and we were back up to 4 stars but then, direly, around the sixth eighth and all the way to the end, it went all roller coaster. Ups and downs. Clarity and confusion. I got it and then I was stupid again. And it wasn't aphasia so don't even try to tell me that's what was happening.
I liked Francesca a whole lot...except for when I didn't. And there were plenty of times I didn't.
And who is Cyrus? (I know who Cyrus is, I just didn't see the point of him and, by the end, I didn't even know which side anyone was on or that sides had officially been declared)
I'm not sure why the old man was still hanging about, running around without his ghost, on death's doorstep all the time.
I'm not sure why there were kobolds in diminishing numbers who randomly just fell out of the story. All their numbers diminished and no one told me? Are they just gone? Where'd they go? What happened?
I was shocked that Nicodemus had his big revelation in the course of two days or some equally small amount of time. He seemed to grasp what everyone else had been telling him all along extremely suddenly - that's more than just sudden, it's extremely sudden. And his grasp of the big truth was extremely sudden.
So I got confused a lot and I felt dumb. It made me angry that a fantasy novel was making me feel dumb because, historically, those are the books that used to make me feel (and sound) smart. But I'm not 14 anymore and maybe I just need to stop being a dork and learn to live like a real boy. Girl. Grownup.
I dunno.
I'm still excited about the third book because maybe I will have grown enlightenment by then and the sense of it all will come crashing into my mind.
August 26, 2014
Well what can I say.
Normally I'm reluctant to go the full five stars with a book (well, not that reluctant but I rarely give entire series all fives unless I absolutely love them). However when I finished this brilliant follow up to Spellwright I had to award another five stars.
Blake Charlton may not be receiving the accolades of Pat Rothfuss but I would encourage every true fantasy lover to engage in this series and read it. Both are equally deserving up and comers in the genre from what I've read of their work.
Spellwright as a debut novel introduced a fascinating magic system whereby magicians cause spells to be made in various muscles. Different spells are framed in different languages that affect different substances. Some work only in fire, metal, cloth or in darkness but all perform the tasks magicians spell out. So then basically into this world is introduced the cacographers. Those who mispell all text they touch. And the hero of the first novel and this subsequent volume is an extremely powerful cacographer. His journey was plotted out in the first of the series.
This the second book is very well written and also excellently plotted, clearly thought through. There is the clever introduction of new characters and characters are transformed from the form in which they were introduced in the first book. I did not enjoy this as much as I did the first (it was not as unique) but from the point of view of continuing the story it was brilliant nonetheless. I'm very grateful this was written and that I managed to find it.
From a literary point of view this as a tale is a journey of discovery. As the protagonist of the previous book adjusts to his new abilities, seeking fulfilment in the full recovery of his faculties. And ultimately recognising that fulfilment is closer at hand.
If you love fantasy and haven't begun this series you're missing out. I for one cannot wait for the next book.
Normally I'm reluctant to go the full five stars with a book (well, not that reluctant but I rarely give entire series all fives unless I absolutely love them). However when I finished this brilliant follow up to Spellwright I had to award another five stars.
Blake Charlton may not be receiving the accolades of Pat Rothfuss but I would encourage every true fantasy lover to engage in this series and read it. Both are equally deserving up and comers in the genre from what I've read of their work.
Spellwright as a debut novel introduced a fascinating magic system whereby magicians cause spells to be made in various muscles. Different spells are framed in different languages that affect different substances. Some work only in fire, metal, cloth or in darkness but all perform the tasks magicians spell out. So then basically into this world is introduced the cacographers. Those who mispell all text they touch. And the hero of the first novel and this subsequent volume is an extremely powerful cacographer. His journey was plotted out in the first of the series.
This the second book is very well written and also excellently plotted, clearly thought through. There is the clever introduction of new characters and characters are transformed from the form in which they were introduced in the first book. I did not enjoy this as much as I did the first (it was not as unique) but from the point of view of continuing the story it was brilliant nonetheless. I'm very grateful this was written and that I managed to find it.
From a literary point of view this as a tale is a journey of discovery. As the protagonist of the previous book adjusts to his new abilities, seeking fulfilment in the full recovery of his faculties. And ultimately recognising that fulfilment is closer at hand.
If you love fantasy and haven't begun this series you're missing out. I for one cannot wait for the next book.
March 30, 2016
Spellbound is an improvement over Spellwright. It’s got the same fun feel, and the same loveable characters, but there’s a level of maturity, depth and growth in Spellbound that really makes it fly high. Charlton has made his mark. I am excited to see where he can take us next.
Read my full review here:
http://bookwormblues.blogspot.com/201...
Read my full review here:
http://bookwormblues.blogspot.com/201...
September 14, 2011
http://www.rantingdragon.com/spellbou...
Set ten years after the events in Spellwright, Nicodemus has left the Heaven Tree Valley and is now in the city of Avel, still pursuing the demon Typhon in an attempt to recover the Emerald of Aarahest, which contains the other part of his soul and the cure to his cacography. With it, he will be able to become the Halycon—a prophesied savior of magical language—instead of what he is now, the Storm Petrel—a prophesied destroyer of magical language. He’s determined to let nothing stop him in this quest, but then Francesca arrives and invokes feelings inside him that he’s never felt before.
Francesca is a cleric, no longer attached to the wizardly order, who uses her magic to help her patients. However, when Typhon’s reluctant avatar, Dierdre, dies on her table and then comes back to life, Francesca’s world view is shattered as she uncovers a demon’s secret plot to take over Avel and then the entire continent—not to mention the plans that the demon apparently has for her and her alone, plans that he’s had ever since Francesca first entered the city. It seems that her only hope will be to find the rogue wizard Nicodemus, but to do that she has to tag along with her ex-lover, Cyrus, the Air Warden of Avel.
A diverse and entertaining cast
The characters in Spellwright—Nicodemus, Shannon and Dierdre—were absolutely amazing. They were rough, that’s for sure, but they were still very believable and very interesting to me as a reader. In Spellbound, we have those same characters with the two major additions of Francesca and her old lover, Cyrus. There are also two wizards, Vivian and Lotannu, who show up in Avel aboard a warship with motives that no one can guess. Finally, Shannon’s ghost plays a role in the story—although a rather small one—but with the ghost comes an added perspective to the story that wasn’t previously present.
Nicodemus has matured quite a bit in the ten years since the events in Spellwright. Due to the effect his cacography has on the text he writes, he’s nearly abandoned the wizardly languages and has resorted to the kobold’s languages that he writes on his skin and doesn’t misspell. Nicodemus has become almost like a man raised by wolves during the ten years away from civilization—nomadic, untrusting and a bit of a loner.
Humor in epic fantasy? What madness is this?!
The writing throughout this trilogy has been above par, almost masterful, but the dialogue goes above and beyond in Spellbound. The back and forth between Francesca and Cyrus made me laugh out loud at multiple points in the novel. Francesca’s dialogue alone is hilarious. She’s a spitfire with a sharp tongue that she isn’t afraid to use on anyone. Francesca and Cyrus aren’t completely hogging the humor in Spellbound, however. Vivian and Lotannu have their banter as well, and Nicodemus has his own moments of extreme wit.
Humor is so rarely used in epic fantasy—at least, not humor that we can actually relate to—and it really adds something to a novel. Most epic fantasy is oh-so-serious and there’s absolutely no time for any kind of humor in such a world where the fate of humanity is at stake, but it makes the story so much more memorable when you give readers something to laugh at. The last time I saw humor used so liberally was in Mistborn; it’s used a bit more, and quite a bit better, in Spellbound. I seriously have to applaud Charlton for his masterful use of humor, which wasn’t overwhelming at all, instead providing just the right amount of brevity to give Spellbound that memorable quality.
Defying the standard trilogy setup
We all know the format for trilogies. The first book is an awesome introduction to the story and the world, leaving us wanting more. The second book comes out and we’re just kind of “eh” about it, because it’s obviously a transitory book used for almost solely for plot development and nothing really happens, so it’s boring. Then, the third book comes out and we’re all absolutely wowed by how well it wraps up the story. Granted, this is for most normal “good” trilogies.
In this case, the second novel is so much better than the first. Let me say that again, because I seriously doubt that you read what you thought you read. It’s better than the first. There, I said it. Charlton has seriously delivered in this second-novel-that-doesn’t-feel-like-a-second-novel. Spellbound reads like that first awesome novel that you just can’t get enough of, and it’s an amazing feat.
However…
We see Nicodemus in the beginning of the novel, but then only sparingly until about two-thirds through when he steps up his game and plays more of a major role in the story. While I think that introducing new characters is important, failing to highlight your main character is a bit of a misstep when writing a novel. Along the same lines, another small complaint I have regards Cyrus. I found him to be a very interesting character, but once Francesca finds Nicodemus, he seems to only play a bit part, which didn’t do the character justice at all.
Why should you read this book?
Well, if you still haven’t raced off to the bookstore to buy it since reading the above, let’s go through a little list of why Spellbound is the best sequel I’ve read this year. Characters that you can really believe are part of that world? Check. Writing that leaves you fully immersed in the story? Check. The most unique magic system I’ve ever read about? Check. Plot twists and character developments galore? Check. Textual dragons, a bit of romance, some badass monsters and an evil mastermind? Check, check, check and check.
Charlton has impressed me more than I thought I could be impressed by an author. I went into this with high expectations after reading Spellwright, and I was still blown away. The Spellwright Trilogy is turning out to be one of the best trilogies of the decade, and I seriously cannot wait for the conclusion, which I’m pretty sure is going to amaze me even more than Spellbound did.
Set ten years after the events in Spellwright, Nicodemus has left the Heaven Tree Valley and is now in the city of Avel, still pursuing the demon Typhon in an attempt to recover the Emerald of Aarahest, which contains the other part of his soul and the cure to his cacography. With it, he will be able to become the Halycon—a prophesied savior of magical language—instead of what he is now, the Storm Petrel—a prophesied destroyer of magical language. He’s determined to let nothing stop him in this quest, but then Francesca arrives and invokes feelings inside him that he’s never felt before.
Francesca is a cleric, no longer attached to the wizardly order, who uses her magic to help her patients. However, when Typhon’s reluctant avatar, Dierdre, dies on her table and then comes back to life, Francesca’s world view is shattered as she uncovers a demon’s secret plot to take over Avel and then the entire continent—not to mention the plans that the demon apparently has for her and her alone, plans that he’s had ever since Francesca first entered the city. It seems that her only hope will be to find the rogue wizard Nicodemus, but to do that she has to tag along with her ex-lover, Cyrus, the Air Warden of Avel.
A diverse and entertaining cast
The characters in Spellwright—Nicodemus, Shannon and Dierdre—were absolutely amazing. They were rough, that’s for sure, but they were still very believable and very interesting to me as a reader. In Spellbound, we have those same characters with the two major additions of Francesca and her old lover, Cyrus. There are also two wizards, Vivian and Lotannu, who show up in Avel aboard a warship with motives that no one can guess. Finally, Shannon’s ghost plays a role in the story—although a rather small one—but with the ghost comes an added perspective to the story that wasn’t previously present.
Nicodemus has matured quite a bit in the ten years since the events in Spellwright. Due to the effect his cacography has on the text he writes, he’s nearly abandoned the wizardly languages and has resorted to the kobold’s languages that he writes on his skin and doesn’t misspell. Nicodemus has become almost like a man raised by wolves during the ten years away from civilization—nomadic, untrusting and a bit of a loner.
Humor in epic fantasy? What madness is this?!
The writing throughout this trilogy has been above par, almost masterful, but the dialogue goes above and beyond in Spellbound. The back and forth between Francesca and Cyrus made me laugh out loud at multiple points in the novel. Francesca’s dialogue alone is hilarious. She’s a spitfire with a sharp tongue that she isn’t afraid to use on anyone. Francesca and Cyrus aren’t completely hogging the humor in Spellbound, however. Vivian and Lotannu have their banter as well, and Nicodemus has his own moments of extreme wit.
Humor is so rarely used in epic fantasy—at least, not humor that we can actually relate to—and it really adds something to a novel. Most epic fantasy is oh-so-serious and there’s absolutely no time for any kind of humor in such a world where the fate of humanity is at stake, but it makes the story so much more memorable when you give readers something to laugh at. The last time I saw humor used so liberally was in Mistborn; it’s used a bit more, and quite a bit better, in Spellbound. I seriously have to applaud Charlton for his masterful use of humor, which wasn’t overwhelming at all, instead providing just the right amount of brevity to give Spellbound that memorable quality.
Defying the standard trilogy setup
We all know the format for trilogies. The first book is an awesome introduction to the story and the world, leaving us wanting more. The second book comes out and we’re just kind of “eh” about it, because it’s obviously a transitory book used for almost solely for plot development and nothing really happens, so it’s boring. Then, the third book comes out and we’re all absolutely wowed by how well it wraps up the story. Granted, this is for most normal “good” trilogies.
In this case, the second novel is so much better than the first. Let me say that again, because I seriously doubt that you read what you thought you read. It’s better than the first. There, I said it. Charlton has seriously delivered in this second-novel-that-doesn’t-feel-like-a-second-novel. Spellbound reads like that first awesome novel that you just can’t get enough of, and it’s an amazing feat.
However…
We see Nicodemus in the beginning of the novel, but then only sparingly until about two-thirds through when he steps up his game and plays more of a major role in the story. While I think that introducing new characters is important, failing to highlight your main character is a bit of a misstep when writing a novel. Along the same lines, another small complaint I have regards Cyrus. I found him to be a very interesting character, but once Francesca finds Nicodemus, he seems to only play a bit part, which didn’t do the character justice at all.
Why should you read this book?
Well, if you still haven’t raced off to the bookstore to buy it since reading the above, let’s go through a little list of why Spellbound is the best sequel I’ve read this year. Characters that you can really believe are part of that world? Check. Writing that leaves you fully immersed in the story? Check. The most unique magic system I’ve ever read about? Check. Plot twists and character developments galore? Check. Textual dragons, a bit of romance, some badass monsters and an evil mastermind? Check, check, check and check.
Charlton has impressed me more than I thought I could be impressed by an author. I went into this with high expectations after reading Spellwright, and I was still blown away. The Spellwright Trilogy is turning out to be one of the best trilogies of the decade, and I seriously cannot wait for the conclusion, which I’m pretty sure is going to amaze me even more than Spellbound did.
October 26, 2011
http://bastardbooks.blogspot.com/2011...
Spellbound is right up there with my most entertaining novels so far this year. Blake Charlton puts the pedal to the metal from the get go, and doesn't let off until the last word is written. The book really has a bit of everything, interesting magic system, cool and fun characters, great action, some comedy, drama, romance, tragedy, horror, good dialogue and banter, etc. It's simply a fun and entertaining read from the get go, and I'm sure few will be disappointed, if any. Spellbound is the sequel to Charlton's highly praised debut, Spellwright .
Though there's always excitement about the second book in the series after a good introductory novel, particularly when it's the second book of a new author, the reality is that it often doesn't measure up to expectations. That's not the case here. It's quite evident that Charlton has become a better writer since his debut, Spellwright , and the sequel for all intents and purposes is a better novel than the first one. The prose seems more skillful and confident, and the author simply let himself loose in the world, not holding back on the limits of imagination.
As just mentioned, Charton really lets loose in this installment, and the only way I can come up to describe the book it's as an epic fantasy prosepunk. We got airships, flying kites, structures, constructs, organisms, dragons, medical tools and procedures, well the whole world really made up of some sort of prose. Which makes for some really distinct sentence structure in the narrative, which I think only a skillful writer is capable of pulling off. So in all, a very cool fun prose.
My only complaint is that it at time becomes a confusing read, the spells are a bit hard to follow often enough and I don't think it's really clear who's who, what's what as far as opposing factions go. So, towards the end of the battle when it became a bit of a free for all, I wasn't really sure who was fighting who. What cities are allies, which aren't, and all those fun political stuff. But the battle I'm particularly talking about was more of a side-plot thing which really wasn't the focus of the book, so it really didn't hamper the experience. By the end of the book though, when all is said and done I think a more clear picture of the world and the alliances are settled, so I wouldn't worry much about it. It might just be me too, being a sucky reader.
Spellbound takes place about a decade after the events of Spellwright . Our favorite characters return, though some of them at a diminished capacity. But that's not a problem, we get to introduced to a new variety of characters, in particular to our new heroine, Francesca, which might just be the best character in the series so far. Very interesting and tons of fun too.
We find ourselves in a new city where the demon Typhon has put under his control, and we got Nicodemus trying to get his emerald back to save his mentor. Deidre, being possessed by Typhon, is scheming and fighting Typhon's control by undermining his plans at the risk of being discovered. Lastly, we have Francesca, a skillful doctor who has been manipulated into killing a patient and then is left to her own devices as she learns Typhon has in mind to use her for his own nefarious plans. She's in a city where she can't trust anyone, not even an old lover recently arrived, and who might just be her only means to get out of this mess. The city is about to go into a civil war, we have all the factions, Halcyon and anti-Halcyon, making their moves in the background further complicating matters.
The novel is really about monsters, external and internal; both identifying and defining. It's about trust, acceptance, and overcoming one's limitations and disabilities. I think the acceptance of disabilities, and adapting to once disability theme was done really well. Also, with having a doctor protagonist, we're subjected to quite a few scenes of medical discussion and procedures. Blake Charlton is a doctor, so he really shows off his stuff here and it comes off quite enthusiastic and interesting.
Spellbound is another winner by Blake Charlton, and I'm highly recommending it to just about anyone. If not mistaken, the series has been marketed recently as a Young-Adult, but I think the book fits right at the boundary between YA and Adult; I recommend reading Spellwright first though. The book is a real page turner which I'm positive you won't regret reading.
Spellbound is right up there with my most entertaining novels so far this year. Blake Charlton puts the pedal to the metal from the get go, and doesn't let off until the last word is written. The book really has a bit of everything, interesting magic system, cool and fun characters, great action, some comedy, drama, romance, tragedy, horror, good dialogue and banter, etc. It's simply a fun and entertaining read from the get go, and I'm sure few will be disappointed, if any. Spellbound is the sequel to Charlton's highly praised debut, Spellwright .
Though there's always excitement about the second book in the series after a good introductory novel, particularly when it's the second book of a new author, the reality is that it often doesn't measure up to expectations. That's not the case here. It's quite evident that Charlton has become a better writer since his debut, Spellwright , and the sequel for all intents and purposes is a better novel than the first one. The prose seems more skillful and confident, and the author simply let himself loose in the world, not holding back on the limits of imagination.
As just mentioned, Charton really lets loose in this installment, and the only way I can come up to describe the book it's as an epic fantasy prosepunk. We got airships, flying kites, structures, constructs, organisms, dragons, medical tools and procedures, well the whole world really made up of some sort of prose. Which makes for some really distinct sentence structure in the narrative, which I think only a skillful writer is capable of pulling off. So in all, a very cool fun prose.
My only complaint is that it at time becomes a confusing read, the spells are a bit hard to follow often enough and I don't think it's really clear who's who, what's what as far as opposing factions go. So, towards the end of the battle when it became a bit of a free for all, I wasn't really sure who was fighting who. What cities are allies, which aren't, and all those fun political stuff. But the battle I'm particularly talking about was more of a side-plot thing which really wasn't the focus of the book, so it really didn't hamper the experience. By the end of the book though, when all is said and done I think a more clear picture of the world and the alliances are settled, so I wouldn't worry much about it. It might just be me too, being a sucky reader.
Spellbound takes place about a decade after the events of Spellwright . Our favorite characters return, though some of them at a diminished capacity. But that's not a problem, we get to introduced to a new variety of characters, in particular to our new heroine, Francesca, which might just be the best character in the series so far. Very interesting and tons of fun too.
We find ourselves in a new city where the demon Typhon has put under his control, and we got Nicodemus trying to get his emerald back to save his mentor. Deidre, being possessed by Typhon, is scheming and fighting Typhon's control by undermining his plans at the risk of being discovered. Lastly, we have Francesca, a skillful doctor who has been manipulated into killing a patient and then is left to her own devices as she learns Typhon has in mind to use her for his own nefarious plans. She's in a city where she can't trust anyone, not even an old lover recently arrived, and who might just be her only means to get out of this mess. The city is about to go into a civil war, we have all the factions, Halcyon and anti-Halcyon, making their moves in the background further complicating matters.
The novel is really about monsters, external and internal; both identifying and defining. It's about trust, acceptance, and overcoming one's limitations and disabilities. I think the acceptance of disabilities, and adapting to once disability theme was done really well. Also, with having a doctor protagonist, we're subjected to quite a few scenes of medical discussion and procedures. Blake Charlton is a doctor, so he really shows off his stuff here and it comes off quite enthusiastic and interesting.
Spellbound is another winner by Blake Charlton, and I'm highly recommending it to just about anyone. If not mistaken, the series has been marketed recently as a Young-Adult, but I think the book fits right at the boundary between YA and Adult; I recommend reading Spellwright first though. The book is a real page turner which I'm positive you won't regret reading.
March 2, 2016
Those of you who have seen my review of Spellwright, the first book in the series, will know that my journey into the series started when I noticed Spellbound sitting in the university second-hand bookstore. From the moment I noticed this book I knew I had to get in on the series. It was screaming out to me. A magical world based up words, with a dyslexic protagonist – of course, I would be game. Thus, getting my hands on book one became of vital importance.
As soon as it was in my hands, the book was devoured. Whilst it was not a perfect read, I thoroughly enjoyed it and was eager to start book two. There was so much word building, so much potential for things to come, that not reading the second book would be a crime.
It is safe to say, upon reading book two, I’m still in love with the series. Whilst book one was a mere enjoyment book, this one was an adored book. I loved it. The issues I had with the first book were resolved and so much happened throughout. If you have read book one and you’re unsure as to whether book two will improve upon things, know that it goes beyond simply improving. Book two is a brilliant creation in and of itself, adding so much more to the world whilst continuing the story forward.
In book one we had a lot of world building, meaning at times the action was somewhat slow. With book two, we start with action and continue throughout. There is not a dry moment to be seen. Following the characters from book one, we watch them get to work on the plans that have been building for the last ten years. We knew at the end of book two that action was to occur, and in Spellbound we watch all of the effort come together to create the showdown we were all waiting for.
Don’t worry, though, we’re not limited to watching the same characters playing out their roles for a second time. In Spellbound we have a wonderful new cast of characters. In fact, the newest additions to the series are the characters that truly made the book for me. Yes, I adored the characters in book one – but those introduced in this story were so interesting. We have a truly witty character, a multidimensional character you cannot help to love. Without a doubt, you’ll be pulled into the storylines of the new characters within moments. It’s as though you have known them from the start of the series.
Honestly, with the new characters and the development of the story, Spellbound is an even stronger book than Spellwright. I adored it. Whilst the first one did not need all that much improvement, this book went beyond what I had expected and created a beautiful second book. I cannot wait to see what the final book in the trilogy has in store for us.
Overall, this was a wonderful read working to show why Blake Charlton needs more recognition as an author.
As soon as it was in my hands, the book was devoured. Whilst it was not a perfect read, I thoroughly enjoyed it and was eager to start book two. There was so much word building, so much potential for things to come, that not reading the second book would be a crime.
It is safe to say, upon reading book two, I’m still in love with the series. Whilst book one was a mere enjoyment book, this one was an adored book. I loved it. The issues I had with the first book were resolved and so much happened throughout. If you have read book one and you’re unsure as to whether book two will improve upon things, know that it goes beyond simply improving. Book two is a brilliant creation in and of itself, adding so much more to the world whilst continuing the story forward.
In book one we had a lot of world building, meaning at times the action was somewhat slow. With book two, we start with action and continue throughout. There is not a dry moment to be seen. Following the characters from book one, we watch them get to work on the plans that have been building for the last ten years. We knew at the end of book two that action was to occur, and in Spellbound we watch all of the effort come together to create the showdown we were all waiting for.
Don’t worry, though, we’re not limited to watching the same characters playing out their roles for a second time. In Spellbound we have a wonderful new cast of characters. In fact, the newest additions to the series are the characters that truly made the book for me. Yes, I adored the characters in book one – but those introduced in this story were so interesting. We have a truly witty character, a multidimensional character you cannot help to love. Without a doubt, you’ll be pulled into the storylines of the new characters within moments. It’s as though you have known them from the start of the series.
Honestly, with the new characters and the development of the story, Spellbound is an even stronger book than Spellwright. I adored it. Whilst the first one did not need all that much improvement, this book went beyond what I had expected and created a beautiful second book. I cannot wait to see what the final book in the trilogy has in store for us.
Overall, this was a wonderful read working to show why Blake Charlton needs more recognition as an author.
October 12, 2011
This book is so much fun. It starts with the rush of action and exhilaration with which most fantasy stories end. We've all read enough of them to know the formula - slow pace methodically building up to the fantastic finish, the finish the author wrote the book to get to, the beginning and middle just being that annoying necessity. Mr. (Dr.?) Charlton kicks that standard template in the ass and provides a 400 page rush. I enjoyed every second of it.
The story picks up 10 years after Spellwright left off, and the focus is not on that books protag, Nicodemous Weal, but instead on a doctor, Francesca. Some readers may not consider a true series in that sense, but I didn't miss Nicodemous; Fran is too much fun. And Charlton does a great job of balancing multiple POVs. There is a huge leap in his writing's maturity from Spellwright to Spellbound, and this balance is not the least example.
Aside from being a fun adventure story, Charlton gets cerebral on us. I'm not even going to attempt to tackle an explanation of what the book is "about," but if you are a lover of language and medicine, you'll enjoy it.
When you get to surprise reveal at the end, just as an FYI, I figured it out on page 165. I'm just sayin'. (Okay, so he sorta hinted at it in an interview when discussing the cover art, so I don't think I would have figured it out on my own otherwise. But maybe...)
Overall, Spellbound is quite the accomplishment. The story, characters, and dense ideas are so layered and interwoven that it could have been a big mess, but he keeps it all straight and easy to understand. (Though at one point I was on the verge of graphing out the various political factions.)
As much as I liked Spellwright, Spellbound blows it out of the water. Can't wait for book 3.
The story picks up 10 years after Spellwright left off, and the focus is not on that books protag, Nicodemous Weal, but instead on a doctor, Francesca. Some readers may not consider a true series in that sense, but I didn't miss Nicodemous; Fran is too much fun. And Charlton does a great job of balancing multiple POVs. There is a huge leap in his writing's maturity from Spellwright to Spellbound, and this balance is not the least example.
Aside from being a fun adventure story, Charlton gets cerebral on us. I'm not even going to attempt to tackle an explanation of what the book is "about," but if you are a lover of language and medicine, you'll enjoy it.
When you get to surprise reveal at the end, just as an FYI, I figured it out on page 165. I'm just sayin'. (Okay, so he sorta hinted at it in an interview when discussing the cover art, so I don't think I would have figured it out on my own otherwise. But maybe...)
Overall, Spellbound is quite the accomplishment. The story, characters, and dense ideas are so layered and interwoven that it could have been a big mess, but he keeps it all straight and easy to understand. (Though at one point I was on the verge of graphing out the various political factions.)
As much as I liked Spellwright, Spellbound blows it out of the water. Can't wait for book 3.
November 10, 2017
I really wish I could give this book four stars, and the final third of the book definitely deserves them, but I just can’t. It was such a struggle to get through the first half, having to deal with completely new characters (who annoyed me so much- what’s up with the constant repitition in this book?) while the ones I grew attached to were pushed to the background. Even now, I feel more attached to the kobolds than the new characters; including Francesca, though she definitely grew on me. This is exactly why I’m hesitant to read the final part of the trilogy, even if I know I eventually will. I just can’t let it go unfinished. I just wish this book had focused more on the storyline we grew to care about from the POV of our beloved characters iso the new ones (I mean, we already had a whole new city to take in and a new kind of magic), and that it had dealt better with some big things throughout the book; for example at the very end I felt robbed of the goodbye a particular character deserved in my opinion. I do have to say there were some amazing plot twists in that final third, especially the one concerning the Savanna Walker, that had me flailing. All in all it’s definitely not a bad story, I just didn’t like the way it (the first half/beginning most of all) was set up.
February 14, 2015
I quite enjoyed this book, and the beginning was made all the more better by including a brief synopsis of part of the first book, which allowed me to recall other parts of the story and better place what was occurring in context. The action built up slowly, introducing some new characters, and reusing some old ones, and then it seemed to drag through the second half of the book. It stopped dragged when it finally reached the climax, which was riveting, and then the resolution which wrapped up some things, but not others. I can't wait for the last book in this series.
June 16, 2012
Last year I read and reviewed Blake Charlton's fantastic Spellwright and now I'll write a review about the fantastic sequel, Spellbound, which is even better and more fascinating than Spellwright. In other words, it's a perfect sequel and readers, who have read Spellwright, will love it.
Before I begin to write my review, I'll mention that this review is based on a PDF review version of Spellbound. The PDF version didn't contain any maps or cover art. It took me only a couple of days to read this PDF version, because I couldn't stop reading it (when I'm reading an interesting book, I find it extremely difficult to stop reading the book). Now that I've had time to digest what I've read, I'm ready to write the review. (I'll try to avoid too many spoilers.)
Spellbound is a traditional fantasy book and it contains elements which are often associated with traditional fantasy. These elements are charming and they add a nice flavour to the story. I know that there are fantasy readers who don't want to read traditional fantasy, which is a real shame, because they don't know what they're missing. Traditional fantasy is at its best – like it is in this book – fantastic and thrilling entertainment and it shouldn't be overlooked. That's why I'm not afraid to praise Spellbound in this review. I apologize if the last couple of phrases sounded like preaching, but in my opinion we need more books like Spellbound, because fantasy readers must be reminded how good traditional fantasy can be.
The events of Spellbound take place ten years after the first book. That's why it's essential and important to read Spellwright before reading Spellbound. It's probably impossible to understand what's going on unless you've read Spellwright, because Blake Charlton reveals new things in this book and all events are based on previous events (the author goes full speed ahead and spends only little time repeating previous events).
Spellbound starts with a furious and breath-taking pace and the author knows how to keep the pace brisk enough to keep his readers glued to the book until the end. Although the pace slows down a bit after the start, there aren't any dull moments, because something is always going on or something is going to happen soon. The plot and the subplots are fascinating.
The main characters are Nicodemus Weal and Francesca DeVega. Here's a bit of information about Nicodemus and Francesca:
- Readers who have read Spellwright know that Nicodemus is a young man who has trouble with normal spells, because he suffers from cacography. He can only use different kind of spells.
- Francesca is a healer (a cleric) whose life is turned upside down when her patient dies and then comes back to life and tells her about what's going on in Avel.
In my opinion both main characters are three-dimensional and believable fantasy characters. It was a pleasure to read about them.
There are also other interesting characters. These characters include (I'll only mention four characters):
- Deirdre, who is under the demon's (Typhon) influence and tries to deceive the demon as often as she can.
- Cyrus, who is Francesca's old friend and an air warden.
- Shannon, who is Nicodemus' mentor. He suffers from a canker curse, which is slowly killing him.
- Typhon is a demon, who tries to start the War of Disjunction, which will bring end to human language.
It was nice to read about Deirdre and Shannon and what's happened to them since the end of Spellwright. I'm sure that readers will be as delighted as I was to find out new things about their fate.
Blake Charlton writes with passion about his characters and makes them come to life. He focuses nicely on the characters and keeps the reader guessing about certain things and skillfully reveals bits and pieces about them. In my opinion Spellbound's character development is similar to Spellwright's character development, because the characters are as likeable in Spellbound as they are in the first book. Character interaction is almost flawless and the dialogues are well written. The author switches narration fluently between different characters and keeps the story flowing without problems.
There were several fascinating things in Spellbound:
- I found it interesting that the author wrote about intelligent lycanthropes who were believed to be able to use spells and disguise themselves as people in order to lure helpless victims among them.
- The beast called Savanna Walker is one of the most intriguing monsters I've read about. It's a deadly creature that drives men mad and causes aphasia.
- Air wardens, lofting kites and airships were also intriguing. It's possible that when readers hear about airships they automatically assume that they have something to do with steampunk (or they're similar to the airships in Terry Brooks' The Voyage of the Jerle Shannara trilogy), but I can say that these readers are wrong if they think this way. Blake Charlton's airships are totally original creations.
- Hierophants and their spells were interesting. It was fun to read about them.
It was great that the author explored new areas in Spellbound. It was also great to read about spellwriting again, because Blake Charlton's magic system is one of the most unique and thoroughly convincing magic systems I've ever read about during the last couple of years. In this book the author brings new depth to his magic system and reveals several new things to the reader.
Worldbuilding is much better in Spellbound than it was Spellwright. Blake Charlton has created a richly detailed and charming fantasy world, which gradually begins to open to the reader. He writes beautifully about new vistas and places.
Spellbound has nice moments of humour which lighten the atmosphere nicely. There are also intriguing mystery elements and subplots, which spice up the story.
Although Spellbound is a middle book, it doesn't feel like a middle book, because the action is suspenseful and the plot is good. Some authors have problems with middle books, but not Blake Charlton. Spellbound is a good example of a fascinating and carefully written middle book, because it's better and more engaging than its predecessor.
Considering that Spellbound is Blake Charlton's second book, it's amazing how good and entertaining it is (I expected Spellbound to be a good book, but it exceeded all my expectations). Spellwright was a traditional, but unique fantasy book, because the author had invented a new and original magic system, but I dare say that Spellbound is even more unique, because the author has taken all the interesting bits from Spellwright and added more elements and new twists to the story.
I was impressed by the author's ability to explore several different things and I was amazed by how much information Blake Charlton had included in Spellbound (this book contains more information than Spellwright). It's possible that readers who don't remember what happened in Spellwright may feel a bit overwhelmed by the amount of information, but I wasn't overwhelmed. I loved every part of this book, because the author didn't underestimate the intelligence of his readers.
In my opinion Blake Charlton has matured as a writer and he's now a more confident and experienced writer than before (his confidence and experience can be seen in the way he writes about the events). After reading Spellbound it's easy for me to say that Blake Charlton is definitely one of the best and most talented new fantasy writers at this moment, because he writes good, entertaining and vivid fantasy prose. He also has a good imagination, which is needed when you write about fictional worlds.
Spellbound is one of the best fantasy books I've read this year. I like Blake Charlton's writing style and seemingly endless imagination very much. On a scale from one to ten, Spellbound gets full ten points from me for being an entertaining, imaginative, detailed and emotional fantasy book. Spellbound can be recommended to readers who like epic fantasy stories and want to immerse themselves into reading and experience the joy of reading good fantasy. It's excellent epic fantasy for adult readers (I'm sure that younger readers will also love it). I'm eagerly looking forward to reading the third book, Spellbreaker, because I want to know how the trilogy ends.
If you haven't read Blake Charlton yet, you should seriously consider reading his books, because they're wonderful and imaginative fantasy entertainment. Spellwright and Spellbound belong to everybody fantasy reader's reading list and bookshelf. (I think it's possible to turn reluctant fantasy readers into fantasy lovers by giving them Blake Charlton's books, because both books are impossible to put down.)
Highly recommended!
Before I begin to write my review, I'll mention that this review is based on a PDF review version of Spellbound. The PDF version didn't contain any maps or cover art. It took me only a couple of days to read this PDF version, because I couldn't stop reading it (when I'm reading an interesting book, I find it extremely difficult to stop reading the book). Now that I've had time to digest what I've read, I'm ready to write the review. (I'll try to avoid too many spoilers.)
Spellbound is a traditional fantasy book and it contains elements which are often associated with traditional fantasy. These elements are charming and they add a nice flavour to the story. I know that there are fantasy readers who don't want to read traditional fantasy, which is a real shame, because they don't know what they're missing. Traditional fantasy is at its best – like it is in this book – fantastic and thrilling entertainment and it shouldn't be overlooked. That's why I'm not afraid to praise Spellbound in this review. I apologize if the last couple of phrases sounded like preaching, but in my opinion we need more books like Spellbound, because fantasy readers must be reminded how good traditional fantasy can be.
The events of Spellbound take place ten years after the first book. That's why it's essential and important to read Spellwright before reading Spellbound. It's probably impossible to understand what's going on unless you've read Spellwright, because Blake Charlton reveals new things in this book and all events are based on previous events (the author goes full speed ahead and spends only little time repeating previous events).
Spellbound starts with a furious and breath-taking pace and the author knows how to keep the pace brisk enough to keep his readers glued to the book until the end. Although the pace slows down a bit after the start, there aren't any dull moments, because something is always going on or something is going to happen soon. The plot and the subplots are fascinating.
The main characters are Nicodemus Weal and Francesca DeVega. Here's a bit of information about Nicodemus and Francesca:
- Readers who have read Spellwright know that Nicodemus is a young man who has trouble with normal spells, because he suffers from cacography. He can only use different kind of spells.
- Francesca is a healer (a cleric) whose life is turned upside down when her patient dies and then comes back to life and tells her about what's going on in Avel.
In my opinion both main characters are three-dimensional and believable fantasy characters. It was a pleasure to read about them.
There are also other interesting characters. These characters include (I'll only mention four characters):
- Deirdre, who is under the demon's (Typhon) influence and tries to deceive the demon as often as she can.
- Cyrus, who is Francesca's old friend and an air warden.
- Shannon, who is Nicodemus' mentor. He suffers from a canker curse, which is slowly killing him.
- Typhon is a demon, who tries to start the War of Disjunction, which will bring end to human language.
It was nice to read about Deirdre and Shannon and what's happened to them since the end of Spellwright. I'm sure that readers will be as delighted as I was to find out new things about their fate.
Blake Charlton writes with passion about his characters and makes them come to life. He focuses nicely on the characters and keeps the reader guessing about certain things and skillfully reveals bits and pieces about them. In my opinion Spellbound's character development is similar to Spellwright's character development, because the characters are as likeable in Spellbound as they are in the first book. Character interaction is almost flawless and the dialogues are well written. The author switches narration fluently between different characters and keeps the story flowing without problems.
There were several fascinating things in Spellbound:
- I found it interesting that the author wrote about intelligent lycanthropes who were believed to be able to use spells and disguise themselves as people in order to lure helpless victims among them.
- The beast called Savanna Walker is one of the most intriguing monsters I've read about. It's a deadly creature that drives men mad and causes aphasia.
- Air wardens, lofting kites and airships were also intriguing. It's possible that when readers hear about airships they automatically assume that they have something to do with steampunk (or they're similar to the airships in Terry Brooks' The Voyage of the Jerle Shannara trilogy), but I can say that these readers are wrong if they think this way. Blake Charlton's airships are totally original creations.
- Hierophants and their spells were interesting. It was fun to read about them.
It was great that the author explored new areas in Spellbound. It was also great to read about spellwriting again, because Blake Charlton's magic system is one of the most unique and thoroughly convincing magic systems I've ever read about during the last couple of years. In this book the author brings new depth to his magic system and reveals several new things to the reader.
Worldbuilding is much better in Spellbound than it was Spellwright. Blake Charlton has created a richly detailed and charming fantasy world, which gradually begins to open to the reader. He writes beautifully about new vistas and places.
Spellbound has nice moments of humour which lighten the atmosphere nicely. There are also intriguing mystery elements and subplots, which spice up the story.
Although Spellbound is a middle book, it doesn't feel like a middle book, because the action is suspenseful and the plot is good. Some authors have problems with middle books, but not Blake Charlton. Spellbound is a good example of a fascinating and carefully written middle book, because it's better and more engaging than its predecessor.
Considering that Spellbound is Blake Charlton's second book, it's amazing how good and entertaining it is (I expected Spellbound to be a good book, but it exceeded all my expectations). Spellwright was a traditional, but unique fantasy book, because the author had invented a new and original magic system, but I dare say that Spellbound is even more unique, because the author has taken all the interesting bits from Spellwright and added more elements and new twists to the story.
I was impressed by the author's ability to explore several different things and I was amazed by how much information Blake Charlton had included in Spellbound (this book contains more information than Spellwright). It's possible that readers who don't remember what happened in Spellwright may feel a bit overwhelmed by the amount of information, but I wasn't overwhelmed. I loved every part of this book, because the author didn't underestimate the intelligence of his readers.
In my opinion Blake Charlton has matured as a writer and he's now a more confident and experienced writer than before (his confidence and experience can be seen in the way he writes about the events). After reading Spellbound it's easy for me to say that Blake Charlton is definitely one of the best and most talented new fantasy writers at this moment, because he writes good, entertaining and vivid fantasy prose. He also has a good imagination, which is needed when you write about fictional worlds.
Spellbound is one of the best fantasy books I've read this year. I like Blake Charlton's writing style and seemingly endless imagination very much. On a scale from one to ten, Spellbound gets full ten points from me for being an entertaining, imaginative, detailed and emotional fantasy book. Spellbound can be recommended to readers who like epic fantasy stories and want to immerse themselves into reading and experience the joy of reading good fantasy. It's excellent epic fantasy for adult readers (I'm sure that younger readers will also love it). I'm eagerly looking forward to reading the third book, Spellbreaker, because I want to know how the trilogy ends.
If you haven't read Blake Charlton yet, you should seriously consider reading his books, because they're wonderful and imaginative fantasy entertainment. Spellwright and Spellbound belong to everybody fantasy reader's reading list and bookshelf. (I think it's possible to turn reluctant fantasy readers into fantasy lovers by giving them Blake Charlton's books, because both books are impossible to put down.)
Highly recommended!
April 26, 2018
Wonderful book to read, I really loved this one. It is the continuation of "Spellwright" and features, besides the main characters from the first book, some new characters.
Let me start with the fact that this book will show you probably one of the most interesting and innovative magical systems ever written about. I have never ever seen language so intricately portrayed as magic, and as a lover of many quite worldly languages (and some quite otherworldly), it is one I appreciate a lot. As someone who studies many languages, the possibilities and limitations of language have always been fascinating to me. So you're in for a magical treat in this one~
Next, to the characters. These events take place ten years after the other book and you are thrown in rather abruptly to this world - despite having read the previous book - with the new character, Frencesca. For a while many things don't make sense to you, emphasizing Francescas confusion as well, something I quite liked. For a long time though I couldn't make up my mind whether or not I liked her. In many things I liked her a lot, she has wit, curses a lot in a very cute old-fashioned way and has her flaws as well. When it comes to her feelings towards her former lover (newly introduced character Cyrus whom I for the most part liked, even though he lacked depth) or Nicodemus, I was getting annoyed with her. I never hate it more than when you get a female character and she isn't sure about her feelings towards guy no. 1 and guy no. 2. As I do not like how female main characters are portrayed in most books, I tend to avoid books that have a prominent female main character. Francesca, after all, was quite ok to read about, though.
I wish there had been more chapters about Nicodemus though. I really liked his POV, and I would've loved to read more about the time inbetween. You get glimpses here and there, but that's it. He kinda grows to be a stranger, especially because you do not experience with him what happened during those years, and you have to reacquaint yourself with him. I did however really like his encounter with the Savanna Walker.
And that progresses to this:
As for Shannon, I really liked his ghost. The one where his author was still alive was peculiar in that it is an interesting way of thinking about body, as in all is made out of text and how to react to it. For the one when I really loved the last words to Nico. Shannon himself has become rather depressed and confused at times, I frowned more about his reactions than at the introduction of his ghost.
I really felt bad for Deirdre and Boann. They have suffered quite a lot~.
As for Vivian and Lotannu, I liked them as a pair, I think they are interesting characters, but much like Cyrus they lack depth and it would've been better to know more about their past, what they thought about everything. You still understand the story, but it would've been nice to get some deeper explanation on motives and ambitions. Because while you do know how the book will most likely continue, you never quite see Vivians part of the story.
As for the plot, besides having these wonderful magical systems, I at first was a bit annoyed about the appearance of lycanthropes (werewolves, seriously?), but after reading more it became clear why there were there and their background story was quite intersting after all. Still I didn't care too much about them.
There were some obvious turns and twists in the story that made it somewhat predictable but I was ok with it.
The flow of the text was nice and fluid. My English might have improved somewhat since reading the first book since I had way less trouble with difficult words appearing - then again many tend to be based on Roman languages, so it's not that hard. There were lotsa medical words, too, but after watching enough Bones and House I suppose it wasn't that much of a challenge anymore. What I did not like though, and I'm perfectly aware that while writing this I am doing the same thing that I'm going to critisize, is that some words repeated themselves in short succession. Shannon-the-ghost says agonizingly blablabla and two sentences later the same agonizingly appears. It happened at least three times, sometimes more strikingly than other times. It just halts you in the flow of the text, but this is just something minor that I notice quickly on whatever text I read. Also, you would think that a wonderful world like that, so keen on obeying the rules of science and language, would at least adopt the metric system. But that's just me, I hate it when I have to be counting around how many meters that many feet are.
All in all, if I give it a solid 4. It's a nice read, and has a nice ending. It leaves it open for more but not too open as to force you to read more should there, in fact, come another book. I just hope there won't be a sudden change to say...100 years in the future. We'll see~
Let me start with the fact that this book will show you probably one of the most interesting and innovative magical systems ever written about. I have never ever seen language so intricately portrayed as magic, and as a lover of many quite worldly languages (and some quite otherworldly), it is one I appreciate a lot. As someone who studies many languages, the possibilities and limitations of language have always been fascinating to me. So you're in for a magical treat in this one~
Next, to the characters. These events take place ten years after the other book and you are thrown in rather abruptly to this world - despite having read the previous book - with the new character, Frencesca. For a while many things don't make sense to you, emphasizing Francescas confusion as well, something I quite liked. For a long time though I couldn't make up my mind whether or not I liked her. In many things I liked her a lot, she has wit, curses a lot in a very cute old-fashioned way and has her flaws as well. When it comes to her feelings towards her former lover (newly introduced character Cyrus whom I for the most part liked, even though he lacked depth) or Nicodemus, I was getting annoyed with her. I never hate it more than when you get a female character and she isn't sure about her feelings towards guy no. 1 and guy no. 2. As I do not like how female main characters are portrayed in most books, I tend to avoid books that have a prominent female main character. Francesca, after all, was quite ok to read about, though.
I wish there had been more chapters about Nicodemus though. I really liked his POV, and I would've loved to read more about the time inbetween. You get glimpses here and there, but that's it. He kinda grows to be a stranger, especially because you do not experience with him what happened during those years, and you have to reacquaint yourself with him. I did however really like his encounter with the Savanna Walker.
And that progresses to this:
As for Shannon, I really liked his ghost. The one where his author was still alive was peculiar in that it is an interesting way of thinking about body, as in all is made out of text and how to react to it. For the one when I really loved the last words to Nico. Shannon himself has become rather depressed and confused at times, I frowned more about his reactions than at the introduction of his ghost.
I really felt bad for Deirdre and Boann. They have suffered quite a lot~.
As for Vivian and Lotannu, I liked them as a pair, I think they are interesting characters, but much like Cyrus they lack depth and it would've been better to know more about their past, what they thought about everything. You still understand the story, but it would've been nice to get some deeper explanation on motives and ambitions. Because while you do know how the book will most likely continue, you never quite see Vivians part of the story.
As for the plot, besides having these wonderful magical systems, I at first was a bit annoyed about the appearance of lycanthropes (werewolves, seriously?), but after reading more it became clear why there were there and their background story was quite intersting after all. Still I didn't care too much about them.
There were some obvious turns and twists in the story that made it somewhat predictable but I was ok with it.
The flow of the text was nice and fluid. My English might have improved somewhat since reading the first book since I had way less trouble with difficult words appearing - then again many tend to be based on Roman languages, so it's not that hard. There were lotsa medical words, too, but after watching enough Bones and House I suppose it wasn't that much of a challenge anymore. What I did not like though, and I'm perfectly aware that while writing this I am doing the same thing that I'm going to critisize, is that some words repeated themselves in short succession. Shannon-the-ghost says agonizingly blablabla and two sentences later the same agonizingly appears. It happened at least three times, sometimes more strikingly than other times. It just halts you in the flow of the text, but this is just something minor that I notice quickly on whatever text I read. Also, you would think that a wonderful world like that, so keen on obeying the rules of science and language, would at least adopt the metric system. But that's just me, I hate it when I have to be counting around how many meters that many feet are.
All in all, if I give it a solid 4. It's a nice read, and has a nice ending. It leaves it open for more but not too open as to force you to read more should there, in fact, come another book. I just hope there won't be a sudden change to say...100 years in the future. We'll see~
December 7, 2011
Blake Charlton's debut novel Spellwright (review) made my top five books read in 2010 list last year, so me buying Spellbound was a given. Unfortunately I had to wait until I got to go Sinterklaas shopping to get it, so I didn't get to read it immediately on publication, to my great chagrin. But, I made up for that by reading it in two sittings and wow, was it great to return to the world Charlton has created! Spellbound is set ten years after the events of Spellwright and as such, life in the Six Human Kingdoms has moved on. Adherents of the Prophecy and the Counter-Prophecy are moving in opposition of each other and the demon Typhon is taking a more active role in the events of the world.
The most obvious difference from Spellwright is Spellbound's protagonist. Charlton chooses to go with a whole new perspective in this book, that of physician Francesca De Vega. Nicodemus is by no means absent from this novel, he just isn't the main focus of it, as he was in Charlton's debut. Francesca is a charming protagonist, even if she is stubborn, fierce and, at times, quite grumpy. I really adored her fierceness and her independent nature. She also shows some amazing character development, from going from a very competent healer to something all together different, dealing with some very difficult experiences along the way. It hard to explain this further without moving into spoiler territory, but suffice it to say I really loved how Charlton handled Fran's story and where she ends up.
Francesca is surrounded by a cast of great characters. There are those we've met before, such as Nicodemus, Deirdre and Master Shannon and new faces, such as Cyrus, Francesca's hierophant ex-lover and Nicodemus' crew of kobold boys. Deirdre's story is heartbreaking, she's such a noble soul and the way her story ends, had me choked for up a bit. None of the familiar characters from Spellwright have come out of that book unharmed or unchanged, and it's these changes that make them so compelling. While Nico still wants to save the world from the Disjunction, his most obsessive goal is curing his Master Shannon, sometimes taking extraordinary risks and even going against Shannon's own wishes. Shannon plays an important and poignant part in Spellbound and for me he stole almost every scene he was in. What I really liked about Fran's interactions with Cyrus, is that there is still true affection there, but we soon see why they split up in the first place. Their bickering and constant needling of each other is funny and painful to watch at the same time. I think it's a very realistic portrayal of a relationship that's ended not because one party betrayed the other, but has just bled to death and grown apart and Charlton paints it with a deft hand.
He shows the same deft hand in his portrayal of the villains of the book, especially Typhon and the Savanna Walker. But are ruthlessly evil and out for their own gain, but both are also understandable in their motivations. Yes, Typhon's Disjunction will destroy the world as Nico and Fran know it, but for him it's what will save his people—and yes, give him world domination. Leaving aside the added bonus of world domination, Typhon genuinely seems to want to rescue his people. The Savanna Walker is an even more tragic case. Again, going into details would be giving spoilers, but Charlton succeeds in even giving this horrific monster a sympathetic side. And despite there being sympathetic elements to these villains, they remain the villains and it's impossible not to root for our heroes.
One of the elements that made me fall in love with Spellwright is Charlton's magic system. This prose-based system is something unique to his world and I utterly fell for it. In Spellbound we encounter and discover other aspects of this magic system. Francesca practices a different kind of magic from Shannon and Cyrus' Hierophantic magic is another beast entirely, its runes only produced by the heart muscle, being stored in cloth instead of his body or paper and is connected to air. We also meet a hydromancer, whose prose is stored in water. And of course we see the magical language Nicodemus has learned from the kobolds, which is bound to darkness. I loved all these variations and I can't wait to see what else Charlton can dream up.
Spellbound shows Charlton's growth as a writer. It's a tight story, with great characterisation and the ending felt less rushed than Spellwright's. It was an absolutely delightful read and I was sad to close the pages on the Six Human Kingdoms once more. In Spellwright Charlton explored dyslexia, where Spellbound is infused with his experiences as a medical student and the dilemmas doctors face in their daily work. It makes me wonder what he'll explore in the last book of the trilogy, Spellbreaker, whether it is again something connected to his real-life experiences or whether it'll move away from those. Clearly, I loved this book and if you haven't given this series a try yet or haven't yet picked up the second book, I highly recommend you do so, as it's not a series to be missed.
The most obvious difference from Spellwright is Spellbound's protagonist. Charlton chooses to go with a whole new perspective in this book, that of physician Francesca De Vega. Nicodemus is by no means absent from this novel, he just isn't the main focus of it, as he was in Charlton's debut. Francesca is a charming protagonist, even if she is stubborn, fierce and, at times, quite grumpy. I really adored her fierceness and her independent nature. She also shows some amazing character development, from going from a very competent healer to something all together different, dealing with some very difficult experiences along the way. It hard to explain this further without moving into spoiler territory, but suffice it to say I really loved how Charlton handled Fran's story and where she ends up.
Francesca is surrounded by a cast of great characters. There are those we've met before, such as Nicodemus, Deirdre and Master Shannon and new faces, such as Cyrus, Francesca's hierophant ex-lover and Nicodemus' crew of kobold boys. Deirdre's story is heartbreaking, she's such a noble soul and the way her story ends, had me choked for up a bit. None of the familiar characters from Spellwright have come out of that book unharmed or unchanged, and it's these changes that make them so compelling. While Nico still wants to save the world from the Disjunction, his most obsessive goal is curing his Master Shannon, sometimes taking extraordinary risks and even going against Shannon's own wishes. Shannon plays an important and poignant part in Spellbound and for me he stole almost every scene he was in. What I really liked about Fran's interactions with Cyrus, is that there is still true affection there, but we soon see why they split up in the first place. Their bickering and constant needling of each other is funny and painful to watch at the same time. I think it's a very realistic portrayal of a relationship that's ended not because one party betrayed the other, but has just bled to death and grown apart and Charlton paints it with a deft hand.
He shows the same deft hand in his portrayal of the villains of the book, especially Typhon and the Savanna Walker. But are ruthlessly evil and out for their own gain, but both are also understandable in their motivations. Yes, Typhon's Disjunction will destroy the world as Nico and Fran know it, but for him it's what will save his people—and yes, give him world domination. Leaving aside the added bonus of world domination, Typhon genuinely seems to want to rescue his people. The Savanna Walker is an even more tragic case. Again, going into details would be giving spoilers, but Charlton succeeds in even giving this horrific monster a sympathetic side. And despite there being sympathetic elements to these villains, they remain the villains and it's impossible not to root for our heroes.
One of the elements that made me fall in love with Spellwright is Charlton's magic system. This prose-based system is something unique to his world and I utterly fell for it. In Spellbound we encounter and discover other aspects of this magic system. Francesca practices a different kind of magic from Shannon and Cyrus' Hierophantic magic is another beast entirely, its runes only produced by the heart muscle, being stored in cloth instead of his body or paper and is connected to air. We also meet a hydromancer, whose prose is stored in water. And of course we see the magical language Nicodemus has learned from the kobolds, which is bound to darkness. I loved all these variations and I can't wait to see what else Charlton can dream up.
Spellbound shows Charlton's growth as a writer. It's a tight story, with great characterisation and the ending felt less rushed than Spellwright's. It was an absolutely delightful read and I was sad to close the pages on the Six Human Kingdoms once more. In Spellwright Charlton explored dyslexia, where Spellbound is infused with his experiences as a medical student and the dilemmas doctors face in their daily work. It makes me wonder what he'll explore in the last book of the trilogy, Spellbreaker, whether it is again something connected to his real-life experiences or whether it'll move away from those. Clearly, I loved this book and if you haven't given this series a try yet or haven't yet picked up the second book, I highly recommend you do so, as it's not a series to be missed.
January 9, 2012
FIXED! This book fixed (almost) all of the issues I had in Spellwright. I complained about the depth of the characters, the lack of “adventure,” predictable plot, thickly laid foreshadowing and annoying repetition/ wrap-up of where we are in the story.
Enter new, more likable characters: Protagonist #1: Francesca, a character with a hot wit and the mouth to fire it off with. Aside from knowing what her character looks like, we know what type of person she is, her aspirations and her failures, as well as her frustrations and motivations. We know her past and how it shaped her and a little later in the book, we see how thoroughly we were all mislead. This book wasn’t as predictable was Spellwright was. In fact, I suspected that Francesca was actually Nicodemus’ sister.
Protagonist #2: Cyrus, short but cute and very talented in the air. His main purpose was to move characters in and out of a war zone, as well as provide a little sexual tension and some drama. Well done, for a throw-away character. Again, not predictable, since I completely miscalculated this characters role in the story.
Protagonist #3: Shannon’s ghost was an interesting addition of lore to this story. I liked how he linked two separate parallel stories together to build a great back-story. So now there are dragons, half dragons, avatars, ghosts, lycanthropes, a Savanna Walker, forest sprites and kobolds (in the wrong color, according to D & D lore).
Protagonist/ Antagonist #4: Dierdre, a tall character with an empty soul but strong morals who longs to be filled again by her goddess. This complex character was sorely missed, but still well constructed as far as moving the story goes. I had completely forgotten what she looked like, so she was a shell of a character in my mind, not quite vividly drawn as the rest of them. I’m adding her to the “new” characters since her role is so complex, she’s only half bad guy and half good guy.
Protagonist/ Antagonist #5: Vivian & Lotannu are inseparable but ancient-looking. Again, a serious twist when this turned out to be the “Halcyon-in-waiting,” as Nicodemus so aptly put it. I’m still not sure if I can consider her a good guy or a bad guy, and I think she was as equally shocked when Nico ended up killing the demon. But I have a lot of respect for her. She’s a powerful spellwright and she seems to have a good head on her shoulders, even though she was raised on the “chosen one” lore. Let’s hope she can continue that line of thinking in Misspell. Or will the absolute power of the gem corrupt her absolutely?
What I didn’t complain about in my first review that became a bit of annoyance in Spellbound was the lack of world-building. Fantasy is a genre that you fall into because the world is vivid and it’s created to put characters into the cinema of your imagination. But in discussions with Blake Charlton, his lack of lush scenery is intentional. The characters and the story and the politics are what he intends for you to focus on, so he doesn’t spend chapter upon chapter describing the cobblestone of the streets or the weathered walls of an ancient city. Where I can respect that, I have to admit that it was a difficult to story for me to imagine in “film” format.
Keep in mind, if you were to tell me about how your cat gives you a concerned meow after you step out of the shower every morning, the harm is already done. You’re telling me a story and I’m imagining it as a movie in progress and so therefore, I’ve unintentionally imagined you naked, stepping out of a shower. See? Story-building is that easy.
As a result of poor world-building, I didn’t fall into the story, parts were confusing to imagine and in some places, even dialogue was hard to follow. Throughout the book, whatever Francesca spelled out was correct in punctuation, spelling and format, with Nicodemus’ replies being a jumble of dyslexic sentences. When we start reading through his eyes, everything is misspelled. As a result, I lost track of which character is talking and had to reread portions again. Overall, though, this story was a vast improvement over the first book and promising set-up for Book #3.
Enter new, more likable characters: Protagonist #1: Francesca, a character with a hot wit and the mouth to fire it off with. Aside from knowing what her character looks like, we know what type of person she is, her aspirations and her failures, as well as her frustrations and motivations. We know her past and how it shaped her and a little later in the book, we see how thoroughly we were all mislead. This book wasn’t as predictable was Spellwright was. In fact, I suspected that Francesca was actually Nicodemus’ sister.
Protagonist #2: Cyrus, short but cute and very talented in the air. His main purpose was to move characters in and out of a war zone, as well as provide a little sexual tension and some drama. Well done, for a throw-away character. Again, not predictable, since I completely miscalculated this characters role in the story.
Protagonist #3: Shannon’s ghost was an interesting addition of lore to this story. I liked how he linked two separate parallel stories together to build a great back-story. So now there are dragons, half dragons, avatars, ghosts, lycanthropes, a Savanna Walker, forest sprites and kobolds (in the wrong color, according to D & D lore).
Protagonist/ Antagonist #4: Dierdre, a tall character with an empty soul but strong morals who longs to be filled again by her goddess. This complex character was sorely missed, but still well constructed as far as moving the story goes. I had completely forgotten what she looked like, so she was a shell of a character in my mind, not quite vividly drawn as the rest of them. I’m adding her to the “new” characters since her role is so complex, she’s only half bad guy and half good guy.
Protagonist/ Antagonist #5: Vivian & Lotannu are inseparable but ancient-looking. Again, a serious twist when this turned out to be the “Halcyon-in-waiting,” as Nicodemus so aptly put it. I’m still not sure if I can consider her a good guy or a bad guy, and I think she was as equally shocked when Nico ended up killing the demon. But I have a lot of respect for her. She’s a powerful spellwright and she seems to have a good head on her shoulders, even though she was raised on the “chosen one” lore. Let’s hope she can continue that line of thinking in Misspell. Or will the absolute power of the gem corrupt her absolutely?
What I didn’t complain about in my first review that became a bit of annoyance in Spellbound was the lack of world-building. Fantasy is a genre that you fall into because the world is vivid and it’s created to put characters into the cinema of your imagination. But in discussions with Blake Charlton, his lack of lush scenery is intentional. The characters and the story and the politics are what he intends for you to focus on, so he doesn’t spend chapter upon chapter describing the cobblestone of the streets or the weathered walls of an ancient city. Where I can respect that, I have to admit that it was a difficult to story for me to imagine in “film” format.
Keep in mind, if you were to tell me about how your cat gives you a concerned meow after you step out of the shower every morning, the harm is already done. You’re telling me a story and I’m imagining it as a movie in progress and so therefore, I’ve unintentionally imagined you naked, stepping out of a shower. See? Story-building is that easy.
As a result of poor world-building, I didn’t fall into the story, parts were confusing to imagine and in some places, even dialogue was hard to follow. Throughout the book, whatever Francesca spelled out was correct in punctuation, spelling and format, with Nicodemus’ replies being a jumble of dyslexic sentences. When we start reading through his eyes, everything is misspelled. As a result, I lost track of which character is talking and had to reread portions again. Overall, though, this story was a vast improvement over the first book and promising set-up for Book #3.
This entire review has been hidden because of spoilers.
March 21, 2013
This incredibly sarcastic, incredibly witty, and just plain incredible heroine made this story 100% worthwhile. Her wordplays had me cracking up; her strange and awkward way of coping with situations struck me as very original and believable. The settings were very interesting, especially aboard the jargon-enhanced flying rigs of the heirophants, but I did feel that some descriptions were recycled a number of times throughout the book (concerning the city and the kites). A number of superb plot twists make the plot very involving and interesting.
Something I distinctly did not enjoy was merely hearing about Nicodemus' adventures in the 10 years between Spellwright and Spellbound, never learning about them in sufficient detail. They are covered, so you know what happened, but I don't feel the events/emotions in Nico's past would logically result in his present character. Therefore, I felt that Nico's character was poorly developed for this installment of the trilogy (a shame, really - he was well characterized in Spellwright and I wanted to follow him and understand his story). There was also a large change in the character Shannon; he went from a caring, wise, insightful person, and, though he was eaten by disease and worry, his transformation into a bitter, lonely, sour old man with few insights seemed off . . . illogical perhaps.
One more thing I disliked was the development Nico and Fran's relationship. Some development seems to be lacking.
A great read; main character Francesca is off-the-charts witty and engaging!
Something I distinctly did not enjoy was merely hearing about Nicodemus' adventures in the 10 years between Spellwright and Spellbound, never learning about them in sufficient detail. They are covered, so you know what happened, but I don't feel the events/emotions in Nico's past would logically result in his present character. Therefore, I felt that Nico's character was poorly developed for this installment of the trilogy (a shame, really - he was well characterized in Spellwright and I wanted to follow him and understand his story). There was also a large change in the character Shannon; he went from a caring, wise, insightful person, and, though he was eaten by disease and worry, his transformation into a bitter, lonely, sour old man with few insights seemed off . . . illogical perhaps.
One more thing I disliked was the development Nico and Fran's relationship. Some development seems to be lacking.
A great read; main character Francesca is off-the-charts witty and engaging!
May 22, 2017
This epic fantasy adventure is about magical systems and how those imbued with magic have to cope with the way it bends and warps their lives in unimaginable ways. I don’t think I’ve ever read a book or series where the rules of magic are so pervasive and have so many unthinkable and frightening consequences. Charlton’s febrile mind has worked out a system where words and will create spells – but what if different spellcasters regard others from different systems with suspicion and fear? What if there is a constant tension between those systems that teeters on the brink of open warfare? And what if in the middle of this tense political landscape come several powerful entities that threaten to overturn the status quo?
Inevitably there is quite a lot of explanation and passages of description throughout the book, but this doesn’t stop Francesca pinging off the page. I love her character – and the scenes where she is fighting to save the life of an injured patient are both exciting and highly plausible, which isn’t surprising given that Charlton is a fellow of Cardiology at the University of California. Nico is a spellcaster whose power undoes and subverts the spells of those who try casting spells against him, as he is unable to accurately spell his spells, thus echoing the pain and confusion Charlton must have endured as a child struggling with severe dyslexia. I can relate all too clearly, watching my granddaughter’s battle with this miserable condition.
While I knew one or two of the shock outcomes near the end of the book, given I had already read the final book in this trilogy, it didn’t prevent me really enjoying the journey which had its own share of surprises. Francesca’s character is a revelation and the way we discover who she is and how she got here is masterly and highly original.
This world is so cleverly devised and smart, it deserves to be far better known and Spellbound, along with Spellwright and Spellbreaker, comes highly recommended.
10/10
Inevitably there is quite a lot of explanation and passages of description throughout the book, but this doesn’t stop Francesca pinging off the page. I love her character – and the scenes where she is fighting to save the life of an injured patient are both exciting and highly plausible, which isn’t surprising given that Charlton is a fellow of Cardiology at the University of California. Nico is a spellcaster whose power undoes and subverts the spells of those who try casting spells against him, as he is unable to accurately spell his spells, thus echoing the pain and confusion Charlton must have endured as a child struggling with severe dyslexia. I can relate all too clearly, watching my granddaughter’s battle with this miserable condition.
While I knew one or two of the shock outcomes near the end of the book, given I had already read the final book in this trilogy, it didn’t prevent me really enjoying the journey which had its own share of surprises. Francesca’s character is a revelation and the way we discover who she is and how she got here is masterly and highly original.
This world is so cleverly devised and smart, it deserves to be far better known and Spellbound, along with Spellwright and Spellbreaker, comes highly recommended.
10/10
October 6, 2011
I've been lax on writing this review. I don't know if it's because I wanted to take time to let the book settle before I talked about it or if I was just lazy. (probably a bit of both)
The book was good. On many different levels, good. It was immediately visible that Charlton had taken his game to the next level and it helped the story out from beginning to end. Charlton's profession as a medical doctor also contributed positively to the story, giving a fantastical story a real life anchor that provided a shell of authenticity that encompassed the whole book.
I love the magic system of the Spell books. It's unique, it's well thought out, and it's right up a reading geek's alley! I think that this is a book, due to it's complexity and it's thoroughness, that I need to read Spellwright again to really get a true appreciation for Spellbound. The magic system is just so in depth that I need a refresher before diving into the story again.
The only thing that I would say to Mr. Charlton as a reader is that I wanted to hear from Nico. The story focuses on Francesca and while that is a good story and I understand why the focus was on her, I really liked the character of Nico from the first book and wanted to see/hear more from him.
Overall, if you haven't read the first book, read it now. Then read this one. If you've read Spellwright, read this now. Top 5 book of 2011 so far in my amateur regard.
The book was good. On many different levels, good. It was immediately visible that Charlton had taken his game to the next level and it helped the story out from beginning to end. Charlton's profession as a medical doctor also contributed positively to the story, giving a fantastical story a real life anchor that provided a shell of authenticity that encompassed the whole book.
I love the magic system of the Spell books. It's unique, it's well thought out, and it's right up a reading geek's alley! I think that this is a book, due to it's complexity and it's thoroughness, that I need to read Spellwright again to really get a true appreciation for Spellbound. The magic system is just so in depth that I need a refresher before diving into the story again.
The only thing that I would say to Mr. Charlton as a reader is that I wanted to hear from Nico. The story focuses on Francesca and while that is a good story and I understand why the focus was on her, I really liked the character of Nico from the first book and wanted to see/hear more from him.
Overall, if you haven't read the first book, read it now. Then read this one. If you've read Spellwright, read this now. Top 5 book of 2011 so far in my amateur regard.
October 22, 2011
*4.5 stars*
first 100 pages, i wasn't sure about this one. technical -- and rather geeky -- descriptions of exactly how the wind magic works had me wondering if #2 was not going to live up to the spectacular promise of #1,
but by 200 pages, the humor and the plot had both caught hold and sailed aloft. (sorry, couldn't resist.) seriously, though, there were entire passages of dialogue that had me clutching my sides and snorting. if i had the time to transcribe a bunch more favorite quotes from this one, i would!
around 300 pages, my enjoyment was solid and palpable,
and the ENDING, oh!!! possibly my favorite twist ever!! how very unusual and just flat-out awesome.
all right, so clearly I am not an accomplished writer, but suffice it to say that i highly recommend this series to all my grown-up fantasy fan friends.
pg13 yellow for some violence, cursing in context -- not modern english curses, and a couple discreetly described grown-up activities
-----------
cacographic fruitcake! *joy dissolves into laughter*
first 100 pages, i wasn't sure about this one. technical -- and rather geeky -- descriptions of exactly how the wind magic works had me wondering if #2 was not going to live up to the spectacular promise of #1,
but by 200 pages, the humor and the plot had both caught hold and sailed aloft. (sorry, couldn't resist.) seriously, though, there were entire passages of dialogue that had me clutching my sides and snorting. if i had the time to transcribe a bunch more favorite quotes from this one, i would!
around 300 pages, my enjoyment was solid and palpable,
and the ENDING, oh!!! possibly my favorite twist ever!! how very unusual and just flat-out awesome.
all right, so clearly I am not an accomplished writer, but suffice it to say that i highly recommend this series to all my grown-up fantasy fan friends.
pg13 yellow for some violence, cursing in context -- not modern english curses, and a couple discreetly described grown-up activities
-----------
cacographic fruitcake! *joy dissolves into laughter*
January 20, 2013
I didn't realise that this book was the second in a series until I got it home from the library. However, it didn't matter, because anything important from the previous book was mentioned when it was relevant to the storyline.
The parallels between spelling (as in using the correct letters in a word) and spelling (as in magic) are so obvious in retrospect that it surprises me that I've never seen it done before. The use of what is essentially a dyslexic wizard fit right into the feel of the book.
I enjoyed the different wizardly languages - including Language Prime, which is what all living creatures are made of and is written with only four runes. The runes weren't described, but for the sake of argument let's call them A, T, C, and G. A good way of fitting concepts people are familiar with into the world created here.
The characters were sufficiently developed that I had no trouble following their motivations, and each twist was well planned and executed. Overall, a good read.
The parallels between spelling (as in using the correct letters in a word) and spelling (as in magic) are so obvious in retrospect that it surprises me that I've never seen it done before. The use of what is essentially a dyslexic wizard fit right into the feel of the book.
I enjoyed the different wizardly languages - including Language Prime, which is what all living creatures are made of and is written with only four runes. The runes weren't described, but for the sake of argument let's call them A, T, C, and G. A good way of fitting concepts people are familiar with into the world created here.
The characters were sufficiently developed that I had no trouble following their motivations, and each twist was well planned and executed. Overall, a good read.
August 30, 2021
"Ułomność może zniszczyć część Ciebie, ale część zostanie. To w tym co zostanie kryje się siła".
Jeszcze bardziej chaotyczna niż część pierwsza. Za trzecią, w której zapewne będzie się toczyć czarodziejska telenowela, się nie zabieram.
Jeszcze bardziej chaotyczna niż część pierwsza. Za trzecią, w której zapewne będzie się toczyć czarodziejska telenowela, się nie zabieram.
August 3, 2011
A disclaimer: a copy of this book was provided by Blake, who had consulted me at one point about the military elements of the story.
Blake Charlton’s second novel has remained one of my more anticipated books of the year, ever since I set aside his first, Spellwright. Set ten years after the events of his first novel, Spellbound picks up the action and world nicely, proving to be an entertaining and enthralling read, while avoiding the pitfalls of the dreaded sophomore slump.
When we last left Nicodemus Weal, he’d been through hell, discovering some of the reasons behind his disability and coming up with some stunning revelations about the world around him. Ten years on, we’re introduced to Francesca DeVega, a healer who stumbles into the middle of a grand conspiracy when a patient that she accidentally kills awakens, sending her into a world of trouble, colliding with Nicodemus as he prepares to meet agents of a larger agenda, working to change the world for the worse, bringing about the Disjunction, where the world’s language prime is re-written, eliminating life as they all know it.
Spellbound was a fun read: Charlton brings out a great tale, one that moves swiftly from point to point without letting up on the urgency. Like Spellwright, Spellbound is a great story within a story: like some of the great fantasy worlds, the focus is on the characters, operating within a much larger story. While there are points where I would have liked to have strayed and explored the story’s rich world a bit more, Charlton clamps down a bit and keeps the story moving forward. The result is a fairly focused narrative, with points that I had wished been fleshed out or explained a little more. Spellbound is going to be a bit of a harder book for an introductory reader (Spellwright should certainly be read first), but for readers aching for more after Spellwright, it’s a welcomed addition to the world. It fits perfectly, taking much of the same tone and pace, and it’s as if one never left.
Where Spellwright focused extensively on the disabilities and triumph on the part of Nicodemus, Spellbound takes a bit of a different turn by focusing almost extensively on Francesca, a healer. Charlton has drawn from his own life experiences when it comes to his dyslexia, and while that’s certainly an element of the story here, he’s moved past the problems and focused on things: medicine. One of the sheer joys of reading a new novel is seeing what the author does to a genre differently, and here, we see a neat blend of magic and medical science. Fantastic literature tends to gloss over some of the details of how the systems actually work: Charlton has taken a much different approach with his own magical system, and where it was a delight in Spellwright, it’s an absolute joy to see it fleshed out here. The world building is once again top notch, and where the first book had a bit of a narrow view of the world, the second rips it open, and we see quite a bit more: the politics, environment, lives of the people, and so forth, all in far more detail.
The medical element adds a nice touch too: presumably, people in any fantastic world have issues with their health, and rather than a bunch of vague understandings, we’re presented with a deep understanding of the human body, and how not only magic would affect someone, but how a person wielding magic would be able to treat and address wounds and illnesses. This element alone gives the book a good edge over other, similar reads out there, and it’s certainly one of my favorites for the year so far.
Spellbound isn’t a perfect read, however. Like the first book, there’s some pacing issues: where book one was strongest to begin with, this one feels like it’s spinning its wheels a bit in the beginning, explaining, connecting and setting the stage before carrying everything over into the conclusion. Coupled with an overly rich world, I kept feeling as if I’d missed something, going back a couple of pages to catch up. Given that it’s also been about a year since I picked up Spellwright, I’m looking forward to the day when I can pick up all three books and read them consecutively: I suspect that a lot of things will fall into place when that happens. There’s points where the dialogue, while pithy and appropriate at points, feels forced and out of place.
Spellbound is a fun, exciting read, one that deserves the attention and more of its predecessor. Rather than retread over old ground, Charlton has paved his way forward based on the lessons learned (presumably from his own experiences) in the prior book, building and expanding them aggressively in the second. The story is loaded with interesting characters, a story that works well and that comes unexpectedly at points, and a world that is worth returning to often. The result is a rich, textured read, one that shows what fantasy should be when it encounters a creative and curious mind, a second novel that doesn’t disappoint. I’m already waiting for Disjunction, the final book in the trilogy.
Blake Charlton’s second novel has remained one of my more anticipated books of the year, ever since I set aside his first, Spellwright. Set ten years after the events of his first novel, Spellbound picks up the action and world nicely, proving to be an entertaining and enthralling read, while avoiding the pitfalls of the dreaded sophomore slump.
When we last left Nicodemus Weal, he’d been through hell, discovering some of the reasons behind his disability and coming up with some stunning revelations about the world around him. Ten years on, we’re introduced to Francesca DeVega, a healer who stumbles into the middle of a grand conspiracy when a patient that she accidentally kills awakens, sending her into a world of trouble, colliding with Nicodemus as he prepares to meet agents of a larger agenda, working to change the world for the worse, bringing about the Disjunction, where the world’s language prime is re-written, eliminating life as they all know it.
Spellbound was a fun read: Charlton brings out a great tale, one that moves swiftly from point to point without letting up on the urgency. Like Spellwright, Spellbound is a great story within a story: like some of the great fantasy worlds, the focus is on the characters, operating within a much larger story. While there are points where I would have liked to have strayed and explored the story’s rich world a bit more, Charlton clamps down a bit and keeps the story moving forward. The result is a fairly focused narrative, with points that I had wished been fleshed out or explained a little more. Spellbound is going to be a bit of a harder book for an introductory reader (Spellwright should certainly be read first), but for readers aching for more after Spellwright, it’s a welcomed addition to the world. It fits perfectly, taking much of the same tone and pace, and it’s as if one never left.
Where Spellwright focused extensively on the disabilities and triumph on the part of Nicodemus, Spellbound takes a bit of a different turn by focusing almost extensively on Francesca, a healer. Charlton has drawn from his own life experiences when it comes to his dyslexia, and while that’s certainly an element of the story here, he’s moved past the problems and focused on things: medicine. One of the sheer joys of reading a new novel is seeing what the author does to a genre differently, and here, we see a neat blend of magic and medical science. Fantastic literature tends to gloss over some of the details of how the systems actually work: Charlton has taken a much different approach with his own magical system, and where it was a delight in Spellwright, it’s an absolute joy to see it fleshed out here. The world building is once again top notch, and where the first book had a bit of a narrow view of the world, the second rips it open, and we see quite a bit more: the politics, environment, lives of the people, and so forth, all in far more detail.
The medical element adds a nice touch too: presumably, people in any fantastic world have issues with their health, and rather than a bunch of vague understandings, we’re presented with a deep understanding of the human body, and how not only magic would affect someone, but how a person wielding magic would be able to treat and address wounds and illnesses. This element alone gives the book a good edge over other, similar reads out there, and it’s certainly one of my favorites for the year so far.
Spellbound isn’t a perfect read, however. Like the first book, there’s some pacing issues: where book one was strongest to begin with, this one feels like it’s spinning its wheels a bit in the beginning, explaining, connecting and setting the stage before carrying everything over into the conclusion. Coupled with an overly rich world, I kept feeling as if I’d missed something, going back a couple of pages to catch up. Given that it’s also been about a year since I picked up Spellwright, I’m looking forward to the day when I can pick up all three books and read them consecutively: I suspect that a lot of things will fall into place when that happens. There’s points where the dialogue, while pithy and appropriate at points, feels forced and out of place.
Spellbound is a fun, exciting read, one that deserves the attention and more of its predecessor. Rather than retread over old ground, Charlton has paved his way forward based on the lessons learned (presumably from his own experiences) in the prior book, building and expanding them aggressively in the second. The story is loaded with interesting characters, a story that works well and that comes unexpectedly at points, and a world that is worth returning to often. The result is a rich, textured read, one that shows what fantasy should be when it encounters a creative and curious mind, a second novel that doesn’t disappoint. I’m already waiting for Disjunction, the final book in the trilogy.
October 12, 2019
I liked this one better than the first once it got rolling. And of course the third isn't readily available. Lol.
August 25, 2020
Continues well from his original book.
I did enjoy the change in this book as well as some of the newer characters.
I was hooked from start to finish.
I would argue that some people may not enjoy the book as much due to the rather extensive vocabulary used.
I did enjoy the change in this book as well as some of the newer characters.
I was hooked from start to finish.
I would argue that some people may not enjoy the book as much due to the rather extensive vocabulary used.
January 12, 2019
The worldbuilding has grown richer and even more creative, the new protagonist is engaging and enjoyable, and the thematic exploration of disability is heartbreakingly good. Deeply emotionally satisfying. Ive got the final installment by my bed already ready to start.
February 19, 2019
Really enjoyable! I love this author 😀
May 1, 2020
The beginning has quite a strong start of the book. Really sucks you into it immediately. Especially story lines of ghost Shannon and Francesca.
I loved the Fran character and her development.
I got less involved with Cy however and also his development and ending I found less than convincing. Especially how hé got the lead role in the battle.
In general a lovely book and a well deaerved 4 stars.
I loved the Fran character and her development.
I got less involved with Cy however and also his development and ending I found less than convincing. Especially how hé got the lead role in the battle.
In general a lovely book and a well deaerved 4 stars.
This entire review has been hidden because of spoilers.
September 5, 2018
An improvement on the already-good first book in the series. Charlton's writing is noticeably more polished this time round and the unique aspects of his world are developed much more satisfyingly, staying further away from stereotypical fantasy than in the first one. The magic system was already unique, but now we get a chance to see that the rest of the world is as well! And the story is good too, engaging and entertaining with just the right amount of action, twists and turns.
December 22, 2018
I really like the philosophy that goes on in this series, the balance between order and chaos and the importance of both. I remembered a lot more about this book from when I read it ages ago than the first book, and so I really caught a lot of the foreshadowing that gave the book a new, different sort of excitement, knowing exactly what was coming and just how awesome it was going to be.
I think it's really cool how Charlton weaves his own medical knowledge into the story, too. It was actually kinda fun learning about how Francesca heals wounds and uses magic to do so.
Also the comedy in this book is FANTASTIC. I absolutely love the dripping sarcasm with some of the main characters, ESPECIALLY Francesca. Though I think her little love triangle may have kinda taken away from the focus of the book a little bit? Other than that, I loved it.
I think it's really cool how Charlton weaves his own medical knowledge into the story, too. It was actually kinda fun learning about how Francesca heals wounds and uses magic to do so.
Also the comedy in this book is FANTASTIC. I absolutely love the dripping sarcasm with some of the main characters, ESPECIALLY Francesca. Though I think her little love triangle may have kinda taken away from the focus of the book a little bit? Other than that, I loved it.
December 28, 2018
Overall a good read, with a few confusing bits.
August 14, 2012
Tien jaar geleden stond de jonge spreukschrijver Nicodemus Kras in De Taal der Spreuken tegenover een demon die hem vervloekt had. In de afgelopen tien jaar heeft Nicodemus zich verdiept in de enige taal die hij nog foutloos kan spellen: die van de kobolden, een paarse, magische taal die enkel in het donker werkt. Al die tijd kan hij niet meer in de talen van de magiërs schrijven en de Oertaal is ook niet meer veilig voor zijn kakografie. Zelfs het vriendschappelijk vastpakken van een hand leidt voor de ander tot de dood. Terwijl Nicodemus met zichzelf worstelt, krijgt de demon steeds meer macht in de stad Avel. Het wezen is vastbesloten om alle magische talen – ook de Oertaal – voorgoed te veranderen en zo het leven ingrijpend te veranderen.
Nicodemus wil alles doen om de demon tegen te houden, maar er zijn meer gevaren in Avel dan hij kan overzien, terwijl sommige vijanden soms ook bondgenoten zijn. Nicodemus begeeft zich in een web zonder te weten wat aan welke draad hangt. Het doorsnijden of juist laten hangen van de verkeerde draad kan zijn einde betekenen, en misschien wel dat van al het gewone leven…
Vertrouwde wereld, veel spanning
In De Taal der Spreuken is de wereld waar Nicodemus in leeft, uitgebreid besproken. Het lezen van De Macht der Spreuken voelt dan ook als thuiskomen. Zelfs nieuwe zaken – zoals de taal van de priesters – en nieuwe personages lijken er altijd al te zijn geweest. Maar hoe vertrouwd de wereld ook is, hij blijft magisch.
De thuiskomst is echter niet rustig. Je valt direct in het verhaal en er is slechts één ding duidelijk: Avel is een wespennest. Diverse personages zitten al vanaf het begin tot aan hun – soms gouden – oren in de problemen. De een leest dat zijn schrijver is vermoord, de ander probeert – tevergeefs – een leven te redden, terwijl een derde haar leven op het spel zet door een magische taal te gebruiken die ze niet kent. En de problemen blijven maar komen… Ademhalen is op sommige plaatsen mogelijk voor de lezer, maar zorg dat je voor de start alvast een voorraadje zuurstof hebt, want de eerste bladzijde grijpt je bij je polsen en de tweede slaat zijn klauwen in je hoofd. Zelf een adempauze inlassen is vrij lastig, want de woorden blijven komen.
Wil je de gehele recensie lezen? Klik dan hier:
http://www.fantasywereld.nl/recensies...
Nicodemus wil alles doen om de demon tegen te houden, maar er zijn meer gevaren in Avel dan hij kan overzien, terwijl sommige vijanden soms ook bondgenoten zijn. Nicodemus begeeft zich in een web zonder te weten wat aan welke draad hangt. Het doorsnijden of juist laten hangen van de verkeerde draad kan zijn einde betekenen, en misschien wel dat van al het gewone leven…
Vertrouwde wereld, veel spanning
In De Taal der Spreuken is de wereld waar Nicodemus in leeft, uitgebreid besproken. Het lezen van De Macht der Spreuken voelt dan ook als thuiskomen. Zelfs nieuwe zaken – zoals de taal van de priesters – en nieuwe personages lijken er altijd al te zijn geweest. Maar hoe vertrouwd de wereld ook is, hij blijft magisch.
De thuiskomst is echter niet rustig. Je valt direct in het verhaal en er is slechts één ding duidelijk: Avel is een wespennest. Diverse personages zitten al vanaf het begin tot aan hun – soms gouden – oren in de problemen. De een leest dat zijn schrijver is vermoord, de ander probeert – tevergeefs – een leven te redden, terwijl een derde haar leven op het spel zet door een magische taal te gebruiken die ze niet kent. En de problemen blijven maar komen… Ademhalen is op sommige plaatsen mogelijk voor de lezer, maar zorg dat je voor de start alvast een voorraadje zuurstof hebt, want de eerste bladzijde grijpt je bij je polsen en de tweede slaat zijn klauwen in je hoofd. Zelf een adempauze inlassen is vrij lastig, want de woorden blijven komen.
Wil je de gehele recensie lezen? Klik dan hier:
http://www.fantasywereld.nl/recensies...
June 16, 2020
A great book. It was a big improvement on Spellwright. Spellwright was the author’s first book, and this, his second, shows how much he’s learned. The clumsiness of his first book is pretty much gone here.
I may have given them both “4 stars”, but Spellwright was more 3.7 and this is more like 4.5
This book introduces a new character, Francesca, who is a cleric and involved in healing (the author is at medical college, so he’s using his experience and background reading to advantage here). It’s set 10 years after Spellwright, and Nicodemus is fighting Typhon in a town called Avel, which uses wind magic for flying.
The author’s world-building becomes more apparent here, and the magic system is explained and explored more. It’s a very enjoyable read.
I may have given them both “4 stars”, but Spellwright was more 3.7 and this is more like 4.5
This book introduces a new character, Francesca, who is a cleric and involved in healing (the author is at medical college, so he’s using his experience and background reading to advantage here). It’s set 10 years after Spellwright, and Nicodemus is fighting Typhon in a town called Avel, which uses wind magic for flying.
The author’s world-building becomes more apparent here, and the magic system is explained and explored more. It’s a very enjoyable read.
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