Denise Chong is an award-winning author whose work portrays the lives of ordinary people caught in the eye of history. Best known for her family memoir, The Concubine’s Children; The Girl in the Picture about the napalm girl of the Vietnam War; and Egg on Mao, a story of love and defiance in China of 1989, she lives in Ottawa.
Stories of lament, of poverty, of justified envy, of passion. As with any collection, it's a mixed bag, and some of the stories seem to me particularly stuffy and, for lack of a better word, slogs. But there are also some fantastic contributions in the mix. Here are a few of my favourites:
Cloister by Ann Copeland — a bit blunt, but it really provokes a visceral reaction to the inequity between men and women, in this case within the confines of a convent.
Presbyterian Crosswalk by Barbara Gowdy — reminds me of an episode of Curb or Seinfeld, with lovely little details that made me laugh in a few places, and with everything wrapping up very nicely in an ironic denouement.
Crush by Bonnie Burnard — a very short hot and luscious story that speaks up for female sexuality while not making any mistake about the real world.
The Midnight Hour by Sandra Birdsell — I found this to be a very relatable story of teenage angst and semi-poverty, so in other words quite distressing to read.
Queen of the North by Eden Robinson — Eden Robinson's characters are strong and fierce; they reminded me a lot of characters from her Monkey Beach, and perhaps some plot elements are re-used, but her stories are entrancing and it is a wonder to visit her world even briefly.
Leah and Paul, for Example by Monique Proulx — a montage of the brief and transient moments of (semi-)passionate love.
The first half of these stories were enriching and captivating, but once I got just past the middle I found that my interest in this book waned. The voices all seemed to blend together and were pretty bland, save for a couple which really stood out. Overall it was a good read. It would be cool to see a new anthology released with some newer Canadian writers.