As standard and generic a modern-vampire tale could get. Alex Elder is a normal high school boy, which will have his life completely turn after, one night hanging out with his friends, he's attacked by a band of vampires, resulting on his friends being slaughtered, and himself turned into one of those creatures. After being rescued and taking into shelter by a mysterious figure known as Ekimus, Alex will soon learn he's more than just a human turned into a vampire, he'll most likely be the last hope for humanity, thanks to a prophecy most likely about to fulfill.
I like good old-fashioned adventure tales. I like to see the average underdog turn into the mythical and epic hero, his journey will lead him to be. For Crimson, this is pretty much the promising plot for the first volume, and for that the story goes by the books in almost every way. When I first bought this title I did for Humberto Ramos's art, since this was (I believe) his first independent project after working for Marvel and DC back in the 90s, and this almost came to be a collaboration between him, and Mark Waid in the writing department, since the both of them used to work together at DC for the Superman series. If there's one thing I did actually appreciate in general was, as expected, the art department. Ramos is an acquired taste, to say the least. Not everyone seems to enjoy his art, specially ever since he started drawing Spider-man for the last decades, but there's an actual appreciation towards his cartoonish-anime style I do enjoy to look at, and Crimson is no different, mostly benefit to his constant use of gore and aggressive designs for the monsters. The problem comes with the human characters. Aside of one exaggeratedly attractive redhaired vampire-hunter, Scarlet, the humans are forgettable and unmemorable, to say the least, special mention to Alex, who's simply a generic white-American boy who looks like, well, any other American boy, with the exception of his eventual vampiric appearance, but for the most part his design is overly familiar. Even the later bad-guys, like Senator Victor Van Fleet and his assistant, T.C. Steinman seems average and standard, although I guess they're supposed to look like that? I don't know. The only characters visually attractive enough for me to notice and remember are Alex's friend, Joe, and the vampiric band that turned him. For the story department there's also not much to say; the volume starts with an actually interesting flashbacks narrating the war between Angels and Demons, from a Biblical and epic perspective. That was actually investing, and it let me down not having that tone constantly throughout the rest of the issues. When it comes to mythical and folkloric tales, I like to read and see the historical and epic approach, rather than the modern tale, which for the most part doesn't really add for plot-value or any innovative traits, and as expected, the story once we're introduced to "modern-day" New York City is, well, familiar. There are some unexpected moments, I guess, that actually took me by surprise, like the turn of events after we're introduced to the actual villains in the story, even though I believed the Vampire Band would've have that role. There's also an actual killing that took me by surprise from someone close to Alex, but aside of that, the story follow every single "kid who'll be the chosen one of an epic tale" story, with the violence, gruesomeness and gore expected out of an indie comic-book, aside of that, Brian Augustyn's writing and Ramos's draws resemble pretty much any other Marvel or DC title with similar elements. Trying not to be that harsh, the title is entertaining when it isn't that generic. Again, Ramos's art keeps it visually fun, and its really not that harmful for the genres approached. I do expect the rest of the story grows continuously, at least, in terms of plot-twists, or even given the earlier narrative treatment could actually improve for the content in further issues.