Renaissance Realism: Narrative Images in Literature and Art

by Alastair Fowler

Early narratives have tended to be critiqued as novels, an approach that misses their distinctive Renaissance realism. Alastair Fowler surveys picturing and perspective from the fifteenth century to the eighteenth, drawing analogies between literature and visual art. The book is based on the history of the narrative imagination after single-point perspective. The habit of an older, multi-point perspective long continued, accounting for "anachronism," discontinuous realism, "double time-schemes," and depiction of different moments as simultaneous.

304 pages, Hardcover

First published March 27, 2003

About the author

Alastair David Shaw Fowler CBE FBA (b. 1930) is a Scottish literary critic and editor, an authority on Edmund Spenser, Renaissance literature, genre theory, and numerology. Fowler was educated at the University of Edinburgh, M.A. (1952). He was subsequently awarded an M.A. (1955), D.Phil. (1957) and D.Litt. (1962) from Oxford. As a graduate student at Oxford, Fowler studied with C.S. Lewis, and later edited Lewis's Spenser's Images of Life.

Fowler was junior research fellow at Queen's College, Oxford (1955 - 59). He also taught at Swansea (1959 - 61), and Brasenose College, Oxford (1962 - 71). He was Regius Professor of literature at the University of Edinburgh (1972 - 84) and also taught intermittently at universities in the United States, including Columbia (1964) and the University of Virginia (1969, 1979, 1985–98).

Fowler is known for his editorial work. His edition of John Milton's Paradise Lost, part of the Longman poets series, has some of the most scholarly and detailed notes on the poem and is widely cited by Milton scholars.