Behind The Blue Canvas

by Eileen R. Tabios

Giraffe Books is pleased to announce the publication of BEHIND THE BLUE CANVAS, the first short story collection by poet, writer, editor and conceptual artist Eileen R. Tabios. To consider this book mere erotica would be too simplistic an assessment of Ms. Tabios's latest effort. Ms. Tabios breaks boundaries in form and content -- a consistently restless and exploratory approach to literature for which she's well acclaimed in poetry -- as reflected in poet-scholar Jean Gier's "Introduction," of which an excerpt "We have here a counter-narrative that runs against the grain of the romantic notion of the artist, the genius in his garret, or in her expensive loft studio, working on some "pure" or original vision or concept. The New York City art world in these stories is itself stripped and exposed. You, the reader, are a voyeur into its intricate social and material network, not unlike that in the mansion from the Story of O by Dominique Aury (using the pseudonym Pauline Reage). The galleries of New York City provide the context. They are the mansion, the community, and city. But none of them, no matter how tasteful or avant garde, transcend the marketplace." Specifically, Ms. Gier notes how Ms. Tabios turns art world tales into exemplifying what could be "a doomed eroticism based on a society that profits from artists and art, diaspora, and elitist hierarchies maintained within the New York gallery world. These ekphrasic, erotic explorations of submission or domination, and all the labyrinthine machinations of power that lie between subject and object, reflect the global arena of politics and power, the densely layered realities of post-colonial hegemony." BEHIND THE BLUE CANVAS reflects the multi-layered approach for which Ms. Tabios is known for applying to her material, providing a multiplicity of ways with which the reader may engage in these works -- whether as stories of love, lust, politics, power, art, poetry, or subverting social, sexual and political conventions, to cite among the possible contexts.

168 pages, Paperback

First published January 15, 2004

About the author

Eileen Tabios (born 1960) is an award-winning Filipino-American poet, fiction writer, conceptual/visual artist, editor, anthologist, critic, and publisher.

Born in Ilocos Sur, Philippines, Tabios moved to the United States at the age of ten. She holds a B.A. in political science from Barnard College and an M.B.A. in economics and international business from New York University Graduate School of Business. Her last corporate career was involved with international project finance. She began to write poetry in 1995.

Tabios has released eighteen print, four electronic, one CD poetry collections, an art essay collection, a poetry essay/interview anthology, a novel, and a short story book. Tabios has created a body of work melding transcolonialism with ekphrasis. Inventor of the poetic form called "hay(na)ku," she has had her poems translated into Spanish, Tagalog, Japanese, Italian, Paintings, Video, Drawings, Visual Poetry, Mixed Media Collages, Kali Martial Arts, Modern Dance and Sculpture.

Tabios has edited or co-edited five books of poetry, fiction and essays released in the United States. She also founded and edits the poetry review journal, "GALATEA RESURRECTS, a Poetry Engagement".

She is the founder of Meritage Press, a multidisciplinary literary and arts press based in St. Helena, California.

In addition to recipient of the Philippines’ National Book Award for Poetry, her poetry and editing projects have also received numerous awards including the PEN Oakland/Josephine Miles Literary Award, The Potrero Nuevo Fund Prize, the Gustavus Meyers Outstanding Book Award in the Advancement of Human Rights, Foreword Magazine Anthology of the Year Award, Poet Magazine's Iva Mary Williams Poetry Award, Judds Hill's Annual Poetry Prize and the Philippine American Writers & Artists’ Catalagan Award; recognition from the Academy of American Poets, the Asian/Pacific American Librarians Association and the PEN/Open Book Committee; as well as grants from the Witter Bynner Foundation, National Endowment of the Arts, the New York State Council on the Humanities, the California Council for the Humanities, and the New York City Downtown Cultural Council.