This is my 3rd Carrie Vaughn book, and although I liked it well enough, I don't know if I will continue with more of Vaughn's work. I really enjoyed After the Golden Age, which was the first book of hers that I'd read, but I wasn't a fan of her first Kitty Norville book, or this one. To be fair, I think this book was decent, but it needed a fair bit of polish.
This is something of an epic book. It's got a LOT of ideas, and a lot of history and mythology backing it, but the length of the book required that a lot of that wasn't fully fleshed out. We have a setting that is a kind of "what-if" alternate America, where China and Russia and the US are working towards a 3rd world war, and on top of that we have graphic novel script writer, Evie, whose father is sick and who comes home to care for him, and then on top of THAT we have a magical/mythological stew of a lot of really interesting things that just... fell a bit flat for me.
I would have liked this book much better, I think, if it had been about 100-150 pages longer. Give it a little more breathing room and let the story tell itself, rather than cutting corners and leaving the reader confused about the world you're creating. For instance, Evie's graphic novel series is steeped in current events, meaning that they have to keep up on events and work quickly to get out editions that are still relevant in a world she's created where these governments are poking sharpened sticks at each other to see who flinches first. But, aside from her writing partner calling her with updates, Evie pays no attention at all to the world around her, except to mention her small-town checkpoint stops. We get our world news through Bruce (the partner), and through the graphic novel that Evie is working on... though honestly, that route gives us more info about Evie's graphic novel's characters than anything else. Which is supposed to parallel Evie's situation, I guess, but just, again, feels rushed and unfinished. I would have preferred that time be spent on Evie coping with Evie's changing situation, rather than being spent on throwaway story-in-story character stand-ins.
Another issue that I had with this book is the way that it jumped around through time and history, as well as between character perpspectives. These side stories are critical to the main plot, so they had to be included, but I found myself wishing that they'd been handled better.
One set of side stories, which I'll call the Family Story, starts with recent history and moves further and further back through time, so that by the end of the story, you understand the tradition of this Storeroom and the family that protects it. These are italicized vignettes, and I actually would have liked them more if they were included differently. Perhaps as section intros, or something.
But the Greek/Troy sections bothered me even more, because they were not differentiated at all from the "main" modern day story. This was a book badly in need of chapter headings, or some sort of way of identifying that we're changing gears. THIS side story is just one character's story (as opposed to the Family Story being a vignette each focusing on a different heir, at different eras of time), and it flows from ancient history onward.
So to recap, we have 3 storylines:
1) Now.
2) Ancient history moving forward
3) Modern times jumping backwards.
In addition to that, the perspectives change. One minute we'll be reading Evie's perspective, and then Alex's, or Frank's, or Robin's. It's a lot to keep track of, which isn't as much a problem as it would seem, BUT it does lead to the feeling of things being missed and skipped in the narrative since it's so jumpy and all over the place.
Then there are the writing quirks that just stuck out to me like a sore thumb. For instance, every time someone was shocked or surprised by something, they "winced". I dunno about you, but I wince when I stub my toe, or when I hit my elbow on the corner of my desk, or if I give myself a paper cut, or in some other way superficially hurt myself, or if there's some sort of flying insect dive-bombing my face. If I'm shocked or surprised, I might gasp, or jump, or flinch or something. But every time I read that someone winced, it just seemed awkward and the wrong reaction to me.
Also, there was a dog that was distinctly undoglike. GAH! I am really beginning to hate when people include animals in fantasy, because it's never a realistic dog. It's always a human in furry form, a throwaway defender character who will die for the human if necessary... blah blah blah.
Also too, Arthur and Merlin were here. Because why not?
The story itself wasn't bad, but again I wanted more time for it to be fully and properly told. The ending especially felt incredibly rushed. We cut back to one side character and then there's a flash of light that we're supposed to interpret as a nuclear bomb, I guess, and then cut back to our main story. Then people step through a door and... arrive somewhere else... and time is supposed to have passed? And things were supposed to have happened? Some mail was sent? There was an apocalypse or something?
The whole plot of the book is to get the apple of Discord and sow fucking discord. But, it seems to me that discord has been sown already from page one of the book, and the apple wasn't really... necessary. Surely someone as powerful as our antagonist could manage to turn people against one another without going to all this trouble, couldn't she?
So, this leads me to the conclusion that the whole story is in fact just a romance with the rest of it written around it to provide the means of getting to the happy ever after. They had to walk through fire and gain the honor-bound promise and respect of the one person powerful enough to effect the desired result, and who was in a charitable mood because they'd gotten their way. *sigh*
I was less than impressed, on the whole. I wanted to like this a lot more than I ended up actually liking it. Story of my life, these days.
OH! I almost forgot the thing that pissed me off the most! Carrie Vaughn spoiled another book for me, completely out of the motherfucking blue. A book that had nothing at all to do with this book, or history, or mythology, or any of the characters or anything at all. It was just included because of a SETTING where Evie finds herself. So actually, for that, I'm one starring this book. I hate when authors do that.
Newsflash, Carrie Vaughn, just because something is a classic, doesn't mean that everyone's read it. What a shitty thing to do.
So, people, if you haven't read Tess of the D'Urbervilles, and don't want to know what happens to the title character in a throwaway reference, skip this book.