Namia Simone is an author I've been hearing more and more about, and I enjoyed the first book in this series, Sin and Ink. So, when I found Passion and Ink on NetGalley, you can bet I jumped at the chance to find out what happens next in the Gordon family saga. I received an ARC in exchange for an honest review, and – as the three-star rating indicates – I liked it.
The writing is top notch, including a lot of inner monologuing, so the reader really thinks and feels right along with the characters. So much so, that it impacted my own mood. I kinda feel like I need to alert anyone around me when I’m reading Namia Simone’s books since they tend to have such a strong impact on my psyche.
Just like Knox and Eden, Cypress and Jude faced some serious external conflicts and are flawed and broken people who somehow find their way to happiness. And, just like in the first book, something held me back from really falling into their story. This time, I’m pretty sure it’s the internal conflict.
Cypress is a ball of contradictions. She has serious book smarts, but doesn’t realize how unsafe she is living in a seedy motel or see the easy solution to her money problems (hint: get another job in your chosen profession). She has some baggage and says she’s dealing with her life, but she’s literally avoiding her career, her friends, and family because she can’t deal with her history. The whole thing about becoming an accounting professor was so secondary, it felt out of character and forced. Most of her troubles are rooted in money, but she could’ve gotten a new job the day after she quit her old one, pretty much anywhere in the country. Was the only reason she was waitressing so her path would cross with Jude's? Because, otherwise, it made no sense. She has the classic child of divorce walls around her heart, that somehow Jude can sneak past by (SHOCKER) multiple orgasms and being nice to her. Yet, somehow, she’s only able to get over her past and figure out what she wants as a future when she’s faced with losing Jude. How is this not magical peen? I ask you? Because it seems like magical peen.
Jude is a great, though flawed, hero. A sensitive artist, he’s the heart that holds both factions of the broken Gordon together. He’s Knox’s right-hand man, but he still shows up for family dinner with the rest of his clan. He sees people and understands them, not just Cypress. Not just his mother, Katherine. Everyone around him. His one blind spot is his ex, Ana. His inability to see he was being manipulated, which is understandable considering his own history, kinda took away from his almost omniscient understanding of everyone else. He knows he has a savior complex, which he is trying not to act on with Ana, so, of course, he’s all too happy to rush in and save the day with Cypress. *head to desk*
Cypress often calls Jude a warrior angel, but that just didn’t work for me. For two reasons. (1) the way he fought for her was to let her go. Which, I understand as a platitude, but not an actual piece of relationship advice. My heart just doesn’t work that way. Sorry. You let someone go, fine, but you call the next day and try to work it out. And, (2) he’s less of a warrior since it has taken him 13 years to stand up to his mother. Which, don’t get me wrong, is great, but it’s sooooooo long overdue. And, he never gets around to telling his step-father to mind his own business. Though, I loved Knox’s bit in this book about needing to break things for them to heal into something better. That really sums up this entire series arch.
As I sit here thinking about it, I wonder if the real issue I have with Jude and Cypress is the same one I had with Knox and Eden. They put too much of an emphasis on what their family thinks. Since the first family dinner scene in Sin and Ink, I’ve wanted to throat-punch Katherine, and in Passion and Ink, I really wanted to kick Dan in the nads, too. Jude accepted his mother’s burdens when he really shouldn’t have, and we never see the resolution from their confrontation about that. We see her make a phone call, but we don’t know if she called Knox or if she was calling Dan or even the cable company.
As for Cypress and Dan, well, it’s the same thing. We see the confrontation, we see the apology, but no real results afterward. Instead of the epilogue we were given, it would have been lovely to have all three couples sitting around the table during family dinner with friendly conversations, no secrets, and no words or acts of aggression.
I can only hope that scene will be in book 3. I’m really looking forward to seeing what happens with Simon, because the youngest Gordon brother has some angsty shoes to fill and I really can’t wait to read every word.