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368 pages, Paperback
First published November 23, 2010
I loved Morgan's personality. She was prickly, confident, with a dead-panned sense of humor. She was a more than competent swordsman, which meant that she could take care of herself. When it was discovered that she had inherited more than her fair share of magical ability from her parents, that made her even stronger - in a sense. It was a little disappointing that she starting falling apart and needed to depend on Miach to keep her safe for Books 2 and 3. Nonetheless, I really enjoyed reading the sweet romance that developed between her and Miach, and enjoyed their interactions and banter.
I loved Miach. Miach, I suppose, is what one might call a beta hero. He was sweet, sensitive, gentle, thoughtful and considerate. But he had a tendency to cry too often. I don't mind crying men, but I myself am not a weepy, emotional person so many times, I felt exasperated and wondered why all these men were crying. With some effort, I managed to push this irritation aside. I still loved the first three books.
Miach was also quiet, serious, and seemed like the type of guy who liked to fade into the background. He also happened to be the most powerful mage in the whole of the Nine Kingdoms. I could live with that. But it did irk me when he also became a more than competent swordsman under Scrymgeour Weger's tutelage because this meant that he overpowered Morgan not only in the magical sense but in the physical sense because now, in the only area where she had had the upper hand, Miach is her equal. Still, I did get the sense that Morgan had much magical potential so although Miach would be her superior as a mage and her equal in swordsmanship, with much application to her magic studies, it was possible for Morgan to be just as powerful a mage. I could live with this as well.
Sarah was prickly and although not too confident because she had no magical ability when she felt she ought to have one, she was confident in her own way, and had a sense of humor similar to Morgan's. I suppose this is no surprise since you, author, created them both, but one could have wished that you had made more of an effort to make Sarah an individual rather than someone who resembled a former beloved character.
Ruith was a bit gruff, and he was cruel to Sarah if he felt that it was for her own good. We did not get to see Miach reveal this side to his Morgan. But he was also sweet, sensitive (he cries, too -_-;), gentle, thoughtful and considerate. He is a powerful mage just like Miach. Not only did he sound like Miach in terms of characteristics, he sounded like Miach in speech as well with his gallantry and chivalry towards Sarah. Yes, they were both of royal lines where they had gallantry and chivalry towards women bred into them, but did they really have to sound so much alike that I started forgetting whose story I was reading? (And I did start writing Morgan instead of Sarah in the most recent mention.)
One of the things that had bothered me in A Tapestry of Spells and was carried into Spellweaver was the lack of a timeline, and the lack of shared information. It prompted questions that were not answered. C.S. Lewis could get away with it in The Chronicles of Narnia with Aslan's, "This is not your story" but that method did not work here. I had a feeling that you made things vague to allow you some leniency regarding the development of the storyline but all it did was vex me.
When Ruith first met Sgath, did Sgath know about Morgan? If so, why did he not tell Ruith that his little sister lived? If Sgath had not met Morgan until later, why did he not tell anyone else that Ruith still lived? When Ruith meets Solleir, why does his brother Runach not reveal himself to him or let him know that Morgan too had survived? I suppose Solleir keeping secrets was somewhat acceptable although he did freely provide the information once Ruith demanded it, which made it less acceptable because then I was left to wonder why he did not tell anyone about the survival of Gair and Sarait's children, particularly to Runach who had lived and worked as his servant for many years. What was the point of all this secrecy? This particular question nagged and frustrated the hell out of me to the point that I was nearly fuming for the first half of the book. I will admit that Miach agreeing to keep Ruith's survival from Morgan for the time being was somewhat acceptable since there were probably doubts about Ruith's survival of his task, and thus the question of the point of secrecy being answered.
I had also wondered why Runach and Ruith had not fled to their relations for protection after the tragedy at the well. I felt that you tried to address those questions in this book, but the answers were not very satisfactory.
The second half of the book did not weather through my now-critical eyes much better than the first half because Sarah's story was starting to sound most eerily like Morgan's. A common, apparently unmagical young gel from the village of Who-Knows-Where turns out to be a rather special and magical gel with a royal bloodline, thus making her an acceptable mate for the acknowledged royal companion. The young gels' stories began rather tragically but ends well with the revelation of other relations, especially powerful ones who had been watching over them from afar - or near. The princes-in-disguise discovers the true identity of their lovely companions and must find a way to break the truth to their objects of affection as gently as they can.
As the book started revealing this aspect of the story, I will admit to being tempted to throw the book across the room. I could not believe that this storyline was being reused, and since it was the dead of the night and not being the type to abuse books like that, I settled for verbal expressions of disgust and dismay.
Ruith had, since his first book, been worried about his heritage, and whether he might turn out to be like his mad, evil father. That was the basis for him hiding away in the backwater of Nowhere, and for thoroughly hiding his magic. I suppose since he was still a child at the time of the tragedy of the well, this may have been an acceptable reason for him to refuse his magical heritage. But when you juxtapose Ruith's concerns that Sile's garden will not let him through with Ruith's recollections of playing in that same garden when he was younger, it really destroyed all credibility for Ruith's concerns - at least for this reader. I had had difficulty accepting Ruith's angst about his paternal heritage in A Tapestry of Spells. This particularly scene made me snort in disbelief and exasperation.