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256 pages, Hardcover
First published October 19, 2010
Design can be thought of as a factor that injects a level of excitement into daily life. If we substitute the metaphor “brand” (or shirushi) for excitement, and then take away the excitement/shirushi to create mujirushi, or no-brand, we help strike a balance in the world of design. Adopting a critical stance to “ordinary” design, MUJI is devoted to producing functional tools for life. I’m not saying that excitement is bad. We need it and want it in our lives, but there shouldn’t be too much. MUJI is a design ideology that occurred naturally as a form of resistance against an era that was seen as chaotic and overflowing with stimulation. Excitement and MUJI represent a pair of opposite desires in our daily lives- or our lifestyles. MUJI carries a sense of comfort that can only be felt when we suppress a desire or longing. It’s as if, after searching everywhere for what you want and having no luck, you arrive at MUJI in the end, exhausted. And you think, “I guess this will do.” There is a feeling of something slipping right into its proper position that is similar to the feeling of giving something up. It’s the feeling you get when you’re able to recover a little calm after being in the frenzied state driven by desire, and look around to find a collection of objects that are reasonable or suitable to daily life, waiting quietly for you.