Twenty fictional stories about serving in the British diplomatic corps drawn from three earlier books (Esprit de Corps, Stiff Upper Lip, and Sauve Qui Peut." Illustrated by Nicolas Bentley. Some of the illustrations are new, others are drawn from the earlier books.
Lawrence George Durrell was a critically hailed and beloved novelist, poet, humorist, and travel writer best known for The Alexandria Quartet novels, which were ranked by the Modern Library as among the greatest works of English literature in the twentieth century. A passionate and dedicated writer from an early age, Durrell’s prolific career also included the groundbreaking Avignon Quintet, whose first novel, Monsieur (1974), won the James Tait Black Memorial Prize, and whose third novel, Constance (1982), was nominated for the Booker Prize. He also penned the celebrated travel memoir Bitter Lemons of Cyprus (1957), which won the Duff Cooper Prize. Durrell corresponded with author Henry Miller for forty-five years, and Miller influenced much of his early work, including a provocative and controversial novel, The Black Book (1938). Durrell died in France in 1990.
The time Lawrence spent with his family, mother Louisa, siblings Leslie, Margaret Durrell, and Gerald Durrell, on the island of Corfu were the subject of Gerald's memoirs and have been filmed numerous times for TV.
Always hilarious. Has such great fun mocking the British class system, the English language, and its mysterious subset, diplomatic language. Particularly funny, The Swami’s Secret. Great antidote to the stress of living in corona virus times.
El problema de este libro es que creo que a partir de cierto relato se vuelve muy repetitivo y predecible. Además, el humor que Durrell ejecuta no se sostiene tan bien literariamente como sí lo hace en cómics o en el cine (quizá el género slapstick).
A selection of (fictional, one hopes) short stories about life in the British diplomatic corps - "lying abroad for our country" as Durrell slyly puts it. Much of the humor comes from satirizing national stereotypes. Durrell paints the characters as boldly as he does in his serious novels and his brother Gerald does in his zoo-collecting novels.