Anytime there is a sequel to a book as beloved as Our Only May Amelia, as much a classic as anything published in recent memory upon its arrival in 1999, one has to wonder if the author has bitten off more than they can chew. It's tempting to return to the scene of one's greatest triumph, as Our Only May Amelia is for Jennifer L. Holm, but following in one's own footsteps is a tricky business. When a novel is written with the intention of being a completely self-contained story, there's always a risk in revisiting the same narrative and set of characters that was so successful before. What if the magic simply proves too elusive to capture again? What if readers aren't feeling the new plot and characters like they did the last time, and the intrusion into their memories of the previous story tarnishes what had been a fond memory? When an author decides the story he or she has in mind is a worthy followup to its predecessor, that the harrowing risks of going to the well once more are outweighed by the benefits of a book the author has full confidence will do justice to the original while being good enough on its own to merit awakening dormant beloved characters to live it, nervous readers are asked to put aside their reservations and place faith in a writer who has come through gloriously in the past, as is the case with Jennifer L. Holm. Our Only May Amelia is a book of such emotionally profound resonance and powerful grace that I can hardly imagine the world did not always have it. Few authors ever ascend to such heights of greatness even in careers full of excellence and acclaim, but Jennifer L. Holm did so with this book, and in The Trouble with May Amelia we have, twelve years after the debut of Our Only May Amelia, a sequel to this fine classic that offers to take us once again into the Finnish colony by the Nasel River where May Amelia Jackson and her family (minus one) live. And so, trusting in the greatness of an author who has done the seemingly impossible before, we extend our hand in faith to Jennifer L. Holm and ask her once again to be our guide.
If we thought life was going to be any easier for May Amelia now that the baby sister she wished for has come and gone and all of the Jacksons have had a taste of what it's like living with a baby girl around the house again, we thought wrong. Money is tight, as always, and May Amelia's father still doesn't see much sense in having a girl around complicating matters in the family. There don't seem to be any major lifestyle changes coming up in the near future for those living along the Nasel, but that's before a certain investor comes calling to talk to the Finnish settlers. The land they've made their homes on by the river is quite valuable, he contends, and there just might be a few land developers willing to lay out big money in exchange for their properties. Presented with an offer of a mind-boggling sum in exchange for the family's land, May Amelia's father is suddenly given reason to expect a whole lot more for their future than a dangerous, uncomfortable life by the river. If this deal goes through, the Jacksons will be wealthy enough to do just about anything they wish, and retire to a much more luxurious piece of land where it wouldn't be unpleasant at all to imagine spending the rest of their days. For Amelia, the part she plays in the initial transaction is of huge significance. Going to school in America has finally done something practical for her, as she was the only one available who was fluent enough in English to help translate the conversation between the businessman making the proposal and her father, who primarily speaks Finnish and isn't familiar enough with English to be able to transact business in it. The complicated girl seemingly always underfoot of her father has at last done something to catch his attention, operating as the catalyst for the biggest break of his life after decades of struggle just to keep his family fed.
Ah, but actual circumstances couldn't just be that easy, could they? There remain many difficulties to traverse as the Jacksons wait for their ship to arrive, not the least of which are the open-ended issues held over from Our Only May Amelia. What has happened to May Amelia's oldest brother, Matty, who was reported shanghaied off to the Orient when in fact he had only eloped with an Irish girl against his father's expressed (and quite furious) wishes? May Amelia's father thinks Matty is probably dead, but what if he were to find out the truth? Or what if Matty were to return to the Nasel region with his Irish wife in tow? The drama continues, as well, at the schoolhouse, where May Amelia and the other students apprehensively hope their teacher, Miss McEwing, doesn't fall for any one of the stream of suitors vying for her hand in marriage. The rule, after all, is that a teacher must be unmarried, and who might end up being next in line for the teaching position if Miss McEwing were to leave? Along with all of this, May Amelia's memories of the baby sister she cradled in her arms for such a short while rise up often like floodwaters, leading her at times to retreat to the island where her only sister is interred and remind the buried infant that she isn't forgotten, that no matter for how short a time she graced our planet in terms of hours and days, Amy is still remembered, by May Amelia more than anybody else. There never will be anybody to take her place. There never could be, because she was their only Amy.
Nothing is ever easy for May Amelia. Look at the way she lived for so many years along the Nasel as the only girl born in the whole colony amidst a boom of baby boys. May Amelia wasn't appreciated for any girly thoughts or behaviors she might exhibit, but her willingness to blend in and act like a boy wasn't really accepted, either. As a girl, she was subject to ridicule any way she went about her business, and there weren't many people around who had understanding words for the local tomboy. When she was finally granted her most enduring wish, the object of her hopes and dreams was lost to her within a matter of days, and no one else could understand how that felt. Even a Best Brother like Wilbert, a godsend without whom May Amelia's existence would have been an utterly sad and lonely one, couldn't fully understand what was lost when May Amelia's one chance at a baby sister passed on into the cold ground.
As May Amelia does her best to come to terms with the new wave of griefs and calamities she experiences in The Trouble with May Amelia, her harried attempts to orient herself in the sea of madness her life has become finally locate their north star in the true meaning of the Finnish word sisu, which refers to a certain quality of inner courage. "And that's when I know. Sisu isn't about scaring bears out of hollowed-out trees. It's keeping going when everything looks hopeless and sad. I may be a Useless Girl, but I have finally found my sisu, and I have enough for everyone." It is her current batch of troubles, always seeming to heap onto the last with no sign of slowing down to let her catch up, that gives May Amelia her moment of clarity to see that the sisu her father and brothers value so highly isn't a trait with which one is born. It's the realization and acceptance that bad things can happen and there's nothing regulating the amount or severity of them, but having sisu means trudging forward through catastrophe to whatever safe harbor one might happen upon next, even if it means walking away from a hope or dream or even a home. It's standing tall before disaster even when it seems unendurable, and the idea of another tomorrow feels like nothing but a fantasy. Sisu, May Amelia finally sees, is a virtue she was earning all along, and no one could have a higher grade of it than she.
What's the final verdict on The Trouble with May Amelia? Is it good enough to justify the author's reprisal of the classic story? Does it live up to the magnificence of the original novel? To me, Our Only May Amelia is one of those rare books that even a brilliant writer has no guarantee of ever producing in his or her career, a work of surpassing greatness the likes of which the author will probably never fully duplicate again. Therefore, it would be unfair to expect The Trouble with May Amelia to match the overwhelming power of its predecessor. I do, however, feel confident in saying that this book is easily good enough to justify its existence as a sequel to the original. The story is emotional and volatile, much like Our Only May Amelia, and leaves one with the thought that The Trouble with May Amelia, too, must have been a top candidate for the 2012 Newbery awards. I would definitely give three and a half stars to this book, and I was close to rounding my rating up instead of down. Jennifer L. Holm has shown again that at her best as a writer there aren't many who can touch her, and the world of literature for kids is lucky to have her contributing to its ever-growing pool of great reading.