I read this book because Lev Raphael is on the Michigan State U faculty, and I was reminded of his work through a review by Ray Walsh in the Lansing State Journal. When I discovered the series on Kindle I purchased the first four, thinking that it’d probably take a writer new to the mystery genre a few tries to hit his stride. This is the first in the series, published in 1997. I guess I’m slow to the party.
On the whole, I enjoyed the reading experience. Raphael does a good job of establishing characters, particularly the relationship between English professors Nick Hoffman and Stefan (last name? I went through the first 40 pages and couldn’t find it. He’s only ‘Stefan’), who have been in a committed relationship for years. Their relationship is strained, though, when Perry Cross, Stefan’s former lover, is appointed to a position in the English faculty. When Nick learns that Stefan recommended Perry for the position, he reacts with jealousy and suspicion. It doesn’t help that Perry is apparently not qualified for the position, that he’s being overpaid, and that he is assigned to be Stefan’s office mate.
As a mystery, the plot unfolds slowly. Perry dies after having dinner at Nick and Stefan’s. He drowns in the river that bisects the campus, his death ruled accidental. Nick knows that numerous University people are happy he’s dead, and suspects the death will soon be ruled a murder. When it is, he knows that he and Stefan will be chief suspects.
Most of the first 75% of the book (kindle conveniently provides percentages) deal with Nick’s attempts to discover the real murderer. As these efforts unfold, a less-than-flattering picture of university faculty and personnel emerges. The backstabbing isn’t surprising, but it strains credulity a bit to believe that a half-dozen academics could be murderers. Still, that’s how mysteries work, so I invoked Coleridge and read on.
At about 80%, a rush of events coalesces and speeds toward a surprising conclusion. The true murderer emerges from the cast of possibilities introduced earlier, and the action and motives are plausible. I note the percentages because I’m conscious of the fact that many mysteries work in similar fashion - a fair amount of dithering, followed by a sudden sense that things must be wrapped up. I prefer mysteries where the detection element is more integrated into the entire narrative, as opposed to this type where more than half of the book effectively functions as background. I’ll be interested to see whether Raphael moves in that direction as the series progresses.
I should note that my familiarity with the campus, the community and the department where this story is located made it easy for me to visualize the locations and imagine the action as the plot unfolds. I’d guess that other readers could fairly easily transpose the action to the campus and community of their choice.