Sarah Ellis opens her book, From Reader to Writer: Teaching Writing Through Classic Children’s Books, by asking the pertinent question: “Can creative writing be taught?” She outlines two types of writers: those that believe it can be taught through hard work, those that believe it is all risk and determination, something that cannot be taught, and a third more gentle option. This third option focuses on the community aspect of the creative process, highlighting that “writing grows from reading and that writers are not alone.” Writing is, or can be, collaboration and community.
Whether Ellis is outlining worldbuilding tenets framed by Robert Louis Stevenson’s Treasure Island or how to build your own conlang as inspired by J.R.R. Tolkien, she focuses on real-world applicable writing projects from a variety of genres. Perhaps my favourite, I humbly declare, is Beatrix Potter’s Letter-writing Tips from the Great Correspondents. Here, Ellis has gleaned from extensive research into Potter’s communiques such writing gems as ‘Write As If You Are Talking,’ ‘Notice Things, Then Share Them,’ and ‘Be Immediate.’ From these lessons, often collaborative, she suggests further reading to capture the imagination.
Most interestingly, Ellis paints a humanizing portrait of the artists she features. She focuses on a biography of the author, showing how they went from reader to writer themselves, developing a voice and their craft along they way. Suddenly, Beatrix Potter becomes a contemporary of Lewis Carrol, and J.R.R. Tolkien a friend of C.S. Lewis. This demystifying of the author helps hopeful writers to see that readers, just like Kit Pearson and Jean Little, can be writers, inspired by the very same works of literature.
Quotes of Note:
“The first is that all writers were readers. Writing and reading are inextricably linked." (Ellis, 2001, p. 10)
“One of the satisfactions of writing lies in the opportunity to make use of everything in your life. Everything you experience, think about, study, investigate, encounter or invent is potential material.” (Ellis, 2001, p. 102).