Definitely check this one out.
The setting is roughly Elizabethan, with some question as to whether magic exists or not. The story follows William, an 18 year old actor with no particular scruples, no particular morals, and no particular aptitude for anything other than pretending to be someone else. Through the unfortunate combination of a momentary political shift and having just cheated the wrong man at cards, Will is placed on a list of undesirables and dissidents; he then offends the local constabulary and finds himself chased from his theater and his city.
Through one of those happenstances of plot device, Will falls in with a notorious group of criminals and malcontents. They assure him they are good people dedicated to some noble and honorable cause at odds with the current government. Will doesn't care, though, so he never asks them what that might be.
And so we set out on the adventure: Will's group of honorable thieves have to sneak out of the country and meet up with their leader, who has taken a commission to have them head into yet another country and resolve a local bandit problem. Yes: they are hunted as criminals and they claim to be revolutionaries but they are acting as mercenaries. There are no messy politics underlying their purpose.
It is refreshing to see a book that doesn't have to sneak in a noble and heroic quest behind every day-to-day activity.
Will happens along with them, largely because they're heading further away from the places where he's a wanted man, but also because he is attracted to one of the band and becoming friends with another. He isn't a fighter (well, he can pretend to be one, if waving a sword around on like he's stage is convincing enough), he isn't a spy or a scout, and he isn't any good at logistics, cooking, or anything else they need; it's up to him to show them that a sharp memory, a wicked wit, and the ability to lie through his teeth are useful.
Our group of adventurers spend the book trekking back and forth across three small countries trying to trace down some raiders who are destroying their (already shaky) economies. The politics, tactics, and economics are fun and well-thought-out.
Will's character growth comes in his learning both how useless he is and how to make what he already knows useful, in learning to form mature relationships with the people in the group--especially with a woman he is growing fond of but who finds him immature and untrustworthy--and in revisiting his oft-repeated notion that heroes only exist in stories and noble sacrifice is just a way to feel good about being dead.
This is a very fun, very readable book. I hope I can look forward to a sequel.
Oh, best bit: a brief interlude where Will compares the hero and the comic relief. I hadn't ever though about it before, but really, it's the comic relief we're all quoting years after a show. I can see why he'd rather cast himself in that role.