Collects the novels, stories, poems, essays, memoirs, diaries, and letters of more than 170 writers--American, English, Canadian, and others writing in English
Sandra M. Gilbert was an American literary critic and poet who published in the fields of feminist literary criticism, feminist theory, and psychoanalytic criticism. She was best known for her collaborative critical work with Susan Gubar, with whom she co-authored, among other works, The Madwoman in the Attic (1979). Madwoman in the Attic is widely recognized as a text central to second-wave feminism. She was Professor Emerita of English at the University of California, Davis. Gilbert lived in Berkeley, California, and lived, until 2008, in Paris, France. Her husband, Elliot L. Gilbert, was chair of the Department of English at University of California, Davis, until his death in 1991. She also had a long-term relationship with David Gale, mathematician at University of California, Berkeley, until his death in 2008.
Everybody should own a copy of this. It's abso-frikkin-lutely brilliant.
Some of the authors/poets included: Sylvia Plath Charlotte Perkins Gilman The Bronte Sisters Jane Austen Alice Walker Margaret Atwood Gwendolyn Brooks Emily Dickinson Hilda Doolittle Anne Finch Marianne Moore Dorothy Parker Anne Sexton Sojourner Truth Louisa May Alcott Kate Chopin Edith Wharton Virginia Woolf Katherine Mansfield Shirley Jackson Angela Carter Queen Elizabeth I
Women from all times, women from different classes, different races. Ahh. Just go buy it. You will not regret it. I might hunt down some more anthologies by Norton.
This is an amazing book that gives a very comprehensive selection of women writers in the English language. It includes three novels and has poetry, plays, fiction, non-fiction from women. This anthology is notable as it was the first Norton Anthology based around a group traditionally ignored by "The Canon." Despite being from 1985, it is very well put together and holds-up to this day.
It is no hyperbole to say that this book saved my life. I stole it off the shelves from my high school's bookstore & through it found many authors that would have taken me years to find otherwise, some not at all. The stories, novellas, & excerpts are arranged chronologically, with heaps of footnotes & information about the women who wrote them. Whoever edited this, Sanda M. Gilbert? A fucking genius, I bet she's a huge lez!
This gigantic tome contains works by woman from Julian of Norwich and Anne Bradstreet to the Brontes to Dorothy Parker to Sexton and Plath to Maya Angelou. I own a copy, but wouldn't give it up if you paid me. Women from all walks of life and ages and countries have been gathered together and their words are magic. GREAT reference material here. Could easily be found, used, in a college bookstore.
This book has been a bedside table read for me since 1995. It offers a great selection of female writings spanning from the fourteenth to the end of the twentieth centuries. A great read showcasing the shifting female identity with social expansion over time and opportunity. My favorite authors remain the contemporary influences of Kate Chopin, Virginia Woolf, and Maya Angelou.
From the passage selections, introductions, and historical context analysis sections I’ve read, I am deeply impressed with this anthology. A must own for teachers who want to diversify their classroom content away from mainly men.
In the New Yorker, Jill Lepore has a lovely essay about reading the classics as a form of resistance. https://www.newyorker.com/magazine/20... She is reading through the Penguin "Little Black Classics Boxed Set," available for $83.42 on Amazon. If it were available for Kindle I would "Buy now with 1-Click" in a heartbeat. But it's not, and my shelves groan with unread dead-tree books. Besides, a number of years ago I decided to flip my author reading ratio from 7 men/3 women over to 7 women/3 men - and the "Little Black Classics" would not help with that goal, even as I would like to read more of Sappho. So instead, I pulled out from the shelf one of those unread dead-tree books and will use it for my resistance-via-classics effort, "The Norton Anthology of Literature by Women: The Tradition in English."
In this Norton anthology, I enjoyed a beautiful tapestry of many women writers' poems, essays, letters, or excerpts of works (or whole works). I loved Anne Bradstreet's poetry, Abigail Adams' letters (especially "Remember the Ladies"), Phillis Wheatley's poetry, Sojourner Truth's story & speeches (especially "Ain't I a Woman?"), & Elizabeth Barrett Browning's poetry. I enjoyed Harriet Beecher Stowe, Harriet Jacobs' story of survival & escape from slavery, Charlotte Bronte, Elizabeth Cady Stanton, Emily Bronte, George Elliot, Florence Nightingale, & Emily Dickinson. My favorite (excerpt or whole work) was Alice Walker's "In Search of Our Mother's Gardens." I, also, read Virginia Wolf's "A Room of One's Own" and many more writers who broadened my literary horizons. I definitely recommend this book that covers a multitude of women writers and writing styles from past eras to the Modern era (20th century). (This book covered mostly American & European women writers.)
An anothology well representing women lit, used by Bender in a class at Alma. There are some good pieces in it, and nothing against the feminists of the world -- I surround myself with empowered women, God knows -- but I just got tired of story after story with the same themes: women are just as good, don't hold us down, it's a man's world, I'm going crazy, let's try suicide. Sorry, I'm going to hell, I don't mean to mock these poor women, I understand, but I'm just saying: in a class with one other guy and 26 girls, reading story after story like this, it got to me a bit.
This is the textbook for my terrifically useless Feminism 101 indoctrination masquerading as an online Women and Literature class. I would much rather read entire books by women authors rather than trying to explicate whether a two-paragraph section of A Room of One's Own is constructivist or essentialist feminist literature. While I'm all for discovering new women writers, this book--at over 5lbs of 1,000 rice-paper-thin pages--is overwhelming and lacks direction. Plus, I hate this class.
i get lost in this book every time i pick it up! an incredible collection that crosses virtually every style of fiction. puts the genre in a unique light and perspective.