A former editor of American Cinematographer, George Turner has also worked as a production illustrator and special effects artist in films and television. Prior to those experiences, he was a newspaperman in Texas. A graduate of West Texas State University, he attended the Art Institute of Chicago and the American Academy of Art, and took private classes with Ramon Froman, Ben Mead, Stefan Kramar, Bud Biggs and Gerry Pearce. He has written and illustrated numerous books, including The Making of King Kong (with Orville Goldner), Forgotten Horrors (with Michael Price), Murder in the Palo Duro, Panhandle Portrait and Secrets of Billy the Kid. His stories, articles, cartoons, and illustrations have appeared in many magazines. His film credits include Ray Bradbury's Infinite Horizons, One from the Heart, Outland, Zorro and Dead Men Don't Wear Plaid.
After true crime human monsters I came across this outstanding book. Many great movie villains from the classic period of first half of the 20th century: The Great Gabbo, Svengali, Fu Manchu, Mister X, The Walking Dead, Sweeney Todd, Dark Eyes of London, The Mad Doctor and many more with numerous movie stills (black and white) and descriptions. The book closes on villains that pursue Vincent Price. Fantastic read on well and lesser known murder classics. Highly recommended!
Having poured over "Forgotten Horrors" numerous times I was so looking forward to this book and it did not disappoint. Fans of George E. Turner and Michael H. Price will know what to expect - loads of amazing film knowledge about 60 movies dealing with "human" monsters. I wasn't sure what to expect but a quick look at some of the titles gave me a good idea - Erich von Stroheim's masterful performance as an egotistical ventriloquist who eventually succumbs to madness in "The Great Gabbo", an early talkie psychological thriller -with about 7 musical numbers to appease the public's insatiable (in 1929) desire for musicals!! Lionell Atwill, in "Murders in the Zoo" (1933), is Eric Gorman, an insanely jealous zoologist, who is always thinking up new ways to dispose of his wife's lovers - the first scene is unbelievably macabre!! Women are also represented - Anne Baxter in the little known "Guest in the House"(1944), also known as "Satan in Skirts", almost a dress rehearsal for "All About Eve". She plays a "sweet" girl with a heart condition taken in by her doctor's family - almost too late they realise she is a psychopath (the audience cottons on much quicker). Laraine Day's tour de force performance in "The Locket" (1946) - a film that critics and the public found hard to understand at the time, told as a flashback within a flashback within a flashback!! A young Robert Mitchum played one of her victims!! Every film has a detailed cast list, a synopsis and an essay about the background of each film. The book also features films from all studios both major and minor, classics like "The Old Dark House" (1932), "Dragonwyck" (1946) to unknowns like "Mystery Ranch" (1932), "Who is Hope Schuyler" (1942). There are some oddities - "Uncivilized" (1936), an Australian film which apparently had a huge influence on Paul Hogan's "Crocodile Dundee". "Sweeney Todd - Demon Barber of Fleet Street"(1936) which brings long overdue attention to the career of Tod Slaughter. There are also two appraisals of films I wouldn't have looked twice at - "Broken Blossoms"(1936), a British remake of D.W. Griffith's legendary 1919 film. Apparently he went to England to direct this later version but disagreements made the deal fall through. Also the remake of "M"(1951), I have never been interested in seeing this (although the original is one of my favourite films) but the article made me very interested in it!! For people familiar with the author's work this book is in the same witty, meticulous vein - don't be frightened by the cover!!
This entire review has been hidden because of spoilers.