Adele Rafferty, a shunned Irish actress, gets a phone call from assistant director, Donal. He is hoping she might be interested in playing the lead (she’d be filling in for another actress who canceled) in the new horror fil, Final Draft, which he’s directing. She quickly says yes despite the quick start date (immediately), thrilled to finally be returning to the screen undeterred by everything that occurred at her last production. This was the phone call she’d been waiting for, after all.
Arriving in Ireland the next day tired and slightly overwhelmed, Adele is driven out to the remote, very isolated house in West Cork where it’s going to be filmed. Surrounded by woods miles from any neighbors, it feels perfectly suited for a horror movie.
However, she quickly begins to realize that things aren’t quite what they seem on the film set. When events in the script begin to happen to her as well, she begins to wonder if perhaps she doesn’t have the full picture. Is she in danger? And who is behind the rising terror?
The first book by Catherine Ryan Howard that I’ve read, Run Time showed me that I definitely need to pick up more of her novels. An intense, ominous psychological thriller filled with foreboding, I was captivated by the book from the first sentence and kept transfixed until the very last page. And don’t worry, this is not a horror book (which I was initially afraid it might be), just a riveting tale that will rival the best creepy thriller/non-horror book you’ve ever read.
Starting off with a slightly confusing mix of timelines and POVs, I wasn’t sure exactly what was going on initially. But once I discovered the lay of the land, I became drawn in by Adele’s character, a potentially untrustworthy and unreliable narrator who was living what we can only assume is a living nightmare. Built around a secretive past, she is well-drawn and genuine, causing me to feel invested in her safety throughout the book while, at the same time, questioning her reality. Can we trust her? Or is her mind playing tricks on her? Unfortunately, the other characters felt a little flat without sufficient backgrounds, but, somehow, I didn’t care.
With a complex, original storyline that weaves together the present with the script of a horror movie, not once did the tempo lag or the events feel contrived or unrealistic. They appropriately felt right out of a horror movie. I could sense the fear Adele was experiencing seep out of the page, leaving me worried for her physically as well as for her mental state. And the twists surprised me from the get-go, providing a claustrophobic plot that kept me guessing (and properly freaked out). As long as you go into this anticipating a novel of suspense/psychological thriller you’ll love this one, too.
There were a few little peripheral things that did bug me, however. Such as how many italicized words there were in the text (who really speaks with that much emphasis?), the slightly melodramatic ending, and the lack of character development of everyone excluding Adele (and marginally Kate from the script). None of this was significant enough to really impact my final impressions of the book, though, and after reading at a lightning pace, I finished satisfied and way too quickly for my liking (despite its length at 379 pages).
If it wasn’t already obvious, I was completely won over by this novel and look forward to reading more by Catherine Ryan Howard in the very near future. If a story that makes you feel like you’re behind the scenes of your favorite horror movie or reveling in found-footage about some very real crime sounds like your thing, this book will be right up your alley. Because this metafiction story within a story within a story is both clever and intriguing, revealing a wholly prototypical book that you’ll enjoy to the very last word. Rating of 4.5 stars.
Trigger warning: gaslighting