As a creative person, I've never made anything that got very popular, so I've always felt the need to hustle and try really hard to make my stuff (stories, songs, podcasts, etc.) as good as they can be. But I imagine that if you do become popular — with a book series, for example — there may come a point where your focus is not on quality. Maybe it's because you lose your passion for it, you're on a schedule that's too tight to maintain the same level of quality, you just get a little lazy, or some combination. Like I said, I've never had the fortune of being there myself, but it seems to happen at some point to most successful creators.
With Firebase Seattle, it is clear that Don Pendleton, for whatever reason, wasn't doing his best work mid-way through the series.
Here we have another James Bond villain level plot with the mob setting up a secret underground vault to horde the world's gold and silver, presumably to manipulate global financial markets...? The book may have told me but the pacing was so bizarre I found my mind giving up on the plot as my eyes just moved over words on the page. Pendleton holds back information as if he's writing a mystery yet fails to seed Bolan's journey with clues. Nor does he give us the MacGuffin at the beginning to propel Bolan through a thrilling story. It's almost like Pendleton got thrillers confused with mysteries and thus fails at both. Not to mention that much of this so-called "action adventure" book is just characters talking exposition to each other.
We also get another mob-backed anti-Bolan force, this time 200 guns strong and led by a former military combat veteran who is set up to be a significant Talifero level adversary for Bolan, only to be dispatched easily in the book's rushed finale. Man, I miss the Talifero brothers.
Some things I liked:
- The bad guys drink Hamms. In the early 90s my friend and I used to buy 12 packs of Hamms at the CVS in Tempe, AZ for $2.50.
- The cover depicts a scene from the book!
- Bolan parachuting in for combat was fun.
- Bolan does some sniping. Given that's how this whole war against the mafia began, it's always nice to see him pull that tool out of his toolbox.
Other things I wasn't a fan of:
- The warwagon is too powerful. Too contrived also. It allows Bolan to listen in or spy on the bad guys and get all the info he needs. And no one seems to figure out there's always this big RV cruising by whenever Bolan's kicking ass.
- Brognola and Turrin cross the line to full co-conspirators instead of sometimes sympathetic allies. I enjoyed when their relationships were more complicated and problematic.
- I'm completely confused by the timeline now. There's very little to anchor this to the other stories. New Orleans is mentioned but no sense of how much time has passed. Bolan references "whispered words [about a Seattle firebase] gleaned from electronic surveillance devices here and there about the country over the past several months." Has he been cruising the country for months since New Orleans or has he been conducting this surveillance in between the past couple of books?
Sadly, Pendleton seems to be squandering the opportunity to build stories and ideas over the course of several books and opts instead to make a bunch of stuff up at the beginning and then resolve it all in a mere 180 pages. Like a bad 80s cop show.
I'm starting to question why I'm reading these books at this point. I think I need to adjust my attitude and expectations if I'm going to finish the series (well, the 38 Pendleton books, that is). This completist tendency in me can really be a pain in my ass sometimes!