Now This Is Writing in all its traditional glory, basic stuff that actually gleams and not crumbles in your hands like dross. This is what writing, what Words, is all about. Right here, this is how it's done people. With simplicity, Hemingway allows you to see his simple genius. With bare words he bares everything; gives you his all but that's actually just a glimpse, and therein lies his true mastery. He lets you in, sure but he makes you keep all of it, while you think what you've been given is Whole. It's not but that's redundant, except that in Hemingway's case even redundancy serves a purpose.
What a skillful display of Ice Berg Theory here, an early but confident showcasing of his trademark minimalist style, both techniques he alone perfected. What an euphemism for ice berg in itself, after all this was a short, short story with way deeper meaning behind it. Hills like White Elephants was storytelling for story's sake, not just a writer amusing himself. Not an ounce of purple prose or overwroughtness in this one. OK, before y'all jump in on me, let me remind you this is about Hemingway and not me, let's keep it that way, haha. Because as you know, often writers fall victim to their own ax by falling in love not with some Muse or an Excuse of any sorts, but with their own Voice. Isn't that dangerous? For all involved? When you think about it, a writer is really just someone standing at a pulpit preaching to empty air. You know what's even more insane? People sometimes gather around him and actually listen to him, well read him in any case. That's what is maddening.
These two. An American and (probably) an American girl. A man sits with a girl as they await their fate or their train. It's always a girl with Hemingway, isn't it; his succor in his war against time, ultimately aging and maybe even against dying. But these two! How I love their exchanges. I miss conversations like these, yearn for them and look for them in Other fiction. These two weren't sparse characters mouthing printed words on paper, no, no, no, no, they were real people talking to each other.
Maybe I've been reading bunch of dreck pretenders lately, so this truly felt like real writing to me it flowed like water, wide open to myriad interpretations, and Hemingway even lets you make up few of your own, that was his stroke, his gift. The obvious meaning of the story was, well obvious. Though I'll admit I didn't get some aspects of it, like what exactly did the Hills like White Elephants meant? If anyone wants to fill me in on that, be my guest. Or Be Our Guest, Be Our Guest Emma Watson. Spoon feed me, don't wanna look up analysis elsewhere. Don't be Shy. Or be her, she was ferocious. Or the title could mean what I think it means. Oh! Isn't that clever?
Men in Hemingway's stories are always likable, deep, mature, world-weary and sage. Thus giving him an air of an old man making him seem older, even when he wasn't old himself. Even before he became an Old Man lost at Sea. Men who witnessed War and war seem to witness changes in them too. The man at the station in this story was earthly and melancholic, seemingly nice and gentle. Selfish in a very selfless way. And the girl was a real person, rather than just a cardboard character. It's refreshing when women are shown as people in fiction. Though I understand how sometimes that can be fiction as well. This girl, you could tell he probably based her on somehow he knew, someone he drew from experience. That's so relatable, frustratingly so.
The Spanish setting was fitting and the backdrop of War, imminent or distant, haunting and romantic. As it also could have been about war within themselves. The decision they were to make, or weren't making. Now that I think of it, the girl probably was an American too, she didn't understand Spanish.
When I was reading this, I had to turn off Sigur Rós so that I can hear Hemingway's words better and maybe even listen to them. Let me tell you something, it was worth it. Little that you know of me, shades that are familiar to you, you know that means something.
Bonus material because I love this story so much, so I'll make you fall in love with yourself. I mean with this. Here are two things that I really liked from it :
The girl stood up and walked to the end of the station . Across, on the other side, were fields of grain and trees along the banks of Ebro. Far away, beyond the river, were mountains. The shadow of a cloud moved across the field of grain and she saw the river through the trees.
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I love this part, maybe because it reminds me of his novel Across the River and into the Trees, one of my fav. I can see him taking that title from this.
And here is another :
"We can have everything."
"No, we can't."
"We can have the whole world."
"No, we can't."
"We can go everywhere."
"No, we can't. It isn't ours any more."