Prophecy tells of a shadowy and dangerous web of plots and subplots in Elizabethan England.
I skipped to the second in a series of historical thrillers set in the Renaissance featuring Giordano Bruno, an Italian monk excommunicated for heresy. You do not need to have read the first, Heresy, to enjoy Prophecy by S.J. Parris.
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By the time Prophecy starts, Bruno has already been excommunicated and is now in Elizabethan England working as a spy in the midst of the secret enclaves of Papists. Rumors of a plot to overthrow, even murder, Queen Elizabeth and install the Catholic Mary Stuart are brewing. Who are these plotters? The French, the Spanish, the Scots, even dissatisfied Englishmen all have their separate schemes. No one in court is to be trusted, especially since one the Queen's own ladies-in-waiting is found murdered, her death staged to look like a blatant threat to the Queen's life.
It is clear from the first page on that Parris's research into Elizabethan life and political intrigues is impeccable. Every character is tainted with suspicion, their motivations revealed in a labyrinth of allegiances and ambition. Who I thought might have been responsible for the murder changed as I journeyed deeper and deeper into Bruno's world - and ultimately did not turn out to be the killer(s) when unmasked in the end.
Bruno's character, as the outsider in Court, is the most compelling and mysterious of all, despite the fact that the narrative is told in first person. His story - how he got to be an ex-monk, what drove him from the church, and the dubious past that may or may not involve murder - was told in the first book, Heresy. In Prophecy, he is more an observer, his personality muted and kept in the background. Reading Prophecy has driven me to pick up Heresy just to find out in more detail the tantalizing bits of back story I gleaned.
Besides knowing more about Bruno, I also felt that the black magic and supernatural elements so provocative in the first chapter (excerpt below) could have been more pronounced and central to the plot, instead of being merely suggestive. And there seems to be a thin thread from the first book, Heresy, regarding Bruno's search for a very rare and ancient manuscript by Egyptian sage Hermes Trismegistus, which stoked my curiosity (as elusive, mythical books often do). Ms. Parris - I would love it if you wrote more about this in the next installment!
"Without warning, all the candles in the room's corners flicker and feint, as if a sudden gust has entered, but the air remains still. At the same moment, the hairs on my arms prickle and stand erect and I shudder; a cold breath descends on us, though outside the day is close. I chance a sideways glance at Doctor Dee; he stands unmoving as marble, his hands clasped as if in prayer, the knuckles of both thumbs pressed anxiously to his lips-or what can be seen of them through his ash-grey beard, which he wears in a point down to his chest in imitation of Merlin, whose heir Dee secretly considers himself. The cunning man, Ned Kelley, kneels on the floor in front of the table of practice with his back to us, eyes fixed on the pale, transclucent crystal about the size of a goose egg mounted in fixings of brass and standing upon a square of red silk. The wooden shutters of the study windows have been closed; this business must be conducted in the shadow and candlelight."