A Magnificent Creation
THE ROSE OF WASHINGTON SQUARE opens in June of 1893. Tenacious, 19-year-old Rose O’Neill uses a combination of sweet talk, fast talk, quick wits, and charm to win an audience with the art editor of a New York City magazine. Try as he might, Mr. Martin cannot brush off the talented illustrator and she manages to close the deal. Ultimately, he gives her feedback. “I like the way you use humor in your sketches tempered with a touch of pity. Keep that angle.”
A few pages later, Rose says, “In my opinion, the humor in a situation is what keeps hope alive.” That sentiment seems to travel through the decades as we witness this trailblazing woman’s adult life.
In the first couple of pages, Rose also says to the editor, “A woman will never permanently shed her sisters.” At that time, she refers to a pair of nuns who chaperone her business affairs. In the middle of the book, it seems to apply to her sisters in the suffrage movement. At the end, it certainly applies to her siblings.
Rose finds success as a magazine illustrator and drawing comic strips, but also wishes to be a serious artist. She writes novels, paints, and sculpts. Yet she never seems to mind that the humorous imps that made her rich and famous became her life’s work, even as she seeks success with her other artistic endeavors. It’s as if she was not meant to exist in only one medium.
A restless spirit also can’t call just one place home. Imagine a person equally at home in Missouri, New York City, Connecticut, Paris, and Italy. Reflecting on Rose after reading the book, it’s clear that she was a complicated woman.
And Rose’s love life mirrored her need to live in several different places at once. At a time when divorces were rare, Rose married twice, for about five years each, and neither man was a good match for her. Ultimately, she was more dedicated to causes than romance.
The protagonist of this novel would have appreciated the author’s sweet dedication: “To the artists and poets and dreamers who never, never, never give up.” Late in the story, Rose insists that her young lover focus on his art, and that creates conflict in their relationship.
In the last third of the novel, the decade-spanning epic was overpopulated with lesser characters that became impossible to keep track of or care about, so I read through them. Perhaps this was included to show the wide circles in which Rose traveled.
Even after spending hundreds of pages with Rose O’Neill, she remains an enigma. She’s ahead of her times, generous to a fault, and yet there seems to be something selfish about her that’s hard to point a finger at. “The greatest lesson of all” isn’t the humor that keeps hope alive, but rather, “the pleasure of living on no one’s terms but my own.”
Congratulations to the author on a magnificent creation. Just like the populace in the early 1900s, I’m left wanting more Kewpie creations. I’ll have to see if I can find some old comic strips. Good old-fashioned Americana!
This rags to riches and back to rags again story encompasses 50 years of history, with a shadow of a nod to the age of exploration and spanning through prohibition, two World Wars, and the Great Depression, what an ambitious work. I highly recommend THE ROSE OF WASHINGTON SQUARE.