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A self-consciously literary work, A House Is Not a Home provides an informal social history of immigrant mobility, prostitution, Jewish life in New York, police dishonesty, the "white slavery" scare of the early twentieth century, and political corruption.
Adler's story fills an important gap in the history of immigrant life, urban experience, and organized crime in New York City. While most other accounts of the New York underworld focus on the lives of men, from Herbert Asbury's Gangs of New York through more recent works on Jewish and Italian gangsters, this book brings women's lives and problems to the forefront.
374 pages, Hardcover
First published January 1, 1953
Most of the décor was period French—Louis Quinze and Louis Seize, which is sort of traditional for a house—and I acquired some really valuable antiques. Cabinets and tables, a Sevres dinner service and a Gobelin tapestry depicting Vulcan and Venus having a tender moment while Eros took over Vulcan’s smithy and forged a set of arrows. The bar was supposed to be Egyptian in style—King Tut’s tomb had been opened just the year before and there had been a lot of publicity about it—and there was also a Chinese room, as mah-jongg was all in vogue.Here, an account of the typical conclusion of a fashionable night-on the town—in Harlem:
Or perhaps the boys tooled up to Harlem to one of the rent parties at which jazz musicians helped their friends collect the dough for the month’s nut. And maybe they kept on rolling until they landed in the hands of “money,” a little hunchback who was one of Harlme’s best-kown characters. Money really cleaned up steering white customers on what they called ‘slumming tours,” which usually ended up at a dive run by a girl called Sewing Machine Bertha. There they would be shown lewd pictures as a preview to the performance of the same tableaux by live actors, white and colored. Money also supplied reefers and cocaine and morphine so that the “upper classes” could have themselves a real low-down time.