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Breaking Free
A passionate education leads to dangerous love.
For Claire Montjoye, widowhood is no release from scandal. Used as sexual currency by her notoriously libertine husband, she longs for a life of quiet respectability. But the ton’s disapproval ensures she will never be truly accepted—and any man openly seeking her company will be tainted.
When Xavier Westbourne pulls her away from peril, his touch fills her with yearning for unattainable dreams. Accepting his invitation to the opera is not only unwise for him, it’s dangerous to her lonely heart. Perhaps taking him as a lover will be enough.
Scion of one of Society’s most upright families, Xavier knows propriety as a cold, brutal master. Having endured one loveless marriage, he refuses to repeat the mistake, even for his motherless son. Yet Claire easily breaks through his wall of reserve, and her offer of private instruction in the sexual arts is irresistible.
Consumed by passion, overwhelmed by ecstasy, they discover something neither thought existed—the freedom to open their hearts. Yet not all the horrors of the past are content to remain hidden by the mists of time. And suddenly their very survival depends on trusting that love really can conquer all.
Warning: A Regency hero who can’t keep his hands to himself and a heroine who encourages him in the most shocking, explicit manner. If conflicted heroes, heroines with a past, velvet, mirrors, self-love or the occasional extra pair of feminine legs in the bed offend, this book is not for you.
For Claire Montjoye, widowhood is no release from scandal. Used as sexual currency by her notoriously libertine husband, she longs for a life of quiet respectability. But the ton’s disapproval ensures she will never be truly accepted—and any man openly seeking her company will be tainted.
When Xavier Westbourne pulls her away from peril, his touch fills her with yearning for unattainable dreams. Accepting his invitation to the opera is not only unwise for him, it’s dangerous to her lonely heart. Perhaps taking him as a lover will be enough.
Scion of one of Society’s most upright families, Xavier knows propriety as a cold, brutal master. Having endured one loveless marriage, he refuses to repeat the mistake, even for his motherless son. Yet Claire easily breaks through his wall of reserve, and her offer of private instruction in the sexual arts is irresistible.
Consumed by passion, overwhelmed by ecstasy, they discover something neither thought existed—the freedom to open their hearts. Yet not all the horrors of the past are content to remain hidden by the mists of time. And suddenly their very survival depends on trusting that love really can conquer all.
Warning: A Regency hero who can’t keep his hands to himself and a heroine who encourages him in the most shocking, explicit manner. If conflicted heroes, heroines with a past, velvet, mirrors, self-love or the occasional extra pair of feminine legs in the bed offend, this book is not for you.
- GenresHistorical
272 pages, Kindle Edition
First published July 4, 2010
7 people want to read
About the author
Anya Richards
23 books17 followersAfter living a checkered past, and despite an avowed disinterest in domesticity, multi-published author Anya Richards settled in Ontario, Canada, with husband, kids and two cats who plot world domination, one food bowl at a time. Having trained the humans around her to recognize the ‘Do Not Disturb’ vibes she gives off when writing, she’s still trying to get the cats to honor her need for space. The suspicion is that they perfectly understand, but choose those moments when she’s most engrossed to once more prove who wears the pants in the house.
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Displaying 1 of 1 review
October 22, 2011
3.5 stars
Claire Montjoye married young, but her innocence didn’t last very long. Her husband had huge sexual appetites, and the more he got, the wilder he needed it the next time. Claire was but a pawn in many of his sexual games, ranging from orgies to BDSM, so when he dies, her reputation is left in tatters. Two years on, she still doesn’t like venturing out into society, even though she craves having her respectability back. On a night she arrives for the opera, she is saved from being run over by a carriage by Xavier Westbourne. Her attraction to him is immediate, but she knows nothing could ever come of it. She’ll not taint anybody else’s reputation by sullying them with her association. Xavier, on the other hand, is entranced by her. Normally very shy, he finds it easy to talk to her when they meet again, which culminates in a request to join him at the opera. There, Claire learns about how his marriage had been so unsatisfactory, how his wife didn’t enjoy physical relations, and she decides to be bold and satisfy both of their needs. He accepts, but in the background lurks a man who’s been obsessed with Claire since long before her husband’s death.
The set-up isn’t that original, though it’s a welcome twist to see the woman as the more experienced, teaching her contemporary more about the art of lovemaking. I can’t say that I actually really liked Claire that much, though. I found her behavior inconsistent, and her constant self-deprecation and loathing regarding how depraved she was and how harmful her presence was to anyone decent was really annoying. Every time it seemed like she was ready to grow beyond it, she slid two steps back to create conflict within the story.
What saved all of it was Xavier. I fell in love with him almost as soon as he was introduced. It was a combination of his chivalrous nature and his shyness that really got to me. That shyness is the bedrock of his characterization, and the way it was portrayed was masterful. His reactions were believable, consistent, and absolutely endearing, even when he lost his temper. When the prose sometimes turned a little purple for my tastes, it was Xavier that kept me going. As the story progressed, I found it increasingly difficult not to skim through scenes that were just Claire, but he rooted me back in the story every time he showed up on the page.
Another reason it got harder not to skim as the story progressed was because not enough was happening that wasn’t all about the sex. Claire was too one-note to make them very interesting by that point, and the fact that the cartoon villain had more page time (a necessary development to keep the plot going, even if his characterization was so very stereotypical and predictable) meant I had even less reason to be engaged. I wasn’t surprised to see the word count when I was done. In all honesty, it felt longer than that, which in this case, is not a compliment.
Still, I adored Xavier, and when Claire wasn’t pulling her self-loathing act, fell into their romance. That was enough to make this a slightly better than average read, because I’m sure Xavier will be one of the more romantic heroes I remember for a while.
Claire Montjoye married young, but her innocence didn’t last very long. Her husband had huge sexual appetites, and the more he got, the wilder he needed it the next time. Claire was but a pawn in many of his sexual games, ranging from orgies to BDSM, so when he dies, her reputation is left in tatters. Two years on, she still doesn’t like venturing out into society, even though she craves having her respectability back. On a night she arrives for the opera, she is saved from being run over by a carriage by Xavier Westbourne. Her attraction to him is immediate, but she knows nothing could ever come of it. She’ll not taint anybody else’s reputation by sullying them with her association. Xavier, on the other hand, is entranced by her. Normally very shy, he finds it easy to talk to her when they meet again, which culminates in a request to join him at the opera. There, Claire learns about how his marriage had been so unsatisfactory, how his wife didn’t enjoy physical relations, and she decides to be bold and satisfy both of their needs. He accepts, but in the background lurks a man who’s been obsessed with Claire since long before her husband’s death.
The set-up isn’t that original, though it’s a welcome twist to see the woman as the more experienced, teaching her contemporary more about the art of lovemaking. I can’t say that I actually really liked Claire that much, though. I found her behavior inconsistent, and her constant self-deprecation and loathing regarding how depraved she was and how harmful her presence was to anyone decent was really annoying. Every time it seemed like she was ready to grow beyond it, she slid two steps back to create conflict within the story.
What saved all of it was Xavier. I fell in love with him almost as soon as he was introduced. It was a combination of his chivalrous nature and his shyness that really got to me. That shyness is the bedrock of his characterization, and the way it was portrayed was masterful. His reactions were believable, consistent, and absolutely endearing, even when he lost his temper. When the prose sometimes turned a little purple for my tastes, it was Xavier that kept me going. As the story progressed, I found it increasingly difficult not to skim through scenes that were just Claire, but he rooted me back in the story every time he showed up on the page.
Another reason it got harder not to skim as the story progressed was because not enough was happening that wasn’t all about the sex. Claire was too one-note to make them very interesting by that point, and the fact that the cartoon villain had more page time (a necessary development to keep the plot going, even if his characterization was so very stereotypical and predictable) meant I had even less reason to be engaged. I wasn’t surprised to see the word count when I was done. In all honesty, it felt longer than that, which in this case, is not a compliment.
Still, I adored Xavier, and when Claire wasn’t pulling her self-loathing act, fell into their romance. That was enough to make this a slightly better than average read, because I’m sure Xavier will be one of the more romantic heroes I remember for a while.
Displaying 1 of 1 review