The Emperor of the Moon: A Dialogue-Pantomime; With Alterations, and the Addition of Several Airs, Duets, and Choruses, Selected

by Aphra Behn

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition ++++British printed by and for T. Sherlock, 1777. [4],40p.; 8

Genres: Plays, Drama, Classics

52 pages, Paperback

First published January 1, 1687

About the author

Aphra Behn, or Ayfara Behn, of the first professional women authors in English on Britain wrote plays, poetry, and her best known work, the prose fiction Oroonoko (1688).

Aphra Behn was a prolific dramatist of the Restoration and was one of the female. Her contributed to the amatory genre of literature. People sometimes refer to Delarivier Manley, Eliza Haywood, and her as part of "the fair triumvirate of wit."

In reckoning of Adeline Virginia Stephen Woolf, more important total career of Behn produced any particular work. Woolf wrote, "All women together, ought to let flowers fall upon the grave of Aphra Behn … for it was she who earned them the right to speak their minds." Victoria Mary Sackville-West called Behn "an inhabitant of Grub Street with the best of them, … a phenomenon never seen and … furiously resented." Felix Shelling called her "a very gifted woman, compelled to write for bread in an age in which literature … catered habitually to the lowest and most depraved of human inclinations. Her success depended upon her ability to write like a man." Edmund Gosse remarked that "the George Sand of the Restoration" lived the bohemian life in London in the 17th century as Paris two centuries later.

Reviews

[Nastya Nikitina · Rating 4 out of 5]

Even though the language is rather difficult to follow for a modern reader, the play was simple enough in its ideas, carrying a clever message behind it that is not initially apparent. The main conclusion is that we truly don't know anything rings true no matter how many centuries pass.

[Leslie · Rating 5 out of 5]

I love this play. It's ridiculous and hilarious and excessive and silly and smart. I wish I could see it performed.

[Mike Szczepanik · Rating 3 out of 5]

An entertaining farce that makes me want to read more of Behn's work

A fast-paced, entertaining story that I now look forward to seeing performed on stage. Behn's capable, highly amusing retelling of this story has piqued my interest in her other works.

[Alexa · Rating 3 out of 5]

Enjoyed reading this play that will be performed by Actors' Theatre here in Columbus next summer. Young love triumphs over the foolishness of elders with comedy and costumes.

[Jared · Rating 5 out of 5]

I don't care what anyone says this is perfection

[Geo · Rating 4 out of 5]

3.5/5

[Victoria Hall · Rating 4 out of 5]

Finished this play at 3 this morning and woke up to talk about it in a meeting at 8 am if that tells you anything.

[Greg · Rating 3 out of 5]

This classic comedy by Behn is also one of her most witty. I love the lines, such as that by the Doctor when describing Scaramouch, This fellow has a glimpse of profundity.” Behn often addressed society in terms of those with power and those without, old vs. young, men vs. women, the upper class vs. the lower class. In this comedy, young ultimately triumphs. Her phrasing and the way she sets up her conflicts, however, are what are most interesting to me about Behn’s play. My favorite line in any Behn work is uttered by Charmante in this play, “Nothing shows the wit so poor, as wonder, nor birth so mean, as pride.” Recommended for lovers of British Restoration drama.


See my other reviews here!