[“Notorious” by Katherine Sutcliffe (audiobook); Josephine Bailey/Reader = 4*:]
Jason and Destiny
(Setting: Historical England/The High Seas/India - 1856-1858)
This book is tough to review for me because although I gave it 4 stars, the assessment is adjusted for how I believe the audience as a “whole” would perceive this read, rather than just my personal tastes. For me personally, it was more like a 3 star, with each of those stars being awarded in what I’d consider “waves” as the book rolls along: My first star came at the very opening of the book, which catapults the reader into some less than usual opening events and characterizations with the hero and heroine, setting the stages of things to come and capturing my attention immediately; my second star belongs to Sutcliffe’s ability to outline a character pretty thoroughly and get the reader attached to each of those characters in their own right; and my third star goes to Sutcliffe’s overall writing, especially when she did actually focus on the romance aspects.
Jason Batson, raised by an unfeeling father whose only focus was to “weed out” the emotions of his two sons and turn them from men into human weapons, finds himself eventually part of an elite and covert military mercenary squad, “The Cobra.” Destiny Fontaine, the daughter of an older gentleman friend who Jason found some momentary emotional mentoring from as a young man, finds herself in the position of becoming a virgin-widow after being married off to a gay nobleman, unbeknownst to her until afer his distraught suicide. Having only known Destiny as a child, years later under reimpressment into active duty against his will, Jason seeks out Destiny to glean possible information on her father’s suspected treason. After several clandestine meetings in a forest glade, Destiny, with no prior recollection of who Jason is, becomes completely captivated by this handsome and charming man, and surrenders her virginity to him in a passionate moment in the glade. So begins a story of epic proportions as the two lovers clash again and again in their quest to ascertain where Destiny’s father’s loyalties lie, and rescue him from the milieu of an Indian uprising during the English occupation.
Although this story is written in a way that can keep the right reader completely enthralled, the key to enjoying this story in it’s most favorable light is being “the right reader.” I’m not exactly that reader. Sutcliffe takes the story from forest glades and English country estates into months of high seas adventure and drama, and carries it through a fictitious account of India’s rail against the English. I’m not generally attracted to plot lines involving political espionage, high seas pirate-type adventures, nor so much story focused away from the main romance theme. The greatest portion of this story does indeed focus on the adventure rather than the romance aspects. However, I could clearly see the well thought out tracking of the plot and Sutcliffe’s writing abilities which kept me entertained enough, although completely out of my line of taste, to finish the book. Sutcliffe has a firm grasp on character develop, if too many characters to focus on and too much time invested in characters that are quickly killed off in the story.
Where I would dip in my “gathering of stars” for this book would be some of the cliche moments (i.e. Destiny being pulled into the song and dance of the locals during a shopping expedition on an island stopover; the overly dramatized, bodice-ripping (literally) romance moments aboard ship; and some of the “yo-ho, a pirate’s life for me” kind of scenes that are less than creative to the story, regardless of whether they provide atmosphere set-up). At one point I actually did stop and check what year this book was published as I was absolutely certain it had to have been written somewhere around 1985 or prior. You can imagine my surprise to see it was actually first published in 2000. Another stand-out “Huh?!” feel about this book is there is a lot (and I mean a LOT!) of ruthless killing and bloodshed, heavily laden with avid descriptives, yet love scenes are few and far between, and consist of a few paragraphs each. Though the sex scenes can be clearly identified, they can in no way be described as descriptive (“slid in,” “thrust,” “groaned” type verbage in short sentences), and are couched in extremely general terms. Nothing but missionary style going on here.
Frankly, I feel the book was mainly written toward non-regular romance readers and perhaps to suck in a bit more male audience. The sentimental moments Sutcliffe does infuse do resonate and are another point where the stars shot upward for me personally. I just wish she had drawn those moments out and visited them more frequently. She made me believe the H/h had fallen deeply in love when those moments came, so long as I never made a laundry list of the reasons why -- the list would have been short to say the least had I dwelt on the specifics. Additionally, their was an overall theme that the heroine should forgive the hero for HER initial seduction of him from the beginning of the story. Sure, he withheld information from her that his overall mission was as an assassin should her father actually turn out to be a traitor to the Crown, but his intention was only to gather possible information she may have had -- he was not the instigator of her seduction! Every time she shouted her hatred of him for this (loudly and often -- he was still groveling by book end), it grated on my nerves about her ability to see the balance of responsibility on this issue. Lastly, I did love the Epilogue of this story. It was indeed the most romantic moment of the entire book, again, not for it’s originality so much as the writer’s ability to write it to evoke emotion and pull at my heartstrings.
This is a well written, well plotted story, full of juicy cloak and dagger adventure with a sprig of romance thrown in ala “Gone with the Wind” flavor. If this is your preference in reading material, this is the book for you.
NOTE: Mild/Minor sexual content described in general terms; graphic language only used in violent moments; graphically depicted violence throughout.