Only two stories engaged my interest fully: Swanwick's "The Scarecrow's Boy" and Cambias' "Balancing Accounts", but neither takes significant risks in conception or execution. They are textbook Clarion stories, charming and high-quality, but conceptually unadventurous, coloring well within the lines.
The remaining five tales were all polished, well-crafted, and forgettable, in the familiar style of the SF digests and the doorstopper "Best Of" annuals. A particular annoyance is that ALL five of these involved military robotics in some way, shape, or form, probably the least interesting angle to approach the infinitely rich thematic spectrum of AI.