Back in Print Is modernism fundamentally hostile to nature? How have the radical transformations of the nineteenth and twentieth centuries affected our attitude toward nature and impacted the landscape, as seen in the relationship of modern building to the land, and in the parks and gardens of this past century? Proceeding from the premise that how we shape our physical environment is a fundamental reflection of our culture, this compendium of essays on landscape in the twentieth century evolved from a symposium of distinguished historians, scholars, architects, landscape architects and artists organized by The Museum of Modern Art, New York, in 1988. Presented in a historical perspective, the discussion focuses on the problems and solutions of the twentieth century and addresses the issues that carry over into the twenty-first.
Robert Rosenblum was a curator at the Solomon R. Guggenheim Museum and a professor at the Institute of Fine Arts, New York University. He is the author of multiple volumes on modern and contemporary art, including The Paintings of August Strindberg and Paintings in the Musee d'Orsay. Rosenblum is the recipient of a Frank Jewett Mather Award for Distinction in Art Criticism.