"Hitler's Vienna: A Dictator's Apprenticeship" is a remarkable book by a seemingly unqualified author working with inadequate sources who manages to explain how Adolf Hitler developed his Nazi Ideology and political methodology during the time that he spent in Vienna between 1906 and 1913.
I say "unqualified" because Harman was neither a university professor nor a political historian. Her most important book prior to "Hitler's Vienna" was a biography of the beautiful and vivacious Empress Sissi, wife of Franz Joseph I. Hitler, of course, had nothing in common with Sissi. He was a member of the lumpenproletariat while he was in Vienna. Totally lacking in any social graces, he lived off public assistance and by occasionally sponging off his relatives. He possessed neither intelligence nor the drive to stick with any project. So vivid are her descriptions that Harmann, the one-time royal biographer, makes the reader believe that she was one of the lost young men living along with Hitler in the Men's Hostel (Männerwohnheim Meldemannstraße).
Harmann continually reminds the reader that she is handicapped by the shortage of accounts and testimonials of those who knew Hitler during the period. There are huge blank areas in the narrative. Too often Harmann finds that she must rely on single source for a particular incident. Her primary source is Hitler's autobiography "Mein Kampf" which is highly distorted. Accounts from friends fall into two categories. First there are laudatory works published during the 1930's to capitalize on Hitler's popularity. The second group originated in the 1940s when the authors felt compelled to event crimes and misdemeanours that Hitler did not actually commit.
To compensate for the lack of reliable reports from those who knew Hitler, Harmann resorts to speculation. Noting, Hitler attended many performances of Wagner , Harmann assets that one can assume that Hitler was also familiar with Richard Strauss. Because Hitler was a painter, there is good reason to believe that he was aware of Gustav Klimt.
Harmann's big thesis is that during his Viennese years, Hitler came to see the world through the prism of Wagner's Ring Cycle. He believed that it would be possible to found a heroic regime like that of Wotan and the Völsungs to rule a greater Germany. Hitler passionately hated the multi-racial and multi-cultural nature of the Austro-Hungarian empire. He was horrified by the parliament in which 233 Germans constituted a minority relative to 283 non-Germans ( i.e. 107 Czechs, 33 Ruthenians, 19 Slovenians, 19 Italians, 1 3Croats, and5 Romanians . He feared possibly with good reason that Germans would become a minority in the capital city of Vienna.
Harmann identifies and summarizes the ideas of those writers and politicians that Hitler would later take his ideas from. The prime political influence were Karl Lueger Mayor of Vienna 1897-1910 and Georg Schönerer leader of the nationalist Pan-German Party at the beginning of the 20th Century. Franz Stein and Karl Hermann Wolf also contributed ideas that later appeared in "Mein Kamp." The writers and pamphleteers that influenced Hitler were Guido von Lanz von Liebenfels, Hans Goldzier, Hans Hörbigger, Otto Weininger, and Alex Trebitsch.
In the final analysis there was virtually nothing in "Mein Kampf" that was original. It was simply a synthesis of the ideas and fantasies of the pan-German movement that dominated Viennese cultural and political life during Hitler's time in the city. Oddly enough Hitler did not seem to particularly dislike the Jews. He had a Jewish dealer and clients that he was on good terms with. If anything he hated the Czechs more who constituted 20% of the population of Vienna at the time and were not nearly as well assimilated into German culture as the cultured Jews that Hitler knew. Hitler did however feel that the pan-German movement had too many enemies (i.e. Czechs, Jews, Jesuits, Freemasons, capitalists, Socialists, Parliamentarians, etc.) needed to concentrate on only one . Hitler's decision to use the Jews as the prime scapegoat dated from the 1920s.
Hitler also acquired his leadership skills and ambition at a later date. Harmann's book presents Hitler in Vienna as a lost young man with absolutely no charisma slowly adopting the poisonous values of the city's pan-German movement. Harmann tells us a great deal about Hitler but leaves many questions unresolved. It is nonetheless a fabulous book for anyone interested in the popular culture of Vienna at the start of the 20th century.