Phoebe DeThomas has lived life as spectator, confined to a wheelchair, in awe of her beloved Aunt Sadie, and overshadowed by her financial wizard brother, James. But when Sadie dies, leaving Phoebe a flower farm, the world opens up to her in ways she could never have imagined. Taking in three roommates to help get the farm running, she finds herself, for the first time in her life, part of a close circle of women friends. Each displaced from her home, these four women form an invaluable bond as they learn how friendship and purpose can transform even the most compromised of women.
Jo-Ann Mapson, a third generation Californian, grew up in Fullerton as a middle child with four siblings. She dropped out of college to marry, but later finished a creative writing degree at California State University, Long Beach. Following her son's birth in 1978, Mapson worked an assortment of odd jobs teaching horseback riding, cleaning houses, typing resumes, and working retail. After earning a graduate degree from Vermont College's low residency program, she taught at Orange Coast College for six years before turning to full-time writing in 1996. Mapson is the author of the acclaimed novels Shadow Ranch, Blue Rodeo, Hank Chloe, and Loving Chloe."The land is as much a character as the people," Mapson has said. Whether writing about the stark beauty of a California canyon or the poverty of an Arizona reservation, Mapson's landscapes are imbued with life. Setting her fiction in the Southwest, Mapson writes about a region that she knows well; after growing up in California and living for a time in Arizona and NewMexico, Mapson lives today in Costa Mesa, California. She attributes her focus on setting to the influence of Wallace Stegner.Like many of her characters, Mapson has ridden horses since she was a child. She owns a 35-year-old Appaloosa and has said that she learned about writing from learning to jump her horse, Tonto. "I realized," she said, "that the same thing that had been wrong with my riding was the same thing that had been wrong with my writing. In riding there is a term called `the moment of suspension,' when you're over the fence, just hanging in the air. I had to give myself up to it, let go, trust the motion. Once I got that right, everything fell into place."