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Prejudices: First, Second, & Third Series
H. L. Mencken was unquestionably the most provocative and influential journalist and cultural critic in twentieth-century America. The six volumes of Prejudices, published between 1919 and 1927, were both a slashing attack on what Mencken saw as American provincialism and hypocrisy and a resounding defense of the writers and thinkers he thought of as harbingers of a new frankness and maturity. Laced with savage humor and delighting in verbal play, Mencken’s prose remains a one-of-a-kind roller-coaster ride through a staggering range of themes: literature and journalism, politics and religion, sex and marriage, food and drink.
In this and a companion volume, The Library of America presents all six series of Prejudices in their original form. The first three series include some of his most famous writing, including “The Sahara of the Bozart,” an attack on Southern culture so unbridled as to earn him widespread criticism from politicians and the press; “The National Letters,” a lively and free-spoken survey of writing in America; “The Dry Millennium,” an analysis of the multiple absurdities of Prohibition; “Exeunt Omnes,” an unblinking and deromanticized contemplation of death; and “On Being an American,” a humorous celebration of the political and cultural panorama that he saw as “incomparably the greatest show on earth.” Here are his harsh summing-up of Theodore Roosevelt’s career (“he didn’t believe in democracy; he believed simply in government”) and his sympathetic portraits of literary friends like James Huneker and George Jean Nathan. Mencken’s account of the original reception of Prejudices, from his memoir My Life as Editor and Author, is included as an appendix.
Edmund Wilson wrote: “Mencken’s mind . . . has all the courage in the world in a country where courage is rare.” That courage may sometimes have been coupled with an inflexible stubbornness that led him into positions hard to defend. But to succeeding generations of writers and readers, Mencken was the figure who had risked charges of heresy and sedition and almost single-handedly brought America into a new cultural era. To read him is to be plunged into an era whose culture wars were easily as ferocious as those of our own day, in the company of a critic of vast curiosity and vivacious frankness.
In this and a companion volume, The Library of America presents all six series of Prejudices in their original form. The first three series include some of his most famous writing, including “The Sahara of the Bozart,” an attack on Southern culture so unbridled as to earn him widespread criticism from politicians and the press; “The National Letters,” a lively and free-spoken survey of writing in America; “The Dry Millennium,” an analysis of the multiple absurdities of Prohibition; “Exeunt Omnes,” an unblinking and deromanticized contemplation of death; and “On Being an American,” a humorous celebration of the political and cultural panorama that he saw as “incomparably the greatest show on earth.” Here are his harsh summing-up of Theodore Roosevelt’s career (“he didn’t believe in democracy; he believed simply in government”) and his sympathetic portraits of literary friends like James Huneker and George Jean Nathan. Mencken’s account of the original reception of Prejudices, from his memoir My Life as Editor and Author, is included as an appendix.
Edmund Wilson wrote: “Mencken’s mind . . . has all the courage in the world in a country where courage is rare.” That courage may sometimes have been coupled with an inflexible stubbornness that led him into positions hard to defend. But to succeeding generations of writers and readers, Mencken was the figure who had risked charges of heresy and sedition and almost single-handedly brought America into a new cultural era. To read him is to be plunged into an era whose culture wars were easily as ferocious as those of our own day, in the company of a critic of vast curiosity and vivacious frankness.
624 pages, Hardcover
First published January 1, 1919
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About the author
H.L. Mencken
636 books727 followersHenry Louis "H.L." Mencken became one of the most influential and prolific journalists in America in the 1920s and '30s, writing about all the shams and con artists in the world. He attacked chiropractors and the Ku Klux Klan, politicians and other journalists. Most of all, he attacked Puritan morality. He called Puritanism, "the haunting fear that someone, somewhere, may be happy."
At the height of his career, he edited and wrote for The American Mercury magazine and the Baltimore Sun newspaper, wrote a nationally syndicated newspaper column for the Chicago Tribune, and published two or three books every year. His masterpiece was one of the few books he wrote about something he loved, a book called The American Language (1919), a history and collection of American vernacular speech. It included a translation of the Declaration of Independence into American English that began, "When things get so balled up that the people of a country got to cut loose from some other country, and go it on their own hook, without asking no permission from nobody, excepting maybe God Almighty, then they ought to let everybody know why they done it, so that everybody can see they are not trying to put nothing over on nobody."
When asked what he would like for an epitaph, Mencken wrote, "If, after I depart this vale, you ever remember me and have thought to please my ghost, forgive some sinner and wink your eye at some homely girl."
(from American Public Media)
At the height of his career, he edited and wrote for The American Mercury magazine and the Baltimore Sun newspaper, wrote a nationally syndicated newspaper column for the Chicago Tribune, and published two or three books every year. His masterpiece was one of the few books he wrote about something he loved, a book called The American Language (1919), a history and collection of American vernacular speech. It included a translation of the Declaration of Independence into American English that began, "When things get so balled up that the people of a country got to cut loose from some other country, and go it on their own hook, without asking no permission from nobody, excepting maybe God Almighty, then they ought to let everybody know why they done it, so that everybody can see they are not trying to put nothing over on nobody."
When asked what he would like for an epitaph, Mencken wrote, "If, after I depart this vale, you ever remember me and have thought to please my ghost, forgive some sinner and wink your eye at some homely girl."
(from American Public Media)
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Displaying 1 - 6 of 6 reviews
September 8, 2020
For someone who insists he is intellectually superior to the common rabble, Mencken's own words betray him as an unenlightened snob who happens to own a thesaurus. The only thing advanced about his writing is his use of ten-dollar words available in any good thesaurus. His actual thinking is firmly rooted in the attitudes of the time and his own privileged upbringing. His views on race are not even up to the writings of Twain forty years prior to him. He confuses birth into money with a genetic ability to think and appreciate art and culture. He fails to recognize the groundbreaking jazz of his own time, instead clinging to older music more acceptable in his social circles, exclusively wealthy white circles. Throw in his sexist dismissal of the suffrage movement and his parochial cultural preferences and at his core you have an early 20th century version of Bill O'Reilly.
April 12, 2011
H.L. Mencken will not abide any sort of bosh, claptrap, piffle, hocus pocus or pishposh.
April 8, 2013
This Library of America Series of H.L. Mencken is fascinating. Loved, admired, hated, and respected, Mencken was an original. His literary work and public persona made people think and still do.
May 13, 2015
Commentary and literary criticism from H.L. Mencken, collected here in a Library of America omnibus volume. Some of the subjects are bound to be obscure to modern readers (although there is a helpful collection of End Notes appended), but I was struck by the timelessness of some of the ideas and phenomena described (e.g. an anti-vaccination advocate, a war being "sold" to the American people based on an exaggerated threat). His essay "On Being an American" is especially caustic; an Anti-American screed that is 3/4 Social Darwinist horseshit (many of us come from inferior racial stock [i.e. not Anglo-Saxon] and were unable to hack it in the homeland so we moved here!) and 1/4 uncomfortable truth.
October 5, 2013
The funniest American writer.
January 5, 2014
This is at least the 2nd time I have reread this collection of essays Mencken is one of my Favorite writers both for his wit and his scathing word play.
Displaying 1 - 6 of 6 reviews