This is the earliest volume of Clark’s diaries, but was published after the success of those covering 1983-92. His editor should honestly have started this book later, as the entries spanning 1972-79 are mostly just a man moaning about having to live in a castle – or occasionally being forced to sell one of his vintage cars. From 1980, the entries become more detailed and more centred on politics, before the expansive chronicle of 1981-2, which climaxes with the Falklands War.
Unfortunately I won’t be reading any more of Clark’s diaries, because he’s an absolute fucking prick. Seeing modern history through his eyes is an almost unrelentingly depressing experience. He’s a lech, a misogynist and an unrepentant racist. In a way there’s a parallel with Errol Flynn’s performative wickedness, in that Clark is undoubtedly playing up to an image and we’re asked to weigh up how much of his Nazi sympathising is merely attention-seeking, but that’s honestly not something you should have to say about an MP.
And there is a serious point here, which is about the moral corruption at the centre of political life – and at the heart of the British media. There is no way on God’s green earth that someone like Clark should ever have been close to the levers of power. Similarly, it’s disgusting that he should have become an improbable national treasure off the back of these books – lauded by the broadsheets for his waspishness, given a pass because he was caustic and indiscreet, deferred to because he had a posh voice and a title. We have honestly been enabling psychotic Nazis because they’re rather fun for decades now, and it makes me want to puke.
On a more prosaic note, these diaries are also quite boring. You’d think that a narrator who was vindictive, venal, crass, comically self-important, utterly self-absorbed, and also literally fancied Thatcher might offer some sort of vicarious amusement, but not really. There are a handful of funny lines (including a nice one about how Argentinian prisoners should eat each other), and a smattering of insights across the later pages, but Clark is neither as funny nor as smart as he seems to imagine – or as his cheerleaders in the book pages suggest – and it can also be difficult to follow what’s going on, with newspaper articles and even people alluded to but never properly identified.
It's interesting to read the book in 2020, though, and see to what extent Clark’s worldview has permeated the mainstream. At one point he argues that someone should be no more criticised for what they say than the colour of their skin, an opinion that seems to be coming back in vogue, with the false hysteria around a non-existent ‘cancel culture’. Clark too offered a respectable face of fascism, an unimportant but perhaps symbolic bridging figure between the jackbooted Mosley, the eerie Enoch Powell, and the transparently phoney pub bore, Nigel Farage. He also delighted in “triggering” the left, through the simple expedient of repeatedly praising Hitler, which honestly isn’t fine. And he remains a prime example of a fascinating phenomenon: the person who is mawkishly sentimental about animals (in his case particularly birds), as well as his family, his country and his God – not, in this case, a God I recognise – but who loathes people. Especially those who are poor, vulnerable or any colour except white. There’s something here too about the modern question of privilege, which despite his relentless self-pity, Clark is positively drenched in, while believing for all the world that it’s his own brilliance that has garnered him such rewards.
It isn't a book entirely without value, but to be honest I hated it. More than that, I found it chilling: the diaries of a man who thought himself a character but was instead a minor monster. That the British media largely fell for his act, and continues to be duped by his spiritual successors, is about the bleakest thing I can think of.