This book caught my eye because of the beautiful ink drawings. Although I generally like the message/philosophy of the story in this book (and I feel like I've encountered this story before, or a close variant, though I'm not sure where), overall this didn't sit right with me. The ink drawings, nice as they are, don't quite work I think. For one, they are often unrelated to, or at most loosely connected to the words facing them. I also find some of the stylistic choices odd: the stonecutter is drawn in fairly modern clothing, loose and baggy with a baseball cap, but the high official is drawn more in line with ancient styles of dress, and the soldiers (never featured characters, but included in some illustrations) have the sort of uniform that could come from anywhere in the 20th century to the present; I'm sure the design is deliberate, but I didn't really like it. I also don't like that the early stages of the story deal with real legitimate concerns, that the stonecutter does hard work which is damaging to his body, but he only sees a fraction of the profit from it. To me, mere acceptance of ones place isn't a good solution. Trying to simply gain more power as happens in the story might be no good either, but there is certainly middle ground between doing so and simply accepting a bad situation.