A five volume set from the Master of the Master of Vampires! As the creator of Dracula, Bram Stoker needs no introduction-he is as famous as the iconic character he created. However, Stoker did not confine his literary excursions into the macabre to his greatest creation alone, he has left us an entertaining, terrifying and substantial collection of fiction concerned with places, times and creatures of terror. Leonaur has collected together a thrilling assembly of Stoker's strange fiction-contained within five large volumes-so today's readers can enjoy the 'masters' work within one satisfying coordinated collection that no aficionado will want to be absent from his or her library of the bizarre. This is the first volume-available in softcover and hardback with dust wrapper for collectors. It contains, of course, the classic novel, 'Dracula' and three shorter pieces, 'Dracula's Guest, ' 'The Squaw' and 'The Burial of the Rats.' Readers unfamiliar with the totality of Stoker's writing are in for a treat-but leave the light on!
Irish-born Abraham Stoker, known as Bram, of Britain wrote the gothic horror novel Dracula (1897).
The feminist Charlotte Mathilda Blake Thornely Stoker at 15 Marino crescent, then as now called "the crescent," in Fairview, a coastal suburb of Dublin, Ireland, bore this third of seven children. The parents, members of church of Ireland, attended the parish church of Saint John the Baptist, located on Seafield road west in Clontarf with their baptized children.
Stoker, an invalid, started school at the age of seven years in 1854, when he made a complete and astounding recovery. Of this time, Stoker wrote, "I was naturally thoughtful, and the leisure of long illness gave opportunity for many thoughts which were fruitful according to their kind in later years."
After his recovery, he, a normal young man, even excelled as a university athlete at Trinity college, Dublin form 1864 to 1870 and graduated with honors in mathematics. He served as auditor of the college historical society and as president of the university philosophical society with his first paper on "Sensationalism in Fiction and Society."
In 1876, while employed as a civil servant in Dublin, Stoker wrote a non-fiction book (The Duties of Clerks of Petty Sessions in Ireland, published 1879) and theatre reviews for The Dublin Mail, a newspaper partly owned by fellow horror writer J. Sheridan Le Fanu. His interest in theatre led to a lifelong friendship with the English actor Henry Irving. He also wrote stories, and in 1872 "The Crystal Cup" was published by the London Society, followed by "The Chain of Destiny" in four parts in The Shamrock.
In 1878 Stoker married Florence Balcombe, a celebrated beauty whose former suitor was Oscar Wilde. The couple moved to London, where Stoker became business manager (at first as acting-manager) of Irving's Lyceum Theatre, a post he held for 27 years. The collaboration with Irving was very important for Stoker and through him he became involved in London's high society, where he met, among other notables, James McNeil Whistler, and Sir Arthur Conan Doyle. In the course of Irving's tours, Stoker got the chance to travel around the world.
The Stokers had one son, Irving Noel, who was born on December 31, 1879.
People cremated the body of Bram Stoker and placed his ashes placed in a display urn at Golders green crematorium. After death of Irving Noel Stoker in 1961, people added his ashes to that urn. Despite the original plan to keep ashes of his parents together, after death, people scattered ashes of Florence Stoker at the gardens of rest.
Dracula has some great sections, but large chunks of the story, especially the second quarter of it, drag. The epistolary style similarly exhausts after a time.
Dracula’s Guest is fine.
The Squaw is strong, albeit silly. The cat’s revenge feels like a classic horror trope, but it also relies on one character being an abject dumbass. Also, casual sexism.
The Burial of the Rats rips. It takes its time at the start, but it pays off in spades.
While Dracula 🧛♂️ is definitely his best work in this collection the atmosphere is written quite elegantly and I only found one story, The Squaw to be a drawn out read.