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By Land, Sky & Sea: Three Realms of Shamanic Witchcraft
For Witches and Pagans of all traditions and paths, By Land, Sky & Sea will help you develop an intimate understanding of the magickal lore and traditions of modern shamanic pathworking. Based upon the Celtic realms of land, sky, and sea, this wise and unique book explores the ancient trinity and its Greek, Hawaiian, Hindu, Stregheria, and Wiccan customs. Gede Parma guides you through effective methods for working in the three realms, culminating in powerful rituals for each.
"Lyrical, anecdotal, and practical . . . This book will engage and refresh the seasoned practitioner of modern Witchcraft and enlighten the novice equally. Recommended."―Kala Trobe, author of The Witch's Guide to Life
"Lyrical, anecdotal, and practical . . . This book will engage and refresh the seasoned practitioner of modern Witchcraft and enlighten the novice equally. Recommended."―Kala Trobe, author of The Witch's Guide to Life
216 pages, Paperback
First published October 8, 2010
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280 people want to read
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Displaying 1 - 8 of 8 reviews
October 4, 2023
Not exactly what I was looking for, but super informational nonetheless!!!
December 5, 2014
Eclectic twaddle.
February 20, 2020
I'd really hoped to enjoy this. I didn't find much of anything in this book to be useful. He talks about his Wildwood Tradition which really follows Wiccan architecture and in the same breath he insists that it isn't Wicca. At times it seems like the author is sitting there with his nose in the air. This would probably be a book that would be best circulated among his friends and coven members, not for general circulation. Maybe it's because I took so long to read it but it just seemed to lack substance. I do own Ecstatic Witchcraft: Magick, Philosophy & Trance in the Shamanic Craft and I will read it. I hope its better. Who knows.
December 22, 2017
Mr. Parma is a witch of Balinese-Celtic ancestry raised from childhood in paganism. He is the co-founder of the WildWood Tadition of Witchcraft and is a devotee of the Goddesses, Persephone, Aphrodite and Hekate. His spiritual path incorporates elements of traditional shamanism, Balinese Hinduism, British-Celtic Witchrcraft, Stregheria, Greek Paganism, Feri, Reclaiming and WildWood Witchcraft. He has written award-winning books on pagan topics and witchcraft.
After visiting Ireland, Mr. Parma was inspired to write this guidebook to further develop shamanistic abilities with the intent to inspire those on a pagan path to infuse their craft with purpose. It is divided into three sections, utilizing his inspiration from his trip to Ireland, the home of his Celtic ancestors, the Celtic three-realm cosmology, though the book draws from other pagan traditions.
In the section, “Land” which acquaints to the physical plane of being, he strives to encourage the reader to become aware of their physical self. Mr. Parma provides detailed exercises on breath, including yogi breathing, huna breath and counted breath. The section continues with meditation exercises. One that I found to resonate personally was the “Tree of Life” mediation. In this mediation, one becomes the tree whose roots delve deep into the underworld (sea), the trunk grows proudly upward (land) and whose branches reach outward into the celestial sky. Land further elaborates with physical spiritual manifestations such as dance and touch. I am often moved to dance, once a photographer took a picture of me, I was completely oblivious as I was in the thrall of dance and the picture always struck me. My eyes had a particularly ethereal look, and I am fairly certain that element of the photography had not been altered. After reading Mr. Parma’s notes on trance work, I can see that what the photographer captured was me experiencing and becoming one with what is divine. Learning this, I am now anxious to do more work on trance utilizing the dance that seems to come naturally to me. This illumination also made me keenly interested in the topics which followed; the magical practices of omen walking and divining labyrinths.
In “Sky” he explains that knowledge can be found in transcendence. He proposes that magic is a way to experience divinity and the connectivity of all things. Once again Mr. Parma outlines a series of magic working exercises. One that I was particularly drawn to was the creation of psyballs. In this exercise he outlines imagining a ball of energy which can be infused with a magical intention or wish. Mr. Parma believes that the force of creation is in essence a magical act. As we are all born of magic, it is our birthright to use magic and develop it. The sky chapter continues with steps to induce astral flight and outlines several steps to increase one’s spiritual awareness to develop the magical or psychic ability of clairvoyance.
In “Sea” Mr. Parma expounds on the concepts of clairvoyance and trance and encourages readers to vision quest to the underworld to experience death in the context of rebirth. It is only in death that we can see eternity evolving. This section also focuses on the concept of channeling or becoming the oracle through which the divine can speak. Mr. Parma wishes his readers to experience truth, but warns that truth is unique to the individual. I think it is important to note that an oracle must also embrace silence. Those that wish to hear will be open, but our individual truth may not be for the ears of all. In the “Sea” section, Mr. Parma uses the stories of myth to demonstrate the concept of rebirth. His accounting of the Goddess Persephone was particularly moving for me as I am also her devoted follower. He also accounts the journey of the Norse Goddess Freya and her necklace of Brisingamen. As she is another goddess that I am studying, this myth was of particular interest and I am eager to read the books on Nordic mythology cited in Mr. Parma’s bibliography.
I found Mr. Parma’s book filled with rituals, and interesting concepts and certainly his goal to enrich my spiritual path with purpose filled magic has come to fruition with me. I also had the opportunity to meet Mr. Parma in person. We had an impassioned conversation about our mutual goddess Persephone and the messages she has brought to our lives. In fact he signed my copy of his book, “blessed is she who hunts for flowers.” I believe he was referring to our beloved Persephone in that it is her hunt for the perfect flower that begins her decent into the abyss where she harnesses her fear, accepts her fate and becomes the awesome Goddess of death and rebirth. I saw that he took a moment to think of what to write to me, and so I think too that he also was referring directly to me; in that I have undertaken my own path and am willing to accept the truth that may unfold within my destiny. Mr. Parma is only in his early 20’s. I was stunned and a little intimidated that one half my age could impart such surpassing knowledge. I have already fluttered in the realm of astral flight with the techniques of this book and look forward to practicing more of the other concepts. I look forward to watching this young man’s career and I hope I will have the opportunity to meet him again.
After visiting Ireland, Mr. Parma was inspired to write this guidebook to further develop shamanistic abilities with the intent to inspire those on a pagan path to infuse their craft with purpose. It is divided into three sections, utilizing his inspiration from his trip to Ireland, the home of his Celtic ancestors, the Celtic three-realm cosmology, though the book draws from other pagan traditions.
In the section, “Land” which acquaints to the physical plane of being, he strives to encourage the reader to become aware of their physical self. Mr. Parma provides detailed exercises on breath, including yogi breathing, huna breath and counted breath. The section continues with meditation exercises. One that I found to resonate personally was the “Tree of Life” mediation. In this mediation, one becomes the tree whose roots delve deep into the underworld (sea), the trunk grows proudly upward (land) and whose branches reach outward into the celestial sky. Land further elaborates with physical spiritual manifestations such as dance and touch. I am often moved to dance, once a photographer took a picture of me, I was completely oblivious as I was in the thrall of dance and the picture always struck me. My eyes had a particularly ethereal look, and I am fairly certain that element of the photography had not been altered. After reading Mr. Parma’s notes on trance work, I can see that what the photographer captured was me experiencing and becoming one with what is divine. Learning this, I am now anxious to do more work on trance utilizing the dance that seems to come naturally to me. This illumination also made me keenly interested in the topics which followed; the magical practices of omen walking and divining labyrinths.
In “Sky” he explains that knowledge can be found in transcendence. He proposes that magic is a way to experience divinity and the connectivity of all things. Once again Mr. Parma outlines a series of magic working exercises. One that I was particularly drawn to was the creation of psyballs. In this exercise he outlines imagining a ball of energy which can be infused with a magical intention or wish. Mr. Parma believes that the force of creation is in essence a magical act. As we are all born of magic, it is our birthright to use magic and develop it. The sky chapter continues with steps to induce astral flight and outlines several steps to increase one’s spiritual awareness to develop the magical or psychic ability of clairvoyance.
In “Sea” Mr. Parma expounds on the concepts of clairvoyance and trance and encourages readers to vision quest to the underworld to experience death in the context of rebirth. It is only in death that we can see eternity evolving. This section also focuses on the concept of channeling or becoming the oracle through which the divine can speak. Mr. Parma wishes his readers to experience truth, but warns that truth is unique to the individual. I think it is important to note that an oracle must also embrace silence. Those that wish to hear will be open, but our individual truth may not be for the ears of all. In the “Sea” section, Mr. Parma uses the stories of myth to demonstrate the concept of rebirth. His accounting of the Goddess Persephone was particularly moving for me as I am also her devoted follower. He also accounts the journey of the Norse Goddess Freya and her necklace of Brisingamen. As she is another goddess that I am studying, this myth was of particular interest and I am eager to read the books on Nordic mythology cited in Mr. Parma’s bibliography.
I found Mr. Parma’s book filled with rituals, and interesting concepts and certainly his goal to enrich my spiritual path with purpose filled magic has come to fruition with me. I also had the opportunity to meet Mr. Parma in person. We had an impassioned conversation about our mutual goddess Persephone and the messages she has brought to our lives. In fact he signed my copy of his book, “blessed is she who hunts for flowers.” I believe he was referring to our beloved Persephone in that it is her hunt for the perfect flower that begins her decent into the abyss where she harnesses her fear, accepts her fate and becomes the awesome Goddess of death and rebirth. I saw that he took a moment to think of what to write to me, and so I think too that he also was referring directly to me; in that I have undertaken my own path and am willing to accept the truth that may unfold within my destiny. Mr. Parma is only in his early 20’s. I was stunned and a little intimidated that one half my age could impart such surpassing knowledge. I have already fluttered in the realm of astral flight with the techniques of this book and look forward to practicing more of the other concepts. I look forward to watching this young man’s career and I hope I will have the opportunity to meet him again.
July 16, 2024
Deeply disappointing, for this reader. While Parma insists (repeatedly, across the book) that his tradition and Witchcraft at large are not Wicca, he regularly name-drops his own WildWood Tradition that has almost all of the traits he critiques in Wicca: it is initiation-based, strict, exclusive, and operates in specific "covens" with "priests" and "priestesses."
However, my largest concern with the book was its unabashedly appropriative method. Parma dedicates much of his preface to attempting to dispel readers' concerns about his appropriations, but with circular logic at best: "I never impose on or misappropriate the various cultural and spiritual practices and traditions that I weave into my life; however, if my spirit is called by the Divine in one way or another, I will hearken to that call and follow it."
He regularly brings in traditions from Egypt and the Mediterranean, not because of his ancestral roots, but because some of his "many... past lives" occurred there.
He doesn't bother to justify his use of highly simplified and stereotypical "practices" from Indigenous North American peoples - he even appropriates "vision quests" and renames them "omenwalking" - or practices from many other marginalized peoples of color.
I'm embarrassed for the publisher for releasing such a book, and I'm also going to be very skeptical of other books by that publisher in the future.
However, my largest concern with the book was its unabashedly appropriative method. Parma dedicates much of his preface to attempting to dispel readers' concerns about his appropriations, but with circular logic at best: "I never impose on or misappropriate the various cultural and spiritual practices and traditions that I weave into my life; however, if my spirit is called by the Divine in one way or another, I will hearken to that call and follow it."
He regularly brings in traditions from Egypt and the Mediterranean, not because of his ancestral roots, but because some of his "many... past lives" occurred there.
He doesn't bother to justify his use of highly simplified and stereotypical "practices" from Indigenous North American peoples - he even appropriates "vision quests" and renames them "omenwalking" - or practices from many other marginalized peoples of color.
I'm embarrassed for the publisher for releasing such a book, and I'm also going to be very skeptical of other books by that publisher in the future.
March 11, 2013
I really enjoyed this book. It opened me up to new possibilities and the idea that I am never truly alone. It also made me really want to find others like me and explore more deeply into the Shamanic culture.
February 2, 2015
I enjoyed this book immensely and couldn't put it down, written by someone who knows their craft it is still presented in a format that is easy to comprehend but does not exclude more experienced practitioners. Its definitely on my magickal recommended reading list.
July 9, 2016
Beautifully written and highly insightful. ..Im so glad to have been gifted with this gem of a book. :)
Displaying 1 - 8 of 8 reviews