The fashion photography of Helmut Newton. Helmut Newton once said, "Some people's photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that's fine. But that's not why I do them. I'm a gun for hire" ("Newsweek", 02/02/04). This prosaic proclamation from one of the 20th century's most celebrated photographers is not a little shocking, but nonetheless firmly positions Newton as the no-frills image-maker that he was. His work is so powerful, so striking, that it defies categorization. In refusing to call his work "art," Newton leaves us free to do so, and judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised. This book brings together a selection of Newton's fashion catalog work from as early as 1962 through 2003 and his last editorial photographs for US and Italian Vogue - all work he made as a "gun for hire." The client list includes: BiBA, Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, "Italian Vogue", "US Vogue", "German Vogue", Villeroy & Boch, Bikini Calendar for "Sportsmagazine", "Absolute Vodka".
Helmut Newton, born Helmut Neustädter was a German-Australian fashion photographer noted for his nude studies of women.
Born to a German-Jewish button-factory owner and an American mother, Newton attended the Heinrich-von-Treitschke-Realgymnasium and the American School in Berlin. Interested in photography from the age of twelve when he purchased his first camera, he worked for the German photographer Yva (Else Neulander Simon) from 1936. The increasingly oppressive restrictions placed on Jews by the Nuremberg laws meant that his father lost control of the factory in which he manufactured buttons and buckles; he was even briefly interned in a concentration camp. ‘Kristallnacht’ on 9 November 1938 compelled the family to leave Germany.
Newton's parents fled to Chile. He was issued with a passport just after turning 18, and left Germany on 5 December 1938. At Trieste he boarded the 'Conte Rosso' (along with about two hundred others escaping the Nazis) intending to journey to China. After arriving in Singapore, Newton was interned by British authorities and was sent to Australia on board the 'Queen Mary'. Internees travelled to the camp of Tatura, Victoria by train under armed guard. He was released from internment in 1942, and briefly worked as a fruit-picker in northern Victoria. In April 1942, he enlisted with the Australian Army and worked as a truck driver. After the war, in 1945 he became an Australian citizen, and changed his name to Newton in 1946. In 1948 he married actress June Browne.She later became a successful photographer known as Alice Springs.
In 1946, Newton set up a studio in fashionable Flinders Lane and worked primarily on fashion photography in the affluent post-war years. He shared his first joint exhibition in May 1953 with Wolfgang Sievers, a German refugee like himself who had also served in the same Company. The exhibition of ‘New Visions in Photography’ was held at the Federal Hotel in Collins Street and was probably the first glimpse of 'New Objectivity' photography in Australia. Newton went into partnership with Henry Talbot, a fellow German Jew who had also been interned at Tatura.
Newton's growing reputation as a fashion photographer was rewarded when he secured a commission to illustrate fashions in a special Australian supplement for Vogue magazine, published in January 1956. He won a twelve-month contract with British Vogue and he left for London in February 1957. He left the magazine before the end of his contract and went to Paris where he worked for French and German magazines. He returned to Melbourne in March 1959 to a contract for Australian Vogue.
He settled in Paris in 1961 and continued work as a fashion photographer. His works appeared in magazines including, most significantly, French Vogue and Harper's Bazaar. He established a particular style marked by erotic, stylised scenes, often with sado-masochistic and fetishistic subtexts. A heart attack in 1970 slowed his output somewhat but he extended his work and his notoriety/fame greatly increased, notably with his 1980 "Big Nudes" series which marked the pinnacle of his erotic-urban style, underpinned with excellent technical skills. He also worked in portraiture and more fantastical studies.
Newton was extremely fond of his hometown of Berlin, and in October 2003 he donated an extensive photo collection to the Prussian Cultural Heritage Foundation, establishing the Helmut Newton Foundation. The foundation’s aim is the conservation, protection and presentation of the oeuvre of Helmut Newton and Alice Springs.
In his later life, Newton lived in Monte Carlo and Los Angeles. He was killed when his car hit a wall in the driveway of the famous Chateau Marmont, the hotel on Sunset Boulevard which had for several years served as his residence in Southern California. It has been speculated that Newton suffered a heart attack in the moments before the collision. His ashes are buried next to Marlene Dietrich at
Hard to disagree with Tom Ford's statement from the book: "Helmut's world is my idea of heaven. And Helmut's world is where I would like to go when I die."
Another masterpiece of photography by the master himself, Helmet Newton. He escaped Nazi Germany and began his career at an early age as an apprentice, and later to become an internationally famous photographer due to his values and work ethics...an unbroken spirit after Nazism, courage to try the impossible and finally, a literary inheritance that developed his deep psychological intelligence. I highly recommend this book for photographers and artists.