Offensive Films

by Mikita Brottman

Brottman offers up a study of movies so offensive, some are practically unwatchable. From the ever-popular Faces of Death movies to purported snuff films, from classic B-movies such as The Tingler, to more popular but no less controversial films such as The Texas Chainsaw Massacre, Brottman takes a wide-eyed look at movies most folks watch only through parted fingers.

While most critics have been quick to dismiss such films as mere shock-fests (if they even bother to talk about them at all), Brottman argues that these movies tell us quite a bit about who we are as a society, what makes us anxious, and what taboos we truly believe cannot be crossed. Part anthropology, part psychoanalysis, Offensive Films vivisects these movies in order to figure out just what about them is so offensive, obscene, or bizarre. In the end, Brottman proves that these films, shunned from the cinematic canon, work on us in sophisticated ways we often choose to remain unaware of.

Genres: Film, Nonfiction, Media Tie In

216 pages, Paperback

Published October 3, 2005

About the author

Mikita Brottman (born 30 October 1966) is a British scholar, psychoanalyst, author and cultural critic known for her psychological readings of the dark and pathological elements of contemporary culture. She received a D.Phil in English Language and Literature from Oxford University, was a Visiting Professor of Comparative Literature at Indiana University, and was Chair of the program in Engaged Humanities with an emphasis in Depth Psychology at the Pacifica Graduate Institute from 2008 to 2010. She currently teaches at the Maryland Institute College of Art. Brottman's articles and case studies have appeared in Film Quarterly, The American Journal of Psychoanalysis, New Literary History, and American Imago. She has written influentially on horror films, critical theory, reading, psychoanalysis, and the work of the American folklorist, Gershon Legman.

Brottman also writes for mainstream and counterculture journals and magazines. Her work has appeared in such diverse venues as The Los Angeles Times, The Huffington Post, The Chronicle of Higher Education, Bad Subjects, The Fortean Times, Headpress, and Popmatters, where her column, "Sub Rosa", ran from January 2007 to July 2009. Her essays have also appeared in a number of books and anthologies.

She is the author of the cult film books Meat is Murder and Hollywood Hex, as well as books on psychoanalysis, critical theory and contemporary popular culture. Her most recent book, The Solitary Vice: Against Reading (Counterpoint, 2008) was selected as one of the Best Books of 2008 by Publishers Weekly, who said: "Sharp, whimsical and impassioned, Brottman's look at the pleasures and perils of compulsive reading is itself compulsively readable and will connect with any book lover."

Brottman's partner is the film critic David Sterritt.

(from Wikipedia)

Reviews

[Nicolò Grasso · Rating 4 out of 5]

Details to great effect the importance and legacy of certain taboo-breaking controversial films from the history of cinema.