Living on Luck is a collection of letters from the 1960s mixed in with poems and drawings. The ever clever Charles Bukowski fills the pages with his rough exterior and juicy center.
Henry Charles Bukowski (born as Heinrich Karl Bukowski) was a German-born American poet, novelist and short story writer. His writing was influenced by the social, cultural and economic ambience of his home city of Los Angeles.It is marked by an emphasis on the ordinary lives of poor Americans, the act of writing, alcohol, relationships with women and the drudgery of work. Bukowski wrote thousands of poems, hundreds of short stories and six novels, eventually publishing over sixty books
Charles Bukowski was the only child of an American soldier and a German mother. At the age of three, he came with his family to the United States and grew up in Los Angeles. He attended Los Angeles City College from 1939 to 1941, then left school and moved to New York City to become a writer. His lack of publishing success at this time caused him to give up writing in 1946 and spurred a ten-year stint of heavy drinking. After he developed a bleeding ulcer, he decided to take up writing again. He worked a wide range of jobs to support his writing, including dishwasher, truck driver and loader, mail carrier, guard, gas station attendant, stock boy, warehouse worker, shipping clerk, post office clerk, parking lot attendant, Red Cross orderly, and elevator operator. He also worked in a dog biscuit factory, a slaughterhouse, a cake and cookie factory, and he hung posters in New York City subways.
Bukowski published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he went on to publish more than forty-five books of poetry and prose, including Pulp (1994), Screams from the Balcony (1993), and The Last Night of the Earth Poems (1992).
He died of leukemia in San Pedro on March 9, 1994.
this was great. a collection of letters in chronological order to a very small group of people with so many quotables that humanize bukowski. these were addressed to his friends, not his enemies, although he rants and raves about his enemies a lot.
definitely got more of an inside scoop with this one than any other bukowski book i've read besides maybe ham on rye. also read a few other books of letters by him but this takes the cake. he is such a character. such a genius.
Just a book about a guy getting progressively richer. I like how honest Bukowski is in his letters, his has no regard for who’ll read them. I half think Bukowski intended to lock them up. It got so honest I almost cringed (that whole fiasco with the read haired girl really broke the macho wise old man facade). The prose is even more loose that it normally is and it makes me more sick. Looks nice and it’s partly practical but I just cant stand it. Im a conservative man when it comes to grammar despite me myself lacking it. Bukowski is absolutely terrible at drawing. His abstract stuff is the kinda shit I hate. Like that painter Pollock who just dump paint on the canvas standing up. Like his prose, it’s too lose, there’s no technique, no discipline. The worst kind of painting. There is some aesthetic to it, is all I can give it props to.
It tells you what to expect. But it’s a roller coaster of difficulty and struggle. Buk mainly just perseveres, satisfying himself with creative output, beer, gambling and complicated relationships.
But his letters can shine. His wit and insight are genuine. Working class, rootsy and inspiring. He is one of the last human defending libido. It’s barely admitted to today. Our wholesomeness a kind of cowardice at times.
I managed to pick this trilogy up at Paper Nautilus in Providence. One to go. But to be savored.
The book can be read over a weekend as it's comical, crass, and beautiful and can be a real page-turner. What I noticed very clearly is how Bukowski wrote, commented, and operated in life is vastly different from later into his life; this book does an excellent job of showing him maturing/grow into another person.
For those of us who can relate to a tortured soul, Bukowski's life story will strike a raw nerve. He was blessed with an incredible observational writing skills, but his characters were always this side of social ineptness, and self destructive much like he was in those days. His capacity for the drink was legendary, he was moody and dark but his writing and expression was simply brilliant.
A book full of laughter. We rediscover the wit that has been an essential hallmark of the dirty old man and a guiding principle in his relations with people and his craft. The letters are humorous, clever, honest and offer a nice close-up to the life of Bukowski, his thoughts and inspirations. Recommended for any lover of the legendary poet.
Not as good as his actual works, lots of letters miss context and some letters are just not interesting yet the poet is there, the wits are there, great title, messy life period of Bukowski who goes from chaotic 70's women to happy luck out with Linda.
If you are a poet or a writer struggling with your type of writing, do yourself a favor and read this, gifted me confidence. As always, Bukowski never disappoints.
"I was in a health food store with Linda the other day and there were 3 or 4 lines snaking around and the clerks at the counter were chatting limply with the customers at hand and the customers at hand were chatting limply with the clerks, and even those others waiting didn't sense that time was being mutiliated, that silliness and ineptness were dripping from the walls. There was no fire or motion anywhere. And it just wasn't a physical stagnation, you could sense their wilted cottonball spirits...zeroes giving off horrifying death-rays."
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"Your stuff is getting better, you are banking your shots in with more ease and laughter -- that way is better because if you are telling the truth it's done without preaching and if you're telling a lie you didn't mean it because you weren't trying."
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"It seemed to me the man in Camus' Stranger showed more courage than the Hemingway man because his courage was a courage of acceptance rather than defiance."
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"Every time you say 'good morning' to somebody and you do not mean 'good morning' you are that much less alive. And when you write a poem within the accepted poem-form, making it sound like a poem because a poem is a poem is a poem, you are saying 'good morning' in that poem, and well, your morals are straight and you have not said SHIT, but wouldn't it be wonderful if you could?"
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"A man's either an artist or a flat tire and what he does need not answer to anything, I'd say, except the energy of his creation. Pure creation will always have its own answer finally, and it will neither be a set of disciplines or undisciplines, it will simply be."
Living On Luck. Selected letters 1960's-70's Vol 2 By Charles Bukowski.
I haven't read volume one of these letters yet and need to find a copy before I do. So I don't know how they vary from the first volume in terms of subject matter and quality or in terms of who they are letters to. But this volume concentrates mainly on letters to his various publishers and translators, which therefore means that there is a lot of talk about the mechanics of his publishing deals with black sparrow press and City Lights and various european publishers and magazines etc, and how the flow of money affects Charles life as he goes from struggling author and full time barfly and postman to full time writer, but as the letters are chronological suddenly he won't do a poetry reading for less than $500 plus flights, and he can't believe he can actually afford to buy his own house to help offset his tax liability, all the while he is selling book after book and sales of 70,000 is not unusual as he writes poems up to a 100 a month, then of course there is the inevitable booze and women to contend with and add to the mix so that this ends up as more or less a novel as much as a series of letters. For any fans of Bukowski this is as essential as any of his other novels.
It is always the matter, whatever it is. Just as always, Bukowski won't disturb you so much as when you set yourself apart from the world and you take up the agonies, the bluesberry pain, the simple Heidegger-short gossips, the slants, the insanities, tiny scoundrel atrocities, and et al; and, laying yourself backward on a rusted cot, you wonder that your elbows feel viscerally out of sorts, that the dog scrutinizing the failing lilac scrawns just below the windowpane belongs more to the world of God than the world of man: your reasoning - that we do not place flatly the dogs of the world onto horizontal stone cairns and attempt to worry their soft bodies with the zealous end of a paring instrument. Or you wonder that, in point of fact, often that happens just the same; but perhaps not in your little wedge between ocean, tree, hyssop, flag, bee, etc., and so forth. Poetry for Bukowski is what happens in those pretty divisions that come into the flesh / bone and palaver for a while, and in those portions, the poems grow like hickory smoke of Chanel Miracle or charnal hangover; all dependent, of course, on the sway, the angle of the Muse, the luck, the gimmick that just is and might not be again: all of that pith and piss, baby.
This isn't my favorite collection of Bukowski's letters, but it isn't bad. It is certainly a better read than his letters to Sheri Martinelli. Those ones were just to inside his and Martinelli's heads to really make a great deal of sense. Like listening to inside joke after inside joke. I'm rambling though. I may have liked other volumes of these letters better than this particular one, but this one wasn't the worst either. Good for a read.
like buk's poetry, moments: great vast burning moments, lines, gorgeous fat catches amidst the continual cast and reel and slow slap of the placid lake.
Letters from the 60's and 70's. It gives insight into Hank's struggle to survive as a writer and his departure from the stability from the post office.