A country-house farce or comedy or tragicomedy--with Shakespearean comedy undertones and a possible influence on Barbara Trapido.
From one angle, it's preoccupied, to an eyewatering and barely credible degree, with the sex lives and life-choices (as dependent on the sex-lives) or two young nineteen-year-old women, well-educated, well-regulated, rich, not wanting to work, wanting better home lives than their mothers. Antonia and Barbara are intelligently level-headed, while their fiances are limited, flawed (one is in love with his sexually liberated ex), comparatively featureless. From another angle, Wesley's 'romance' is a character study of a good-hearted man, Henry, a farmer and lord of a decaying West Country manor, about thirty-five when the action starts and darkly handsome. Henry has made a strange forced marriage, at his dying father's bequest, to a damaged eccentric, Margaret, whose previous alliance to a German in wartime Egypt left her with few options for safety. Margaret (possibly) resents Henry's largess, retiring to her bed the moment she is carried (or dragged?) over the threshold of Cottesloe.
The novel turns on Henry's magnanimity, as well as his peccadilloes, expressing themselves in his fatherhood--something Margaret, who does not sleep with him, vows she will frustrate. But this feature of the story is more implicit than one might expect. Henry, in the most estimable spirit of tolerance and humanity, only wants to please his wife--buying her gifts in London, where he visits his lovers or else 'call girls'. When he brings her perfume, she douses the two dogs with it. When his gift is a cockatoo ... well, this is the tragicomic and fairly weighty business of the novel's big set-piece.