Poetry. LOCALE. "Reading and rereading this extraordinary manuscript, I find myself asking where these poems most completely come word, line or 'sentence?' The truth is I can't tell-the poems leap off the page at all levels, as if Jessica Grim has tapped into the secret of a fourth dimension. Playful, serious, intense and wise all at once, with an accurate eye and an absolute ear, LOCALE contains some of the most riveting poems of our time. The art of the 21st Century starts here"-Ron Silliman.
some of the images repeat differently tightened sentiment controls
particular clipped tunes (the lawn sent me)
please describe all visible damage
okay: bedtime frail spins of hair as the light comes through my cheek
tower of biscuits no-smudge satellite review of one's own personal sentence rattling as you write that oh lonesome wind foils covering all the bases
described as the last ripple of facism
it's lighter out than it was long low bungalows we are in a slowdown heterosexual distaff (the famous shrinking word)
"we have freed the criminal from geographic proximity to his crime"
despair situates led to its understatment
cannot reasonably entwine
water on rubbed rubber tiles auditory cold flow irreverent disc stops throb, warp speed
- After the Graft, pg. 8-9
* * *
Moving the memory back out to accommodate its fixation, its thickness. Dried sprig of jasmine... alternating between a readiness to be deceived by my own fantasies, and then remarkable daylight breaks in.
Really a very detailed description of some skin, is that a prelude?
We have counted as high as we can go, held our breath that long. Geographic punctuality, worries are seasonal, and heady. No time out.
That peculiar void waving at the end of your rope, "make it real." Whose words follow: flagtime stops. Research melodious possibilities. Infolded spectaculars. My specious mind. Positioning sharply into the fetid dusk. Scant starry field throws off a furlong scent.
Rich with it. Tallness a metaphor, the down slant. Comeback with motives on your shirtsleeve, sexy litigious gratuities. Skate free of the hole once it's carved. Through it darkness and indiscretion. Successive meanderings, veneration of ego. Full fragile carpathian.
Venal arteries. Her clear heart. The muscular anticipation. Because the supposed perception (the record, the death) forefront her difficulties with that stance. Cutting bruising wounded flesh as the body of the writer, what now.
Also in an iron surface. The vanishing striptease inside the glass throne. Brittle green algae. Neck curves to hold the light. Only barrenness will make you calm... that flat arena whereby exquisite sameness proceeds. Murmur vibrates as our tongues touch at last.
In the destroyed view of the world a room. Empty and level both. A genius lust, the skins of things walk past.
- Untitled, pg. 27
* * *
It's not over til it's over pastures coating our dust with the ambiguous strain of desire somber container parsed to deter liquefied timbre inside skull's secretion our prepositional pride before the kiss acts like its own cage a voice reasons with itself
yawn hurts our face silver structure goes up same themes pry where is our tribe, the cord leads umbilically towards your mouth hardens the twines serrates globules
you startle easy prize glands decontour
on our coast swollen full pressure on vocal flux dedicatory amorousness takes the plunge any plunge
collapse description into it sweet streets saffron nemesis go above ground
garden of speechlessness they explode into the headlines in lingua
- It's not over, pg. 51
* * *
Glamorous to be pediatric, misread. Prosaic steps from this island to that, lost in our ways. Is it really a fabulous move? Cater to the outside? Whose gradient did you say you sucked? Idle lipstick makes me pout, I collect them as they come, til that's unreasonable, how do you do it? Sassy misanthrope. That novitiate charm. Viscous boy gossip, so demure, so classy.
Owls for the taking. The tills still banging out their memory; listen, still not enough of what I want you to do for me. A busy life bucks up, "back in the saddle again," back in the brilliant audience.
Obliterating the mechanics of pain in the ceaseless inflated hour. It's not doting we're even after, afterall. It's whose taunting maimed ways we encourage. An emblem frantic to be somebody. Pithy nostalgic undertaker. Shortening lines, dental fidelity, thick reciprocity sandwich. In those silent shoes the blue circle endlessly, our sprockets have skillfully relapsing, just a simple deposit. Still, be quiet, I can hardly hear. Parts which're dependent on sound, the excitement will wake you up. Arms envelope their mates, too crowded to please, same legs you walked here with... rows empty.