Works of prolific Russian-American writer Isaac Asimov include popular explanations of scientific principles, The Foundation Trilogy (1951-1953), and other volumes of fiction.
Isaac Asimov, a professor of biochemistry, wrote as a highly successful author, best known for his books.
Asimov, professor, generally considered of all time, edited more than five hundred books and ninety thousand letters and postcards. He published in nine of the ten major categories of the Dewey decimal classification but lacked only an entry in the category of philosophy (100).
People widely considered Asimov, a master of the genre alongside Robert Anson Heinlein and Arthur Charles Clarke as the "big three" during his lifetime. He later tied Galactic Empire and the Robot into the same universe as his most famous series to create a unified "future history" for his stories much like those that Heinlein pioneered and Cordwainer Smith and Poul Anderson previously produced. He penned "Nightfall," voted in 1964 as the best short story of all time; many persons still honor this title. He also produced well mysteries, fantasy, and a great quantity of nonfiction. Asimov used Paul French, the pen name, for the Lucky Starr, series of juvenile novels.
Most books of Asimov in a historical way go as far back to a time with possible question or concept at its simplest stage. He often provides and mentions well nationalities, birth, and death dates for persons and etymologies and pronunciation guides for technical terms. Guide to Science, the tripartite set Understanding Physics, and Chronology of Science and Discovery exemplify these books.
Asimov, a long-time member, reluctantly served as vice president of Mensa international and described some members of that organization as "brain-proud and aggressive about their IQs." He took more pleasure as president of the humanist association. The asteroid 5020 Asimov, the magazine Asimov's Science Fiction, an elementary school in Brooklyn in New York, and two different awards honor his name.
Klassische Essays des Meisters. Am beindruckendsten "Ich betrachte ein vierblättriges Kleeblatt", wo Asimov seine Idee der Enstehungsgeschichte des Universums erläutert. Klingt noch immer sehr modern. Viele andere sind natürlich veraltet, aber darum geht es ja auch nicht.
17 more essays/articles by asimov. This time they are broken down in 3 groups, Science essays which include a great essay on the expanding and contracting universe, Numbers which include things like time zones, sizes of rivers, and population figures (man that sounds boring), and a final essay about the author's youth. I'd say more than half of the essays I'd read again for pure pleasure and almost all of the others either taught me something and/or interested me in some way. I wonder if there is a modern day Asimov out there today writing pop science like this and teaching the masses? Bill Nye perhaps? On to the next one.
A fascinating collection of essays on the title subjects (8, 8 and 1 to be exact) that just happen to have intrigued one of the great minds of the 20th century. Asimov writes with great clarity, enthusiasm and not a little humour. Some of the essays were on topics I already knew well so I can confirm they are extremely well researched and presented in a way that anyone could grasp. This is an excellent example of what this type of book should be and despite its near 60 year old publication date it is still outstandingly readable.
This was my first foray into Asimov and I found him delightful. He's quite funny here while being very readable on many aspects of cosmology that I previously found difficult to penetrate. I think he was born to be a science explainer. I liked his style and whimsy. I'm ready to read more of his non-fiction. The best essay, to me, was "Knock Plastic!" I felt he perfectly commented on science and religion without judging.
Science was mostly Swahili to me. Numbers was better--by a smidgen...and I made up for the first two. That and the (occasionally) apocryphal stories that preceded each chapter.
Just so you know, it's not you, Isaac, it's me. Science and numbers were never my thing, and you took both to sheer, genius heights, you turned your book of essays into a textbook for prodigies.