The year is 1660 and England does not have a Monarch. Charles I had been beheaded, Oliver Cromwell passed away and Parliament is squabbling to retain a last shred of power. His son, Charles II, awaits for the Restoration, in semi-exile in Europe.
This is the background upon which 27 year old Samuel Pepys begins his diary, under the patronage of his Lord, Edward Montagu, first Earl of Sandwich. A busy year, as he becomes the Earl’s secretary, which puts him at a most interesting position in space and time. He is witness to all the inner workings of the English government to bring back the Monarchy. He is on the ship Nazeby that brings the King home.
Samuel is a man who respects his patron. In all entries of this first year, he always refers to the Earl as “my Lord” and nothing less. It’s easy to understand why, Samuel is a hard working man and his Lord repays him accordingly: they have private dinners, private personal conversations, Sandwich even shows him personal correspondence between him and the King. Their relationship is of mutual benefit: Samuel manages to save more money each day (which he counts on a weekly basis), whilst indulging in his passion for food, drink, music and good company and Sandwich knows he has a trustworthy man who can collect £4000 from one man and bring it to him untouched.
On their return to London, Samuel’s circumstances change, more for the better. He takes the position of Clerk of the Acts to the Navy Board, a well paid job that keeps him close to his Lord, to the King and his entourage.
Samuel is a man like any man, ever. He drinks with his friends, he is constantly vexed with the workers refurbishing his kitchen, he is bored by the sermons of the hypocritical Church, he loses his temper with the servants, and on his way to the office, he witnesses traitors being hanged, drawn and quartered at the Tower.
Samuel is a man who appreciates his wife, Elizabeth. Once he gets a raise and pays off his debts, he buys her jewellery. When she is brought to meet the Queen Mother (Henrietta of France) and the Princess Royal (Catherine FItzCharles), he is pleased to see that she is much better looking than both of them, the black patches on her face much more handsome. He is well pleased when she dines privately with his Lord’s wife, Jemima Crew and when she is given respect by the entourage of the Court. Perhaps love is too strong a word to describe Samuel’s feelings for her, him having a few mistresses around London (including one of their maids), but perhaps appreciation is a much stronger bond between spouses in Restoration England. He misses her when he is at sea. He frets and worries when she is ill. He argues with her when their bedroom is a mess and he is constantly put off by their untrained dog.
He had been suffering from kidney stones from an early age. In 1657, Pepys takes the hazardous decision to undertake surgery: on 26 March 1658, he was operated on by Thomas Hollier, without anaesthesia, with a risk of going into shock and dying, and without knowledge of infection, a surgeon’s tools often being a hotbed of bacteria. It was a success and for several years afterwards, Pepys marked the event with an anniversary dinner (which, of course, he recorded in his diary). Pepys even preserved the removed stone – which was over 4 centimetres in diameter – in a specially constructed case.
Fantastic read! So much to research, so much to discover, almost every entry is a gem of historical or socio-cultural nature. Deeply satisfying, words cannot do it justice.
Onwards to 1661!