Black on White: Black Writers on What It Means to Be White

by David R. Roediger

In this thought-provoking volume, David R. Roediger has brought together some of the most important black writers throughout history to explore the What does it really mean to be white in America?From folktales and slave narratives to contemporary essays, poetry, and fiction, black writers have long been among America's keenest students of white consciousness and white behavior, but until now much of this writing has been ignored.  Black on White reverses this trend by presenting the work of more than fifty major figures, including James Baldwin, Derrick Bell, Ralph Ellison, W.E.B. Du Bois, bell hooks, Toni Morrison, and Alice Walker to take a closer look at the many meanings of whiteness in our society.Rich in irony, artistry, passion, and common sense, these reflections on what Langston Hughes called "the ways of white folks" illustrate how whiteness as a racial identity derives its meaning not as a biological category but as a social construct designed to uphold racial inequality. Powerful and compelling, Black on White provides a much-needed perspective that is sure to have a major impact on the study of race and race relations in America.

Genres: Race, Nonfiction, Sociology, Politics, Essays, College, African American

367 pages, Kindle Edition

First published January 1, 1998

About the author

David Roediger teaches history and African American Studies at the University of Kansas. He was born in southern Illinois and educated in public schools in that state, with a B.S. in Ed from Northern Illinois University. He completed a doctorate in History at Northwestern in 1979. Roediger has taught labor and Southern history at Northwestern, University of Missouri, University of Minnesota, and University of Illinois. He has also worked as an editor of the Frederick Douglass Papers at Yale University. He has written on U.S. movements for a shorter working day, on labor and poetry, on the history of radicalism, and on the racial identities of white workers and of immigrants. The former chair of the editorial committee of the Charles H. Kerr Company, the world's oldest radical publisher, he has been active in the surrealist movement, labor support and anti-racist organizing.