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102 pages, Kindle Edition
First published September 7, 2010
“My father, like many others, had a belief—tikkun olam—contribute to the world. Perfect it. Leave it a better place,” — Karol
Warnings: From R.Cooper herself..."References to violence, torture; Onscreen sex; Facial scars/public reaction to them." And I have no notes.
Let There Be Light is a character-driven book with Karol does not pretend to be anything he isn't. Hart is a soldier, a good one and loyal to his men. He has never had an experience quite like the ones he's had in the company of Karol. His extensive and easily recognisable scarring is treated with respect. It is set over 24 hours it is a delicate balance of deception of self and truth. They have a history that much is made obvious from the outset but the truth isn't revealed until later in the piece. It is essentially only the two of them for the entire story and given the exceptionally short time frame that is a good thing but the plot is simple enough so it is more about the characters for me.
I appreciate how the elements come together. There is something appealing about a man written as Karol is, unknowingly in a way user, with an extremely high IQ with an equally low EQ. Hart's nature is more balanced, able to understand people's emotions but still able to nearly keep up with Karol's intelligence. A genius scientist who takes his pleasure where he can find it (he is essentially a manwhore) but never lets his heart get involved. One night and then he never wants to see you again. The refrains that are used multiple times to tie everything together. This is an author who knew her limitations and chose not to exceed them. I feel it shows a remarkable respect for the characters and the reader. When writers attempt to eclipse their writing skill when it comes to intimate scenes I find it can damage a character, or alter their whole character type. I
Some quotes I liked
• He was something to see in action, fearless where the pursuit of knowledge was concerned. — This is about Karol. As a librarian and someone with a strong interest in sociology and research, I totally understand this trait. I really like that it is written as a positive trait here. Then again R. Cooper is a strong supporter of libraries. (Hart)
• Acts between men had only been officially decriminalized for ten years, but Karol had been taking advantage of the Crown’s willingness to overlook the misbehavior of its top minds—provided they produced results—for years before then. It had been yet another reason his assistants and security details had never lasted. Each man might have been hoping for more, but all they’d gotten was one night. — I don't know why I feel the need to include this but I do. It adds context in the book, but I also really like the phrasing and what it says about Karol. It is a polite way to call him a manwhore. (Hart)
• “If you were mine, Hart, and not Victoria’s, I would treat you better. If you were mine, I would not allow this.” — Victoria is Queen Victoria, as is common for a steampunk setting. Hart is in her service. This is something of a refrain for this book. It is because of his duty to Victoria that Hart is covered in scars. Those scars make Karol angry. (Karol)
• Karol loved him. Unbelievable. But Karol did not come in pieces. He was wonderful and terrible and Hart wanted all of him. — When Karol is in he's in. It suits his character type, more academic and quite bitter. (Hart)
• “Run away? Or to you?” Karol raised his eyebrows. “I can take care of myself. You try to remember that, and watch out for yourself.” He handed the patch back to Hart, smiled slightly as Hart took it and stuffed it into his coat. His smile faded when he met Hart’s eyes. “Don’t hide from me again. Please.” — There is a strong sense of tenderness to this line. Or as tender as I think Karol can get. (Karol)
• During the day, during nearly every moment of waking, he was Victoria’s. He was service. — Does anyone know Babylon 5? This reminds me of the line associated with Psycorps. "The corps is Mother, the corps is Father." It was a knee-jerk reaction of a thought. I always associate that line with pure duty, duty to the detriment of the rest of their life. (Hart)
• “Fiat lux,” he said, ignoring Isabel’s puzzled exhalation.
Let there be light. — Going to be honest these are the best last lines I've read in a while. They are perfect for the story. Though these are only the last lines of the main story, not the last lines of the book. The phrase is Latin a language Karol despises. (Hart)
At the end of the main story, there is a bonus called A Day Like Today. It is a fantastic addition the the original. I'm so glad R. Cooper chose to include it. It is a switch in perspective. It gives the reader an idea of exactly what Karol suffers through as what is essentially a military husband leaves. His near sincere jealousy of the queen and not a little anger and fear. Karol is a jealous, jealous man. The idea of Karol playing with pleasure/pain just works, it suits him. Robert/Hart is so different in this to the original he is still arrogant but we see his loving partner and devoted soldier sides in absolute combat for domination. With the soldier victorious, as Karol expects. But it is the altered perspective that makes this. Seeing the difference between how Hart perceives Karol and how Karol perceives Hart.
Some quotes I liked from the bonus.
• But all of that had been before. Before he had Robert in his bed, and Robert’s scars to kiss, and Robert’s mocking little smiles replaced by private, glancing, surprisingly tender touches. — I appreciate the switch in perspective. Though it is difficult to write as a far more analytical mind such as Karol's. There is a beauty is this writing. (Karol)
• “I love you,” he said, unoriginal and raw as he was only around Robert. He could not have borne it if Robert had died, could not have borne it no matter what Robert hoped in his brutal yet idealistic mind. — That idea of a brutal, idealistic mind is one that I don't come across often. (Karol)
• I adore the cover of this. I likely would have gotten to it eventually given it is Cooper's first published work. But It was the cover that drew me in. I like steampunk and the cover is just fantastic it is one of the few that actually very, very nearly aligns to the characters too.
I really enjoyed this, more than I was concerned about. This was R. Cooper's first piece of professional writing I was concerned about seeing something I didn't want to see. As a first publication, this is nearly exceptional. It is clear to see why R. Cooper has the fanbase she does with this as a launch point. Honestly, a must-read for her fans. Not a bad steampunk the elements aren't overused combined with reasonable romance for those who like character-driven over smex-driven arcs.
Karol’s stomach flipped and tightened, his heart raced, his palms felt damp. If he could have, he would have driven this thing from him, used electricity to shock it apart or into pieces so small he could not find them. It would destroy the fabric he was made of, that the universe was made of. To split such pieces into tinier fragments painted pictures of catastrophe that Karol could not explain, but at that moment he would have welcomed an explosion, especially one that would have rocked the world. — Karol
A representative gif: